Category: 24 Karat Gold Tour

  • RECAP: 24 Karat Gold Tour – Opening Night

    RECAP: 24 Karat Gold Tour – Opening Night

    Stevie Nicks kicked off the highly-anticipated 24 Karat Gold Tour Tuesday tonight at the Talking Stick Resort Arena in downtown Phoenix. Promising an eclectic show packed with music “in your heart,” Stevie delivered a surprisingly diverse set list that focused heavily on her solo work, performing just three songs from her Fleetwood Mac catalog (see full set list below). This was clearly the rock icon’s plan, as she made the bold move to open the set with “Gold and Braid” — an obscure track from the Bella Donna sessions that was never completed (the 1981 live version appears on 1998’s retrospective Enchanted.)

    Among other set list surprises were a fantastic “Wild Heart/Bella Donna” medley; a moving stripped-down version of “Moonlight (A Vampire’s Dream)”; and the elusive “Crying in the Night” from Stevie’s out-of-print 1973 recording Buckingham Nicks (with Fleetwood Mac band member Lindsey Buckingham). Stevie noted that her longtime friend, musical director, and guitarist Waddy Wachtel played an instrumental role during the recording of Buckingham Nicks.

    Fellow-Rock-and-Roll-Hall-of-Famer Chrissie Hynde and The Pretenders hit the stage first at around 7:20 pm, igniting the crowd with a bevy of hits, which included “Back on the Chain Gang,” “Don’t Get Me Wrong,” and “Brass in Pocket.” Sporting ripped blue jeans, black Elvis Presley t-shirt, and white sneakers, Chrissie commanded the stage with authority, as she and the band knocked out a catalog of songs spanning nearly 40 years. (The Pretenders set list also appears below.)

    The Pretenders performed for about an hour before Stevie took to the stage at 8:45 pm. Chrissie returned to the stage to join Stevie and Waddy for the hit duet “Stop Draggin’ My Heart Around,” filling in nicely for Tom Petty and providing a unique point of view at the same time. During the song, the two rock veterans high-fived in cool female solidarity (Stevie and Chrissie’s positive influence on female rock and roll is undeniable).

    Stevie Nicks and Chrissie Hynde
    (Melissa Fossum / Phoenix New Times)

    Stevie revealed that she was a little nervous about singing a full set of songs on her own again (20 in all), but she was delighted and inspired to be starting the tour in her hometown of Phoenix.

    “I’m a little freaked out,” Stevie said. “But I’m in my hometown where I wrote a lot of these songs.” After performing the “Wild Heart” and “Bella Donna” medley, Stevie told the audience she had been wearing the same blue cape she wore during the Bella Donna sessions in 1981.

    The middle part of the set was strong, with Stevie showcasing a number of songs from 2011’s In Your Dreams and 2014’s 24 Karat Gold: Songs from the Vault. The uptempo “Annabel Lee” (Edgar Allan Poe’s poem set to rock music) and “Starshine” played especially well onstage, with the singers in full vocal range. This momentum led into the pulsating “Stand Back,” complete with full spins during the guitar solo. The signature spectacle never fails to impress.

    Stevie shared the stories behind some of the songs she performed, such as “Crying in the Night” and “If You Were My Love,” two lesser-known songs in her repertoire. Stevie revealed that both songs had languished in her back catalog for years, namely the reflective “If You Were My Love,” which had been rehearsed numerous times and withdrawn from both Fleetwood Mac and Stevie Nicks solo projects.

    Stevie Nicks
    (Melissa Fossum / Phoenix New Times)

    Stevie closed out the show with her trademark anthems “Gold Dust Woman,” “Edge of Seventeen,” and “Rhiannon” (first encore). During “Edge of Seventeen,” Stevie paid her respects to “Stand Back”-collaborator Prince, showing a photo montage of the legendary musician on the large projection screen at the back of the stage. The tribute produced a loud crowd ovation from the Phoenix crowd.

