You look at me with those brown eyes
What do you want to do
Do you have to have me
The way that I want you
I want you
Sha-la-la, sha-la-la, sha-la-la-la, la, la, la… (ooh-ooh…)
Sha-la-la, sha-la-la, sha-la-la-la, la, la, la… (ooh-ooh…)
Sha-la-la, sha-la-la, sha-la-la-la, la, la, la… (ooh-ooh…)
When you look at me with those brown eyes
What do you want to say
And are you just another liar
Will you take me all the way
All the way
Sha-la-la, sha-la-la, sha-la-la-la, la, la, la… (ooh-ooh…)
Sha-la-la, sha-la-la, sha-la-la-la, la, la, la… (ooh-ooh…)
Sha-la-la, sha-la-la, sha-la-la-la, la, la, la… (ooh-ooh…)
Sha-la-la, sha-la-la, sha-la-la-la, la, la, la… (ooh-ooh…)
Sha-la-la, sha-la-la, sha-la-la-la, la, la, la… (ooh-ooh…)
Sha-la-la, sha-la-la, sha-la-la-la, la, la, la… (ooh-ooh…)
(Christine McVie) © 1979 Careers-BMG Music Publishing
Fleetwood Mac’s founder, Peter Green, makes an uncredited appearance on this song by Christine. His solo is just discernible on the fade out here but can be hear in its entirety on The Alternate Tusk.
Lindsey: I don’t remember Peter Green coming in, so I don’t think I made any judgement on whether to use it or not. Mick would ultimately have had the decision to use his playing or not. And it was Christine’s song to do with as she wished.
Mick: Peter was living in L.A. then and hanging out at my house a lot. He was still as he is now, changed, but he used to pop into the studio occasionally. I don’t know if he was that interested or not, but he did play on this song, which I love. Classic, slinky, killer stuff from Chris. The band’s playing really shines. I can’t recall why we only used Peter at the very end, but it’s great that he’s on here, because it’s Peter and it’s his band.
