(Hebert W. Worthington III)

Unenthusiastic Nicks gives a fashion show at SPAC

Songbird Stevie Nicks focuses on costume changes at dull Saratoga concert.

Stevie Nicks has given rock fashion her own special twist with her flowing ensembles, but in Tuesday night’s concert at the Saratoga Performing Arts Center she introduced a bothersome trend: A change of clothes for each song.

Apparently the outfits hold special significance for the Fleetwood Mac sex symbol, who’s ending up the summer solo tour soon, but for her 10,700 fans, it was a little frustrating. The stage went dark after most numbers in the hour-and-a-half-plus show, and the songbird disappeared.

The mini-intermissions only twice meant a solo from the band. Guitarist Waddy Wachtel delivered a hard-rock improvisation that seemed stale and inappropriately raucous. Then the band vamped over percussionist Bobbye Hall’s nothing-special bit. Nicks’ fashion show halted the momentum. Although she came back for an encore, some bored fans already had left.

Nicks performed her new hits, “Talk to Me,” with a saxophone solo by Bobby Martin (who also was on keyboards), and “I Can’t Wait.” For the latter Nicks might find it important to point out she was draped in black, and Wachtel spilled another solo.

“Beauty and the Beast” revealed her voice – with qualities of both a baritone munchkin and a post-game cheerleader – at its roughest. The music overall was well done, maybe a little unenthusiastic at times.

Her voice returned for “Leather and Lace.” She sang harmony with Martin, who has a bright tenor voice. But here is a good place to point out another flaw in the Nicks show. She spent half of the night, including most of “Leather,” with her back to the audience. Perhaps to give them the benefit of studying both sides of her ensembles? Is she introducing a clothing line?

She also performed “Stop Draggin’ My Heart Around” sans Tom Petty, and walked off for a change before the song had ended. There was no enthusiasm whatsoever. There was no rapport with the crowd. It was amazingly dull. And those people screaming for the encore must have been very faithful or very easy to please.

Opener Peter Frampton, on the other hand, was a sensation with his three-piece backup.

Before his encore, he closed the show with his 1976 smash hit, “Do You Feel Like We Do?” complete with his trademark mouth-guitar. The extended version revealed the former Humble Pie player has only improved his technique. He’s making his comeback now, and Tuesday night’s performance made it no surprise.

Laura Haynes / Knickerbocker News (Albany, NY) / August 13, 1986

Upcoming Shows

Stevie Nicks

BottleRock Napa Valley
Napa, California
Friday, September 3

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Aspen, Colorado
Sunday, September 5

New Orleans Jazz Festival
New Orleans, Louisiana
October 8-17 (TBA)

Austin City Limits
Austin, Texas
Sunday, October 3
Sunday, October 10

Shaky Knees
Atlanta, Georgia
Friday, October 22

Today in Stevie History

Concert
2017
(Donna Wiederkehr)

On June 19, 2017, Stevie made an appearance at the annual Cannes Lions International Festival of Creativity, performing at the Oath (now Verizon Media) launch party. Stevie performed a 45-minute set of her biggest hits.

Stevie Says...
If I'm not vulnerable, I won't ever wrote any more songs about vulnerability, and then what am I doing? I need to help people. I need make people believe that it's all right to be vulnerable and to be a little naive, and to be still sweet and kind and good.

Edge of Midnight (2020)

Beautiful People Beautiful Problems (2018)

It Don’t Matter to the Sun (2015)

New Release

Stevie Nicks, Stand Back 1981-2017, compilation

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