    Stevie skipped her famous “Edge of Seventeen” walk, during which she has traditionally shaken hands with fans in the front row. A Stevie Nicks concert without this ritual seemed like an unthinkable occurrence, but this decision allowed time for additional songs and truly underscored an evening of experimentation for Stevie, who has not often strayed from familiar set lists. But the risk paid off, as she had the crowd pumped and on their feet by the end of the show.

    The final encore “Leather and Lace,” performed with just “the girls” (background singers Sharon Celani and Marilyn Martin), as it had been arranged for the White Winged Dove Tour back in 1981, was a fitting homage to Stevie’s 35-year solo career coming full circle. “What a journey it has been!” she remarked at the end of the show.

    The 24 Karat Gold Tour coincides with the November 4th re-release of Stevie Nicks’ first two solo albums Bella Donna (1981) and The Wild Heart (1983), which combined have sold more than 6 million copies in the U.S. alone.

    All slideshow photos courtesy of Michael Chow / AZ Central

    [slideshow_deploy id=’374994′]

    Concert Reviews

    Stevie Nicks Set List

    Thank you to Jamie Maletic and her friends for providing the full set list before the show!

    1. Gold and Braid
    2. If Anyone Falls
    3. Stop Draggin’ My Heart Around (with Chrissie Hynde & Waddy Wachtel)
    4. Belle Fleur
    5. Outside the Rain/Dreams (medley)
    6. Wild Heart/Bella Donna (medley)
    7. Annabel Lee
    8. Enchanted
    9. New Orleans
    10. Starshine
    11. Moonlight (A Vampire’s Dream)
    12. Stand Back
    13. Crying in the Night
    14. If You Were My Love
      Band introductions
    15. Gold Dust Woman
    16. Edge of Seventeen
      Encores
    17. Rhiannon
    18. Leather and Lace

    The Pretenders Set List

    1. Alone
    2. Gotta Wait
    3. Down the Wrong Way
    4. Private Life
    5. Hymn to Her
    6. Back on the Chain Gang
    7. Don’t Get Me Wrong
    8. I’ll Stand by You
    9. Tattooed Love Boys
    10. Mystery Achievement
    11. Stop Your Sobbing
    12. Brass in Pocket
    13. Holy Commotion
    14. Middle of the Road
    15. Room Full of Mirrors

    Videos

    Big thanks and much love to Haley Clark, UnderTheDesertMoon, and especially The American, who filmed the entire show!

    Gold and Braid (Haley Clark)

    Gold and Braid (The American)

    https://www.youtube.com/watch?v=rXljEmrv_Mw

    “Phoenix, Arizona…just like I pictured it! Well, I’d like to say, Welcome home! This is our house tonight. Very proud to be here, very very proud to have Chrissie Hynde and The Pretenders here with me. This is not exactly… And I know you all know this, but I’m just gonna tell you anyway ’cause you know that I just love to talk, so. This is a… This is a little different kind of set. We really have done what you have asked for all these years, and we have gone back and we have picked up some things that we think maybe in your hearts you always wanted to hear. It’s been a lot of fun for us to put this together. So everybody, thank you for coming! We’re very, very happy to be here! We love you and we’re home! Thank you!”

    If Anyone Falls (The American)

    https://www.youtube.com/watch?v=FXfy3Q9URCc

    Stop Draggin’ My Heart Around – with Chrissie Hynde (The American)

    https://www.youtube.com/watch?v=fucmVEYUPCo

    Outside the Rain/Dreams (The American)

    https://www.youtube.com/watch?v=9zt2Zveo_XY

    Wild Heart / Bella Donna (The American)

    https://www.youtube.com/watch?v=VQookMdC8i8

    Annabel Lee (The American)

    https://www.youtube.com/watch?v=ucHw3NHAEQk

    “Thank you, Edgar Allan Poe! Here’s here. He’s in the back. Just watch out. He’s standing behind you somewhere.”

