STEVIE NICKS INFO

Tag: Toronto ON

  • RECAP: Toronto, ON – Air Canada Centre

    RECAP: Toronto, ON – Air Canada Centre

    Scroll down for photos, videos, reviews, and fan reaction!

    On Tuesday, Stevie Nicks performed at Air Canada Centre in Toronto, Ontario — the 18th show of the 24 Karat Gold Tour. It was the first of two shows in Canada (Stevie performs in Vancouver on December 9).

    The current tour is proving to feature her most diverse set list to date, with yet another set list change this evening. Stevie treated Toronto fans to Fleetwood Mac classic “Landslide,” the second encore and show’s closing number. Though it replaced another classic — the 1981 hit “Leather and Lace,” which was retired from the set at last Friday’s Uncasville, CT show — fans were thrilled with the “Landslide” addition. (Stevie ended the following Auburn Hills, MI show with “Rhiannon.”)

    Twitter was abuzz with overwhelming praise and accolades. Kelly Ryan, a fan attending the Toronto show, summed up the evening in the following tweet: “Stevie Nicks was amazing and still can kick ass at 68. Wow just wow!”

    Stevie Nicks
    (Live Nation Fans)
    Stevie Nicks
    (Emily Mac Music)
    Stevie Nicks
    (Ashley Tredenick)
    Stevie Nicks
    (Tahra)

    2016_1129_livenationfans2

    Stevie Nicks
    (Victoria)
    Stevie Nicks
    (Arpi Greco)
    Stevie Nicks
    (ML SE LIVE)

    Videos

    Thanks and much love to Steve Gallow, Ken Lyons, Darin Parest, and The Concert Junkie for filming and sharing these wonderful videos.

    Gold and Braid / If Anyone Falls / Stop Draggin’ My Heart Around / Belle Fleur (Darin Parest)

    “Welcome, Toronto! Well, we are very glad to be here. We just came in from somewhere in the United States last night. And uh, I know, who remembers? But anyway, we’re really glad to be here.

    “So I want to tell you that this set, this set is not the same set that you saw probably…100 times over the last 20 years. This is a different set. I went back into, I call ’em,  the black, gothic trunk of mysterious and fantastical things to pull out songs that were not done, not because they were not good enough, but because I just didn’t like the way that they were done. So I pulled them. So never knowing  whether or not they would be ever used or heard again from that point. So anyway, I put them into a set. I tried to intertwine everything together and make it something that you’ll really like. It’s really fun for me, something different to do for my own musical love of music.

    “So anyway, I hope you enjoy it. We’re awful glad to be here and very glad that you are here. So, let’s go!”

    Gold and Braid / If Anyone Falls (Ken Lyons)

    Stop Draggin’ My Heart Around feat. Chrissie Hynde (Ken Lyons)

    “Thank you. So this next song has kind of a great story. When we did Bella Donna in 1981, it was produced by Jimmy Iovine, who had produced many people by then, even though he was five years younger than me. He would like that, that I said that. Anyway, Jimmy came to me and said, ‘OK, we’ve made the record. It’s really good.’ It took three months. We were very organized, very together and he said, ‘But there is a problem. And I’m like, ‘So what is the problem?’ And he says, ‘There is not a single on this record.’ I’ve only been in the business for like five years at that point. I don’t know a lot about all this, even then.

    “So I’m like, ‘What do you exactly mean by that?’ And he says, ‘It means you don’t have a single on your record. And you need to have a single or it’s possible that your record will tank and then you won’t have a solo career.’ [put her finger on her cheek] Hmm.  No, yes, he said that to me. And I’m like, ‘Well…so what am I supposed to do, go and home and try to write a single?’ I tried to write a single, there’s 12 of them, and he said, ‘No. This is what we’re gonna do. The reason you hired me was because you actually wanted to be in Tom Petty and The Heartbreakers, right?’ And I’m going, ‘Yes! Yes!’ He said, ‘Well, I couldn’t help you with that,’ but he said, ‘But what I did is Tom Petty has offered to give you a great song that was supposed to be on the record he’s doing right now and not only is he going to give you this song, but he’s gonna sing it with you.’ And I’m like, ‘OK!’ I throw the arrogance out the window and go like, ‘I’m so happy. What can I say?

