Members of Fleetwood Mac
(Photo: Neal Preston)
Home » FAN REVIEW: Fleetwood Mac rocks enthusiastic Cleveland audience

FAN REVIEW: Fleetwood Mac rocks enthusiastic Cleveland audience

“And that’s a magical thing.” Stevie Nicks closed Fleetwood Mac’s Cleveland concert last Saturday, June 15, with this sentiment as she talked about the reciprocity between they the artists writing and performing songs and we the audience listening to the songs and giving our experience back to them. Stevie said that the thought came to her a few weeks into this tour that we listen to their songs each time as though we were hearing them for the first time. Indeed, we do. This is not difficult because each show is unique. Or, as my friend Jayne says, “To the untrained eye, it may look like the same show….” Some Fleetwood Mac shows are intense, some are emotional and personal, some are rife with wit and quirky humor, some are big-city show-stoppers.

Cleveland was the happy show. The band seemed happy, the audience seemed happy, the people around me were happy, and I was happy. Stevie smiled, grinned, and generally seemed bemused. Lindsey raced around the stage, jumping and emoting. Granted, they do these things at every show, but something about the happy aspect seemed more real in Cleveland, more true to the mood. “Don’t Stop,” which I tend to regard as an audience-pleaser, not an artistic masterpiece, was a delight. At that show, I really believed that I would look to tomorrow for hope and potential.

“Sara,” which follows intensely and beautifully from “Sisters of the Moon” in a mystical song sequencing triumph that I don’t entirely understand, hits all the notes of melancholy, yet Stevie has turned it into an inkling of hopefulness. When she changes the lyric “And now it’s gone, it doesn’t matter anymore,” to “It’s never gone, it always matters what for,” on the last pass, she sings it like she absolutely wishes for us to understand that sentiment above all else. I think it’s a teaching moment for her.

Every time, and I do mean every single time, I have seen “Stand Back,” I am always surprised and delighted. My short-term memory is apparently not very responsive, because “Stand Back” is in every Fleetwood Mac concert I’ve ever seen. It was a party in Cleveland, a crowd rouser for a crowd that was already gung-ho with enthusiasm.

On the darker and more intense side, “Gold Dust Woman” remains the phenomenon that it has become on this tour. I’m amazed that a human being can go that deeply into an experience and character, manifesting despair and darkness, and come out of it to thank the audience with a smile and a wave. There was a moment in Stevie’s performance in Cleveland, after the first chanted “running in the shadows” section, when Stevie does a sort of tranced-out dance of despair and comes back to the microphone. Looking at her expression, I thought, “That’s not Stevie right now.” She allowed herself to so embody the character that she creates in the story that her nature seemed changed. That’s a great performance.

The end of “Silver Springs” was also compelling, and, I thought a little more unhinged than I’ve seen at other times. I’ve noticed that whenever she lets the “never get away” emotions fly as Lindsey eggs her on, her voice, when she comes back to the microphone for the last line of the song, is fuller and richer. She really worked her voice over each syllable and sustained those notes. My overly-analytical mind thought, “I really love the way she sang the word ‘green.’” This is why it’s never the same show twice, and why my normal-world friends roll their eyes and tell me they hope I had fun at the show.

Lindsey is always right there with his songs, never holding himself back. He seemed to have an extra special dose of energy on Saturday. I always pay attention during “Big Love,” but I must admit that I sometimes start thinking of other things during the song: I’m thirsty, I wonder where I parked my car, that sort of thing. Not so in Cleveland. What in some shows seems like frenzy was in this show pure energy, like running exuberantly toward the edge of a cliff and somehow landing relatively safely on the other side.

I have become a fan of the live version of “Sad Angel,” the song from Fleetwood Mac’s new little album of four songs. Lindsey starts the song so earnestly and with such energy that I can’t help but be swept along. Mick’s drum tempo and John’s bass are so quintessentially Fleetwood Mac, and the lyrics so mythologically Lindsey and Stevie, that the song sounds like it should always have been part of their repertoire. Lindsey introduces the song with a lot of enthusiasm for their creative future as a band, and the audience in Cleveland seemed to accept the song wholeheartedly. Win/win.