    New Orleans (The American)

    https://www.youtube.com/watch?v=0sr2wUtxP9U

    Starshine (The American)

    https://www.youtube.com/watch?v=9nYqwrtBqw8

    Moonlight (A Vampire’s Dream) (The American)

    https://www.youtube.com/watch?v=2VMNX2qvGyU

    Stand Back (The American)

    https://www.youtube.com/watch?v=QElg2ETPUYw

    Crying in the Night (The American)

    https://www.youtube.com/watch?v=jeMqftCpUoY

    Gold Dust Woman (The American)

    https://www.youtube.com/watch?v=7SdkkRLLksI

    Gold Dust Woman (UnderTheDesertMoon)

    Edge of Seventeen (The American)

    https://www.youtube.com/watch?v=Wv-XM3eMMVg

    Rhiannon (The American)

    https://www.youtube.com/watch?v=SaJLwrHqxbE

    Leather and Lace (The American)

    https://www.youtube.com/watch?v=Pj8oHIAc074

    https://www.youtube.com/watch?v=KvYav6QRoP0

    “What a journey it has been! Thank you, everyone, so much. You know, uh, first of all, thank you for staying. That’s a big plus. That makes me really feel good because, you know, I mean if it was me, I’d probably be going like, ‘A lot of traffic out there.’ So thank you so much!

    Secondly, you always surprise me, and uh, this was a very, you know it’s like, I’m not really supposed to like talk this much. Someday I’m going to do a show where I don’t even sing, I’m just gonna talk. And uh, but I want you to know this was a very different show. This is doing songs that we’ve never done, and it’s hard because you haven’t ever. You’re so familiar with your other songs. These songs, a lot of them you’re not familiar with, but you love them, and to be able to share them with everybody is wonderful. By the time we get a couple more shows, they’ll be a little more finessed. But I’m glad that I was able to share this first night of trying to get this all in my head with you.

    You have been my great friends, sitting in my living room, listening to my new demos. And that, of course, is my favorite thing of all to do, is sit in my living room and play demos. So that’s what’s you’ve done for me tonight. And you’ve let me know that this is gonna work, and I’m gonna be OK, and I appreciate that.

    So take care of yourself, stay strong, don’t watch the news  — it’s depressing. I love you all! We’ll be back! Take care! God bless you!”

    Touring Band

    • Stevie Nicks – Lead Vocals
    • Waddy Wachtel – Guitars, Musical Director
    • Ricky Peterson – Hammond Piano
    • Scott Crago – Drums
    • Darrell Smith – Grand Piano
    • Al Ortiz – Bass
    • Carlos Rios – Guitars
    • Sharon Celani – Backup Vocals
    • Marilyn Martin – Backup Vocals

    Live Streaming from Periscope

    The Pretenders – “Don’t Get Me Wrong” (clip)

    Tour Merchandise

    Stevie Nicks 24 Karat Gold Tour t-shirt

    Stevie Nicks 24 Karat Gold Tour mug

    Stevie Nicks 24 Karat Gold Tour keychain

    Stevie Nicks 24 Karat Gold Tour t-shirt

    These images were shared by Nicks Fan and his friend — MUCH THANKS!

    [slideshow_deploy id=’374954′]

    Purchase 24 Karat Gold Tour merchandise here!

    https://twitter.com/ProducerAli/status/791137847071965184

    https://twitter.com/bonoONE/status/791134998485143552

    https://twitter.com/swbrunette/status/791133547272830976

    https://twitter.com/LilyGraeXO/status/791130319340593152

    https://twitter.com/badrobot68/status/791118417893789696

    https://twitter.com/cbnetwork19/status/791114803787862017

    https://twitter.com/yasssqueeen/status/791112321640783872

    We are here!!! #24karatgoldtour #stevienicks @haleydclark

    A photo posted by michelle matthews (@michellematthews12) on

  • Stevie Nicks kicks off 24 Karat Gold Tour tonight

    Stevie Nicks kicks off 24 Karat Gold Tour tonight

    Stevie Nicks kicks off her 24 Karat Gold Tour tonight in her hometown of Phoenix, Arizona, and she promises a show packed with music, not a lot of chatter.