    “So anyway, that song — thank you, Tom Petty — was probably the reason why we are standing here today because it became a huge single, and it’s called ‘Stop Draggin’ My Heart Around.’”

    After ‘Stop Draggin’ My Heart Around’

    “So much fun. It’s like it’s my…it’s my destiny to almost always be a part of a duo. And it’s fantastic since I was this big with my granddad. It’s like I always find my way back to singing with another person so now I have a new person to sing with, Chrissie Hynde, and it’s just so great.”

    Belle Fleur story

    “So this next song could have actually well, it is written about me. But it could have been written about her also. In the beginning — in the beginning — like you know, like 1978, let’s say. I don’t remember, but somewhere back then. I wrote this song and it was about having relationships when you’re in a rock and roll band, and you’re a girl and you’re in the band, and you really can’t take your boyfriends on the stage. Well, you definitely can’t take them on the stage. But you absolutely can’t take them on the road either because they don’t have anything to do. And everybody starts walking around going like, ‘Who is that, and why are they here?’ So it ends up not being a good thing so the rule is pretty much: Don’t bring your boyfriend. Now it’s not the same for the guys, if they want to bring their girlfriends, it’s fine. But, not fine.

    “So I wrote a song about when you leave and you’re going on a tour, you can’t really say how it’s gonna last because you don’t really know, and so you’re walking down your little path to the long, black limousine that I personally loved, not the SUV, the real limousine. And you’re turning around and you’re waving goodbye to that person and you don’t know when you’re gonna be back, and it pretty much means that the relationship is over. You know it, he knows it, it’s just the way it is. So anyway, this is my picture painting, and it’s called ‘Belle Fleur.’”

    Gypsy (Ken Lyons)

    Stand Back / Crying in the Night (Ken Lyons)

    “Thank you. Yes, that was Prince, and yes, we did know each other and we were actually very good friends. And we wrote that song together. We didn’t really write it in the same room together, but I wrote it along to his track ‘Little Red Corvette.’ And then I called him and told him the truth: ‘I have written a song to your song from another one of my, you know, ferocious, long poems.’ And he said, ‘Great!’ And I said, ‘So, I’m at Sunset Sound Recording Studio right now in Los Angeles. I don’t have any idea where you are, but if you’re here, could you come over?’ He said, ‘I’m in Los Angeles. I’ll be over in 15 minutes.’ And he was, and played a little guitar, he played keyboards, he said he loved it, and then he like whooshed into a purple haze and was gone. And really, that is a fact of who he was. He was like came to get his work. He was really nice and he left. And then for the rest of his life, that’s how I would see him every once in a while. It would just be like woosh! and then he was just like gone.

    “So he will always be a part of us because he will always be a part of…every time you hear ‘Stand Back,’ you can think about ‘The Purple One’ making it possible for me to write that song.”

    Crying in the Night story

    “So anyway… OK, next song… Do you feel like you’re in school yet? If this hadn’t all worked out for me, that’s what I would have been, a teacher. And I would have taken all my music into my classes and made people sit there and listen to it! And I’d be fine.

    “So the next song is the oldest song we have ever performed here onstage because it was a song on the Buckingham Nicks album. And it was probably written…hard to remember, but it was probably written before Lindsey and I drove to Los Angeles in 1971 because we had our 12 Buckingham Nicks songs demoed really beautifully. So that’s probably when I wrote it, like in even 1970.

    “Anyway, we came to Los Angeles. We moved in with our producer and the first thing that happened was we met Waddy Wachtel. And he was already a very well-known session musician, who had a job and was doing well. And so the three of us became really good friends. When I look back on it, it was like, you talk about like ‘the best times of your life.’ It was like, this is the best times of our life.

    “Anyway, this song that I wrote, I don’t know, it just turned into this great song. And it’s like we don’t know what it was about — we can’t figure these words out. It was about some girl that none of us knew. And anyway, we recorded and it came out great, and it was gonna be the single on the Buckingham Nicks record, but it never really made it to that place because the Buckingham Nicks album was put out and dropped by the record company in like a couple of weeks.