Never one to miss an opportunity to discuss creative stagnation in the music industry, Lindsey introduced the four songs in the Tusk Movement of the concert by saying that they tried to “subvert the axiom” of the music industry’s repetition-until-death formula when they created Tusk. I love that he launched from that opening speech into “Not That Funny,” a great tune to follow a discussion of axioms and subversion.

Let’s discuss “Say Goodbye” then and now. When Lindsey and Stevie sang “Say Goodbye” on the Say You Will tour, I thought Lindsey and Stevie made an honest effort, and the (general) audience sometimes paid attention, and sometimes took a drink or restroom break. On this tour, ten years later, I think “Say Goodbye” is a solidifying closing song. Lindsey led the way vocally, and Stevie sang both high and low harmony parts to him. Seeing them sing and respond to each other was so compelling that I don’t mind the sustained neck pain that I endured the next day from whipping my attention back and forth between the two. Watching between Stevie and Lindsey when they are really on is often like watching the serve and volley of a professional tennis match.

These vocals and the visuals are why they were once before and are now again such a dynamic musical duo. It’s a great and final ending to a show that changes the landscape of Fleetwood Mac almost to a duo within a duo—Stevie and Lindsey in their mutual musical worlds backed up and led by Mick and John. This might not be the classic Fleetwood Mac that became supremely famous together, but it is a kind of reinvention that makes them creative, awesome, and, let’s face it, fun, going into the future. For that, Fleetwood Mac, Cleveland, Ohio gets my vote for the unabashedly happy show of my own personal and hard-won 2013 concert tour.

At the end, Lindsey told the audience that we were angels (more than “you’re a great audience,” in my enthusiastic opinion), so I can’t hesitate to say that divine fun was had by everyone present that night. I have no doubt that this spirit will continue for the rest of the tour in all kinds of happy, sad, intense, funny, and memorable musical ways.

Submitted by Marlene Stemme

Fleetwood Mac
Quicken Loans Arena
Cleveland, OH

June 15, 2013


LIVE IN CONCERT (2023-2024)