    “I’m not gonna do long talking things, where they might be going, ‘Well, she could’ve actually done a whole song during this little talk here,’” Stevie tells ABC Radio. “It’s gonna be fast and furious.”

    The set list will feature songs from Stevie’s entire solo career as well as Fleetwood Mac hits, so everyone will go home happy.

    “It’s gonna be eclectic,” she says. “I don’t think anybody’s gonna walk away going, like, ‘Oh my God, she didn’t do that Fleetwood Mac song that we wanted her to do.’”

    She adds, “I’m not even gonna give people a minute to even start to ponder what’s missing!”

    And while she’s giving fans a show, Stevie wants them to give her a show, too — she’s urging them to come dressed to the nines.

    I’m dressed-up up there, so I think it’s a great thing to…say, ‘I give you all permission to totally pretend that you’re going to a glorious cocktail party, and wear your most beautiful clothes,’” Stevie says.

    “If you’re a six-foot-five guy and you want to come in your white ‘Edge of Seventeen’ outfit, please do!’” she adds. “‘Cause I just think it’s hysterical, and I love it!”

    Stevie’s opening act is another legendary rock and roll chick, Chrissie Hynde, and her band the Pretenders —which thrills Stevie to no end.

    “When my manager said, ‘What about The Pretenders?’ I’m like, ‘Would they even go with me?’ And he said, ‘I think they would!’” Stevie says. “I’m really excited about this, and I think, yes, we are bada** chicks, and it’s really gonna be fun!”

    Copyright © 2016, ABC Radio. All rights reserved.

  • Stevie performs benefit show for St. Joseph Hospital

    Stevie performs benefit show for St. Joseph Hospital

    On Saturday night, Stevie performed a benefit show for St. Joseph Hospital of Orange, California. The special dinner and concert were held at the City National Grove of Anaheim, where approximately 650 guests attended.

    Stevie performed a special selection of her classic hits  — “Dreams,” “Rhiannon,” “Landslide,” “Stand Back,” and “Gold Dust Woman.”

    Stevie also donated a signed tambourine and did a meet-and-greet with VIP guests after the concert.

    Here is a full review of the show.

    Special thanks to Roadmap Photography, St. Joseph Hospital, and The News from EventWorks for sharing details from this wonderful evening!

    Listen to Stevie perform “Dreams”!

    Stevie Nicks benefit for St Joseph Hospital

  • Stevie Nicks on the importance of being a romantic

    Stevie Nicks on the importance of being a romantic

    Do people often ask about your songwriting process?

    They do. You know, they say, “Do you write about people? Do you write about love affairs? Do you write about what’s happening now? Do you write about what happened to you a long time ago in the past? How do you summon those memories up?” I always say to them, as a writer you don’t have any one way. You write about what inspires you right now. If what inspires you right now is that song “Missing You” by John Waite because you just happened to hear it on the radio, then so be it. That was my song back when I was with Joe Walsh and whenever it comes on I just have to sit down. My mind races back to that time in my life and if I let myself I could run right to the piano and write another song. I don’t always let myself do that anymore, but that’s what it inspires.

    As a writer you don’t have any one way. You write about what inspires you right now.

    I can be sitting in a parking lot waiting for my assistant to come to the car and I see a couple walk by and I can see their fingers gently touch and see him open the door for her and look at her and her look at him and for a moment they just stand still in time… and then I can go home and write a song about them. Or I can see a movie—say, it’s a movie with Michael Fassbender called The Light Between Oceans—and I can’t get this movie out of my head. The tragedy of this movie is so intense and so beautiful you can hardly stand it and you go home and think about it for days afterwards. It’s everything I can do to not just say “Stop everything I have to go and write a song about this movie because I need to write a song about this fictional relationship that I can’t stop thinking about.”