    “So anyway, we have often thought about doing this song and I’ve said, ‘No, you know, maybe this isn’t…’ And so Waddy said, ‘Why not? Let’s just do it.’ So I said, ‘OK! Let’s do.’ So anyway, this song from the 1973 record is called ‘Cryin’ in the Night,’ and we’re gonna play it for you now.’”

    After ‘Crying in the Night’

    “…a dream come true that we never actually thought would come true, bringing something actually to the forefront that was lost forever. And so this only means that it is a testament to… I hate to see people not go after their dreams because you can have them. You just have to fight for them, and you just have to remember to not listen to anybody else, that you have to say: ‘This is what I really want! It’s not your life. You don’t live here. It’s me. Go away!’ And stick to it because you can have it. The stars are there, just like ‘Bella Donna’ says, you know, ‘Come in out of the darkness.’ Anyway, I have to say that. That’s my little preaching moment, so thank you.”

    If You Were My Love (Ken Lyons)

    “I’m back! I need a pulpit, I do. I need something to put my hands on.

    “OK, so this next song… Oh yes, it goes way back too. It is the only other song that I honestly don’t remember who it was about. But it was a very important song to me because I pulled it off Bella Donna because I didn’t like the way it was recorded. So I think it was about a heartbroken person somewhere. Someday, it’ll come to me, but it hasn’t yet. And it’s one of my very favorite songs. It’s called ‘If You Were My Love.’”

    Gold Dust Woman (Ken Lyons)

    Edge of Seventeen (Ken Lyons)

    “Thank you, Toronto! What a beautiful city you have here! We could all be moving here soon. I love it here.

    “You have been an awesome audience. I appreciate so much you listening to all my, my dark, gothic trunk of magical, mystical…’Mrs. Peregrine’s Place for Curious Children and Song.’ I know that it’s a lot, and I appreciate the fact that you are kind and sweet and listen as if we were in like our house, our living room. And we are just missing refreshments — that’s the only thing!

    “So that’s what I actually came here for is to make you feel like we’re all in our house of music, and this is the good place. This is where it all happened. So I thank you for making me feel like my little way I wanted to go goes right. And we will see you next time. Stay well and safe. Love each other. I love you so much. Thank you very much.”

    Rhiannon (Ken Lyons)

    Landslide (Steve Gallow)

    https://www.youtube.com/watch?v=qd3Kh7-lkco

    Landslide (The Concert Junkie)

    “So this last song… We actually just decided to do… We usually don’t do this song, but we decided to do this song tonight because, when we left on this tour, I said, ‘You know, we’re not working for anybody else, so if we wanna just change a song, do a different song, it’s like we’re not going to get thrown in jail or anything. We can actually do whatever we want.’ So tonight we’re doing a different song…I think. I haven’t sung this song in a while so I hope, I hope I even… Of course, I remember it. It’s the other song besides ‘Rhiannon’ that’s been done every single time I’ve ever gone on the stage, except this time. But now it’s gonna be this time too. Take it away, George!”

    Reviews

    Nothing beats a night with Stevie Nicks and Chrissie Hynde (Chaka V. Grier / Now Toronto)

    https://twitter.com/RdeTriomphe/status/803831699796852736

    https://twitter.com/Ashleytredenick/status/803823290825449472

    https://twitter.com/jamiegibsonxo/status/803823144393986048

    https://twitter.com/_brittralph/status/803821121258844161

    https://twitter.com/niccrichi/status/803779202143154180

    https://twitter.com/Foodietwo/status/803729911177428992

  • REVIEW: Fleetwood Mac, 2/4/15

    REVIEW: Fleetwood Mac, 2/4/15

    FLEETWOOD MAC – Live, February 4 2015 at the Air Canada Center, Toronto

    Before reviewing the concert I have to give a brief history of my introduction to Fleetwood Mac. In the early 90’s, one of my buddies took out whatever hair band CD was in the player and put in Fleetwood Mac Rumours. WTF is that crap? It sounded like the love child of ABBA and The Eagles! After a while the band grew on me. I wasn’t exactly going to cruise down main street with Fleetwood Mac blasting out the T-tops, but I did start to enjoy it. It became one of my guilty pleasures, and my wife loves them, so this is a bonus.