Billy Joel and Stevie NicksStevie Nicks

FEB 10, 2024
Mark G Etess Arena
Atlantic City, NJ

FEB 14, 2024
UBS Arena
Belmont Park, NY

FEB 17, 2024
CFG Bank Arena
Baltimore, MD

FEB 21, 2024
Bon Secours Wellness Arena
Greenville, SC

FEB 24, 2024
Hard Rock Live
Hollywood, FL

FEB 28, 2024
Smoothie King Center
New Orleans, LA

MAR 3, 2024
CHI Health Center
Omaha, NE

MAR 6, 2024
Simmons Bank Arena
North Little Rock, AR

MAR 9, 2024
AT&T Stadium
Arlington, TX
Billy Joel

MAY 3, 2024 – MAY 5, 2024
Lovin’ Life Fest
Charlotte, NC

MAY 7, 2024
Enterprise Center
St Louis, MO

MAY 10, 2024
WinStar World Casino & Resort
Thackerville, OK

MAY 14, 2024
Bridgestone Arena
Nashville, TN

MAY 18, 2024
Frost Bank Center
San Antonio, TX

MAY 21, 2024
Yaamava’ Resort & Casino – Yaamava’ Theater
Highland, CA

MAY 24, 2024
BottleRock Napa Valley
Napa, CA

MAY 27, 2024
Delta Center
Salt Lake City, UT

MAY 30, 2024
Ball Arena
Denver, CO

Gainbridge Fieldhouse
Indianapolis, IN

JUN 9 
Mohegan Sun Casino
Uncasville, CT

JUN 12
MVP Arena
Albany, NY

JUN 15 
Hersheypark Stadium
Hershey, PA

JUN 18
Van Andel Arena
Grand Rapids, MI

JUN 21, 2024
Soldier Field
Chicago, IL

Two Icons One Night presented by Live Nation
^ Non-Live Nation show

Previous 2023 dates

March 10, 2023 – BILLY JOEL
Los Angeles, CA
SoFi Stadium

March 15, 2023
Seattle, WA
Climate Pledge Arena

March 18, 2023
Las Vegas, NV
T-Mobile Arena

May 12, 2023
Raleigh, NC
PNC Arena

May 16, 2023
Knoxville, TN
Thompson-Boling Arena

May 19, 2023 – BILLY JOEL
Nashville, TN
Nissan Stadium

May 22, 2023
Atlanta, GA
State Farm Arena

May 25, 2023
Orlando, FL
Amway Center

June 16, 2023 – BILLY JOEL
Philadelphia, PA
Lincoln Financial Field

June 20, 2023
Toronto, ON (Canada)
Scotiabank Arena

June 23, 2023
Chicago, IL
United Center

June 27, 2023
Louisville, KY
KFC Yum! Center

August 5, 2023 – BILLY JOEL
Columbus, OH
Ohio Stadium

August 8, 2023
Milwaukee, WI
Fiserv Forum

August 12, 2023
Houston, TX
Toyota Center

August 15, 2023
Austin, TX
Moody Center

August 19, 2023 – BILLY JOEL
Kansas City, MO
Arrowhead Stadium

September 23, 2023 – BILLY JOEL
Foxborough, MA
Gillette Stadium

September 27, 2023
Pittsburgh, PA
PPG Paints Arena

October 1, 2023
New York, NY
Madison Square Garden

October 4, 2023
Buffalo, NY
KeyBank Center

October 7, 2023 – BILLY JOEL
Baltimore, MD 
M&T Bank Stadium

October 28, 2023
Memphis, TN
FedEx Forum

November 1, 2023
Savannah, GA
Enmarket Arena

November 4, 2023
Allentown, PA
PPL Center

November 7, 2023
Detroit, MI
Little Caesars Arena

November 10, 2023 – BILLY JOEL
Minneapolis, MN
U.S. Bank Stadium

November 29, 2023
San Diego, CA
Viejas Arena

December 2, 2023
Inglewood, CA
The Kia Forum

December 5, 2023
Palm Desert, CA
Acisure Arena

December  8, 2023 – BILLY JOEL
Phoenix, AZ
Chase Field

December 12, 2023
Sacramento, CA
Golden 1 Center

December 15, 2023
San Francisco, CA
Chase Center

2022 Tour

Stevie Nicks

Jazz Aspen Snowmass
Snowmass, CO
Labor Day 2022

Ravinia Festival
Highland Park, IL
September 8, 2022
September 10, 2022

Pine Knob Music Theatre
Clarkston, MI
September 13, 2022
w/ Vanessa Carlton

Sea Hear Now Festival
Asbury, NJ
September 17, 2022

Xfinity Center
Mansfield, MA
September 19, 2022
w/ Vanessa Carlton

Maine Savings Amphitheatre
Bangor, ME
September 22, 2022
w/ Vanessa Carlton

Sound on Sound Festival
Bridgeport, CT
September 24-25, 2022

Ohana Festival
Dana Point, CA
September 30, 2022

Hollywood Bowl
Los Angeles, CA
October 3, 2022
w/ Vanessa Carlton

Ak-Chin Pavilion

Phoenix, AZ
October 6, 2022
w/ Vanessa Carlton

Cynthia Woods Mitchell Pavilion

The Woodlands, TX
October 9, 2022
w/ Vanessa Carlton

Ameris Bank Amphitheatre
Alpharetta, GA
October 12, 2022
w/ Vanessa Carlton

Ascend Amphitheater
Nashville, TN
October 16, 2022
w/ Vanessa Carlton

Credit One Stadium
Charleston, SC
October 19, 2022
w/ Vanessa Carlton

PNC Music Pavilion
Charlotte, NC
October 22, 2022
w/ Vanessa Carlton

MIDFLORIDA Credit Union Amphitheatre
Tampa, FL
October 25, 2022
w/ Vanessa Carlton

iTHINK Financial Amphitheatre
West Palm Beach, FL
October 28, 2022
w/ Vanessa Carlton

Orion Amphitheatre
Huntsville, AL
October 31, 2022


Cynthia Woods Mitchell Pavilion
The Woodlands, TX
November 2, 2022
w/ Vanessa Carlton

Ak-Chin Pavilion
Phoenix, AZ
November 5, 2022
w/ Vanessa Carlton