    When people ask me about songwriting, that’s what I tell them. Pay attention to your feelings. It can be anything. Everything. And yes, I can write a really super romantic song today even though I’m not really in a relationship nor have I been in one for a long time. I can take ideas right out of the air, but I have to be really inspired. It has to be something truly inspiring that pushes me to go and write a poem, and then that poem is something that, when I have the time, I will take to the piano. That has always been my process since I was 15 years old.

    You’ve spoken about the connection between poetry and songwriting. Is writing poems and songs your way of making sense of the world?

    It is. It’s the way that works for me. You know, if you’re gonna write a novel or make a movie about the state of the world, it’s going to be this really long, epic thing. But if you’re writing a poem it can simply be a page—or it can be two or three little verses. Poetry allows you to write a whole story in a very small amount of words and get your point across. I’ve never actually written a long story and I wouldn’t even begin to know how to do that, but poems and songs let me talk about these things in a form I can manage.

    2011-0503-moonlight36It’s like when I think about the Twilight saga, those long books. I’m going, “How in the world did that woman write this? How did she come up with all of those characters and the different generations and backstories?” I could never do that. Instead, I’m like, “How about I just write a song about it?” So I did. I wrote a song called “Moonlight” about those books, which I loved. I put my whole heart into Bella and Edward’s story into one small song.

    I think that poets and songwriters have a lot in common because a songwriter really has to be a poet first. That’s how we live our lives. It’s the same kind of thinking. Unlike people who write fiction or make movies, we put our stories into these small little containers filled with mostly short lines and verses. This is how we talk about the way we feel and talk about things and explain the world and ourselves. So, yes….whatever it was you asked me, my answer is yes.

    I love that you are such a romantic. It seems as though a lot of people who have been in the entertainment industry for a long time eventually lose that, they become jaded or bitter—which doesn’t generally make for good art.

    It’s very sad, once you stop being a romantic, you can no longer be a poet. If you are, you’re a lousy poet and nobody’s going to want to read your poems because they’re just jaded and miserable. If you can’t write something that’s going to inspire people they’re not going to read it. They’re going to look at your work and then they’re going to say, “This person is done. That career is over.”

    To inspire people, to make people feel things—that’s why we do this. Maybe you want to make people sob the way we were sobbing the other night at the movies—me and two friends, all of us sobbing so hard we can’t even look at each other—that’s actually a really beautiful thing. If you can’t do that or if you can’t make somebody laugh and remember the first time they ever fell in love, then you should just stop. You should not destroy your former career by trying to keep things going if you don’t have it anymore and the work isn’t coming from the right place. You should just count your money and make investments in real estate and be done. That’s it. You should just go to do something else.

    So many young artists celebrate you as an influence and an inspiration. I can’t help but think of Tavi Gevinson’s 2012 Ted Talk in which her final word of advice to young women is simply, “Just be Stevie Nicks.”

    I have to tell you, I remember watching it and I’m thinking, “Well I love this. I love watching this but I’m still not exactly sure why they sent this to me.” Then she gets to the very end and I’m thinking this little girl is getting ready to drop a magical bomb here. She’s been working towards something and I can see it in her face. All the sudden she goes, “Oh and one more thing. Just be Stevie Nicks.” I almost fell off my chair.