    Fast forward to February 4 2015. My wife and I were early, so we got to our seats before the show started. The band was not on time, but only 20 minutes or so behind schedule. By Axl Rose standards, they were 2 hours early. This gave me time to Google the setlist as I always do before a concert. 24 songs and two encores. 24 songs? Holy crap. I also read reviews of many of the recent shows. All glowing love-fests proclaiming Fleetwood Mac as the next best thing since sliced bread, with nary a whisper of negativity. Well. We shall see about that.

    The lights dim and we see the shadows of band members entering the stage. The crowd roars. When the music starts you get a feeling why this band has remained so popular. The rhythm section of this band is awesome. These guys are in their late 60’s, and they still sound incredible. John McVie is the guy that likes to stay in the background. I don’t think I ever saw any hint of showmanship from him, but he played his bass flawlessly, and that is all you can ask. Mick Fleetwood is a really underrated drummer. His talents are not shown off in the mostly pop rock songs that made the band famous, but over the years I have heard enough of his songs to know he has what it takes. And for his age, he still has it. Lindsey Buckingham is a guitarist that wasn’t on my radar: until I saw him live. He was not awesome, but a very unique guitar player. For starters, he does not play with a pick. I have seen many players play acoustic without a pick but not many electric players. His right thumb seems to act kind of like a pick, but his right hand fingers do this kind of spastic fingerpicking that is hard to describe. Kind of like, if he was trying to flick crumbs from all of his fingers at the same time. I can’t quite figure out how the guitar sounds so good when his thumb and all 4 fingers seem to be flicking at the strings at the same time. But it works.

    Stevie Nicks still has a great stage presence, and she is possibly better at her age than some singers in their prime.

    Piano and accordion duties were handled by Christine McVie. Her strength however is her vocal prowess. All I can say is that anyone that saw this band in the last 16 years prior to this tour should ask for their money back. She left the band during that time due to an intense fear of flying. What an absolute loss that was. She completes this band, the way Van Halen was completed when David Lee Roth came back. They were great without him, but awesome with him. Her voice is so crisp and it reminds me of the first robin you hear in the spring. You can’t help but smile. For a 71 year old lady, she still looks and sounds beautiful. Kind of like an older Judith Light. She must have been a real force to deal with in her heyday.

    The final member is the resident scarf twirler, tambourine banging, top hat wearing lady named Stevie Nicks — probably the most famous member of the band. She is the only member to have a productive solo career. Unfortunately life, and possibly hard partying have caught up to Stevie. Her voice is down at least 1 octave, and she can’t hit the high notes anymore. She still has a great stage presence and she is possibly better at her age than some singers in their prime.

    Now for the bad.

    “Tusk”. The mere mention of this song turns me off. However, I did prefer the live version of this song to the original, but that is not saying much.

    “Second Hand News” is my favourite song by this version of the band. This live rendition however was ruined by whatever annoying sound effect they had in place of the bass line that the original had. And the “bowm bowm bowm bowm bowm…” is a little off. It might be too fast paced for the elder statesmen.

    Even though I commended Lindsey, he is not without fault. His voice progressively got worse as the night wore on. I was hoping they would actually mute his mike, and just let his guitar do the talking. When he did a vocal solo, his voice reminded me of a pre-pubescent mixed with The Hobbit. I was waiting for him to say “precious’. There were also times in the night that he yelled and screamed much louder than he needed to. And I won’t even mention the skinny jeans he borrowed from One Direction.

    The song choices could have been better in my opinion. There were a few duds near the middle, and even one song from the Peter Green era would have been nice. Not many people realize the band did “Black Magic Woman” before Santana. Also, they could have done a cover of “Werewolves of London”. John and Mick were the rhythm section on the Warren Zevon song. These would have been good substitutions.

    Stevie Nicks though a good stage presence, kind of reminds me of an old hippie cat lady from Woodstock, New York. She is about three puffs on a reefer away from being bat shit crazy. She was rambling a few times during the night. Something about Lindsey in high school and he knew her but she didn’t know him blah, blah. Next about the store that influenced the song “Gypsy”…zzzzzzzzzzzzzzzzzzzzzzzzzz. I told my wife to nudge when she stopped rambling.

    I read in another interview how the giant screen behind the stage and the smaller screens near the front made the show so much better. Apparently this person was not sitting where I sat. The smaller screens blocked my view of members of the band. When Mick was doing a sweet solo, I wanted to watch his arms flailing. But instead I got to see a stupid screen in my way.

    In conclusion, this was a concert worth seeing. I watched the Youtube clips of the show, and they don’t shed a good light on the band. The band does sound much better when you are seeing them in concert than what it looks and sounds like on a computer. Although I was much worse on them than any other reviewer I read, I still enjoyed the show. I can finally say I saw them, and I would recommend them to others.

    I would rate them: 7.5/10 (3.75/5 stars on the LeBrain scale)

    BOPPIN / LeBrain’s Record Store Tales & Reviews / Friday, February 6, 2015

  • REVIEW: Fleetwood Mac, Air Canada Centre, Feb 3

    REVIEW: Fleetwood Mac, Air Canada Centre, Feb 3

    As I stood from my spot on row 33 on the floor and looked around the sold out crowd at the ACC on Tuesday night, a thought came to my head: I’m probably the only person here who knows about five Fleetwood Mac songs.

    I am not very familiar with Fleetwood Mac. I wasn’t born in the 70′s and I didn’t even speak English until the late 80′s. That’s my excuse anyway. I thought “Landslide” was a Smashing Pumpkins song for the longest time and my first time hearing “Gold Dust Woman” was because of Hole.

    Yet there I was, on Tuesday night watching them. Why? Because I’m old. When you are old, you start thinking, hey, why shouldn’t I check out this random classic band playing at a hockey arena? It might be good. You are less discriminatory towards high priced acts. Especially if you work across the street and stubhub has given you enough incentive to purchase those tickets.

    Onto the show. My favorite moment was definitely before the track “Gypsy.” Stevie Nicks was telling a story about the bands beginning and how she ended up at a store called The Velvet Underground, and it was only then she realized she was going to make it.

    She then concluded by telling the crowd to “Believe in yourself and follow your dreams.” Great message, especially to a crowd whose average age is probably 50. Yes, people, follow your dreams and buy a winter home in Fort Lauderdale. You can do it!

    My second favorite non-music moment was during another chat session in which Lindsey Buckingham was talking about how the band is back fully back together or something, and this woman about twenty rows back screamed out “YOU SAVED US!!!” I have no idea what that was about, but it was pretty epic. I wish to one day, yell out these very same words in a moment of emotional elation.

    The band played with a massive high definition projection screen which, for most part, was showing hippy-dippy shit like sunsets and forests, but once in awhile would show really weird things like a floating Lindsey Buckingham head. I found that creepy.

    As a non-hardcore Fleetwood Mac fan, I enjoyed the show. Lindsey Buckingham is amazing on the guitar and had some impressive guitar solos. Stevie Nicks sounded good and “Landslide” was beautiful live. I liked that so much I’ll butcher it the next time I go to karaoke. The crowd really loved it when she would twirl around with her arms spread out as well. I think that’s the Stevie Nicks dance. Mick Fleetwood looked like he was having a blast behind the drums and played well for an old man. If I could be that active at his age, I would be impressed. He also reminds me of someone who would serve me chowder at some cabin by the sea in a fisherman village for some reason. I don’t know why I shared that.

    The rest of the setlist was as expected, a nostalgic parade of the group’s greatest songs which had the crowd up on their feet for most of the 2+ hour set. The non-encore closer “Go Your Own Way” even had some drunken people dancing. No small feat for a show on a Tuesday night.

    This was the third time around for Fleetwood Mac in recent years, and judging by the reception, I don’t think anyone minds if they come back time and time again.

    Ricky / Panic Manual / Thursday, February 5, 2015

  • REVIEW: Fleetwood Mac back at ACC

    REVIEW: Fleetwood Mac back at ACC

    TORONTO – The return of The Mac proved to be just as sweet the second time around.

    British-American ‘70s folk-rockers Fleetwood Mac, boasting their most successful lineup of singers Stevie Nicks, keyboardist Christine McVie and guitarist Lindsey Buckingham (Nicks’ ex-boyfriend), bassist John McVie (Christine’s ex-husband) and drummer Mick Fleetwood, returned to the Air Canada Centre on Tuesday night after performing at the same venue on the same tour with the same set list back in mid-October.

    No matter.

    Torontonians – another 17,000 or so of them – liked a double serving of The Mac particularly since this tour features the return of the 71-year-old Christine McVie who stayed off the road for 16 years.

    With everyone else in the group in their mid to late ‘60s there was no time like the present for this reunion.

    Thankfully, the Fleetwood Mac back catalogue has held up so well with special mention to the songs from their beloved 1977 dics Rumours that’s sold 45 million albums and counting.

    Not surprsingly, the group kicked off the night with The Chain from that album before McVie took over on lead vocals for You Make Loving Fun also from Rumours.

    “Welcome back Toronto,” said Nicks in her usual black flowing outfit, black suede boots and various shawls throughout the night.

    ‘Tonight is our 47th show and I think we can safely say,’She’s back!,” added Nicks referring to McVie. “So that being said, let’s get this party started!”

    McVie, who wrapped up the marathon two-hour-and-35-minute, two-encore show with Songbird on piano and Buckingham on guitar, told the crowd at one point: “I love you very much!”

    It was a nostalgic but mostly riveting evening of music as the group, propelled by the guitar maniac that is still the fast-footed, lightning-fingered Buckingham, made their way through such crowdpleasers as the Nicks-sung Dreams and Rhiannon – with some twirling from her on that latter one – the McVie-led Everywhere and the Buckingham-sung I Kmow I’m Not Wrong in the first third of the show.

    Five other musicians and an impressively large video screen and smaller video strips certainly helped to fill out the group’s sounds and sights.

    “Well, we were here not too long ago – I guess a few more people wanted to see us,” said Buckingham with a chuckle. “So we came back. … I think it’s safe to say we’ve seen our share of ups and downs and I think that’s kind of makes us what we are. In this particular moment, with the return of the beautiful Christine, she is a beautiful soul, now it signals the beginning of a poetic, profound and I think prolific new chapter of this band – Fleetwood Mac!”

    The next two thirds of the main set saw such highlights as Tusk, with McVie breaking out the accordion, but the marching band appeared only on the big screen and not as a live accompanmient sadly; Buckingham’s incredible guitar dispay and gutteral shrieks on Big Love. his quieter vocals but no less stellar playing on Never Going Back Again and plugging in big time for I’m So Afraid and You Can Go Your Own Way, and Nicks’ ‘60s San Fran-reminiscent Gypsy and Gold Dust Woman (complete with gold shawl) with yet more twirling from her on both.

    But the emotional centre of the show proved to be the pretty and delicate Landslide with just Nicks and Buckingham on stage with the former couple holding hands towards the end of the song and again at its conclusion.

    Otherwise, the tunes that made me sleepy last time did it to me again, the Nicks’ sung Sisters of the Moon, Seven Wonders and Silver Springs and Fleetwood’s lengthy drum solo during World Turning but these are small quibbles.

    The mighty Mac is back and they don’t appear to be going away again anytime soon.

    Set List

    The Chain

    You Make Loving Fun

    Dreams

    Second Hand News

    Rhiannon

    Everywhere

    I Know I’m Not Wrong

    Tusk

    Sisters of the Moon

    Say You Love Me

    Seven Wonders

    Big Love

    Landslide

    Never Going Back Again

    Over My Head

    Gypsy

    Little Lies

    Gold Dust Woman

    I’m So Afraid

    Go Your Own Way

    ENCORE:

    World Turning/Mick Fleetwood drum solo

    Don’t Stop

    Silver Springs

    SECOND ENCORE:

    Songbird

    Jane Stevenson / Toronto Sun / Wednesday, February 5, 2015

  • VIDEOS 2/3: Air Canada Centre, Toronto

    VIDEOS 2/3: Air Canada Centre, Toronto

    Fleetwood Mac returned to Toronto’s Air Canada Centre on Tuesday night. The band performed a sold-out show at the ACC back in October.

    Stevie dedicated “Landslide” to the Toronto audience.

    “And so tonight I want thank you all from all of us in Fleetwood Mac for coming back a second night to see us. We appreciate it so much. Thank you for suppporting us for all these many, many years. So this is ‘Landslide,’” and it is for you.”

    Date Venue Location Reviews Show # Total
    Tuesday, February 3, 2015 Air Canada Centre Toronto, Ontario
    1. Panic Manual
    2. Toronto Sun
    		 10 50
    [slideshow_deploy id=’37033′]

    Videos

    Thanks to Canozger69, concertaholic, DBE Media Group, padaviya, steve gallow, Sean B, T-Mak World, TheConcertGoddess, tube9024, and wyldebirdie for sharing these videos!

    The Chain (TheConcertGoddess)

    The Chain (T-Mak World)

    You Make Loving Fun (TheConcertGoddess)

    Welcome Back, Chris (DBE Media Group)

    Dreams (TheConcertGoddess)

    Second Hand News (TheConcertGoddess)

    Second Hand News (steve gallow)
    https://www.youtube.com/watch?v=LbyrEvwrs9Q

    Second Hand News (padaviya)

    Rhiannon (TheConcertGoddess)

    Everywhere (TheConcertGoddess)

    Everywhere (steve gallow)
    https://www.youtube.com/watch?v=l8EQtoypyt4

    Tusk (TheConcertGoddess)

    Tusk (T-Mak World)

    Tusk – short clip (DBE Media Group )

    Sisters of the Moon (TheConcertGoddess)

    Sisters of the Moon (T-Mak World)

    Say You Love Me (TheConcertGoddess)

    Say You Love Me (steve gallow)
    https://www.youtube.com/watch?v=3DeLV8ZlE08

    Big Love (tube9024)

    Big Love (TheConcertGoddess)

    Landslide (Sean B)

    Landslide (wyldebirdie)

    Landslide (steve gallow)
    https://www.youtube.com/watch?v=qPVwMHN59iQ

    Never Going Back Again (Canozger69)

    Over My Head (steve gallow)
    https://www.youtube.com/watch?v=je5YDCc_0jI

    Gypsy with introduction (steve gallow)
    https://www.youtube.com/watch?v=W7N4XP-MGVw

    Gypsy (T-Mak World)

    Gypsy (wyldebirdie)

    Little Lies – short clip (DBE Media Group)

    Gold Dust Woman (steve gallow)
    https://www.youtube.com/watch?v=kzMYAt2w_No

    Go Your Own Way (steve gallow)
    https://www.youtube.com/watch?v=4PDmtQYYtUo

    World Turning – first part (concertaholic)

    World Turning – Mick’s solo (wyldebirdie)

    Band Introductions (T-Mak World)

    Band Introductions / Don’t Stop (steve gallow)
    https://www.youtube.com/watch?v=IKYh4OS7TIU

    Silver Springs (wyldebirdie)

    Songbird (T-Mak World)

    Songbird (Sean B)

    Songbird (steve gallow)
    https://www.youtube.com/watch?v=D4cYAGihVB4

    Set List

    1. The Chain 13. Landslide
    2. You Make Lovin’ Fun 14. Never Going Back Again
    3. Dreams 15. Over My Head
    4. Second Hand News 16. Gypsy
    5. Rhiannon 17. Little Lies
    6. Everywhere 18. Gold Dust Woman
    7. I Know I’m Not Wrong 19. I’m So Afraid
    8. Tusk 20. Go Your Own Way
    9. Sisters of the Moon 21. World Turning
    10. Say You Love Me 22. Don’t Stop
    11. Seven Wonders 23. Silver Springs
    12. Big Love 24. Songbird