    • Stepping outside the confines of Fleetwood Mac, Stevie Nicks released her first solo album, Bella Donna, in 1981. The album, which is getting a deluxe reissue later this year, would eventually go on to sell over six million copies. “After the Glitter Fades” remains one of the album’s most beloved tracks—an early treatise on the highs and lows of suddenly becoming very famous.
    • “Stand Back” is not only one of Nicks’ biggest hits (with an iconic synthesizer line courtesy of Prince), it’s one of the most-watched music videos of the early 1980’s—a confluence of wind machines and ballet-inspired choreography that famously featured Nicks strutting on top of a neon-lit treadmill. This, however, was not Nicks’ original vision for the video. The now-infamous “Scarlett” version—which was mercifully scrapped—shows a terrified Nicks riding a runaway horse and cavorting with Civil War soldiers. (Best watched along with Nicks’ color commentary.)
    • The title track from Nicks’ 1982 sophomore album, The Wild Heart, has become a fan favorite in recent years due in large part to this viral video, which captures Nicks singing the song backstage in 1981 while getting her makeup done. Referring to it as “My favorite YouTube video of all-time,” Bon Iver sampled the clip on 2016’s 22, A Million.
    • Though Fleetwood Mac fans largely considered it both weird and unwieldy as a follow up to the gazillion-selling Rumours, 1979’s Tusk has taken on a kind of mythical status since its original release. Not only did the album further cement Nicks’ status as a songwriting force within the group, it also furthered her image as a kind of mystical goddess from another dimension, as is evidenced by this clip of the band performing “Sister of the Moon” on the Tusk tour.
    • Stevie Nicks is one of the rare artists whose body of work and visual aesthetic seem to constantly engender new generations of hyper-devoted fans. For the past 26 years this devotion has manifested in the form of Night of A Thousand Stevies—a annual party in which hundreds of people gather to celebrate all things Stevie-related, which means it’s an explosion of tambourines, lace shawls, crystal visions and white-winged doves.

    2011-0503-secret-love3I knew something was coming but I didn’t know it was going to have something to do with me. When she said that I was like, “I knew I loved this girl.” [laughs] I immediately got in touch with her. I sent her one of my gold moons and wrote her a long handwritten letter. We have really been very good friends ever since. I buy her golden platforms whenever I’m in Paris. I go and see her in her Broadway plays. I just went and saw her in The Crucible which just about put me in my grave since it’s a really miserable, dark story. When we first became friends she sent me a little thing of her playing guitar and singing “Landslide”—and doing quite a good job of it, I have to say. I always thought, “This little girl knows no bounds. She is going to take over the world.” So yes, it’s amazing to have inspired other people, even when you didn’t know that’s what you were doing. It makes you want to keep going. It’s hard to know what else to say except that it’s incredibly flattering and amazing to know that someone you’ve made has touched someone or encouraged someone…or that you’ve set an example somehow just by, you know, surviving and doing your best.

    You recently wrapped up a nearly three-year long tour with Fleetwood Mac and now you’re about to head out on a solo tour. Even having done this many times, do you still get the same kind of creative rush in preparing for a tour?

    (Photo: Danny Clinch)
    (Photo: Danny Clinch)

    Oh, absolutely. It’s not just the music, you’re also starting to think about boots and clothes and all the fun feminine crazy performer, entertainer stuff that’s going along with it. You’re sitting around with people trying to figure out, which of those 30 songs you rehearsed are actually going to make it to the final set. It is exciting. We don’t have a whole lot of time to prepare. My solo tours are a little looser. Fleetwood Mac rehearses for eight weeks solid, every day. It’s a big rehearsal thing, and with my solo band we don’t rehearse that long, because we’re a smaller thing. We just go. It’s coming at me like a speeding train right now. That makes me a little uncomfortable because I always get the deer in the headlights thing like, “Oh my god. It’s starting the day after tomorrow!” but that’s also a good thing. The faster it moves like that the more exciting it is because you have no choice but to get on the horse. Sometimes I think that’s why I’ve been able to have such a long career. I basically stayed on the horse. [laughs] What else am I gonna do?

    T. Cole Rachel / The Creative Independent

  • VIDEO: Stevie performs ‘Leather & Lace’ on Late Late Show

    VIDEO: Stevie performs ‘Leather & Lace’ on Late Late Show

    The Queen of Rock and Roll slays on The Late Late Show, charms Taylor Lautner

    On Thursday, Stevie Nicks appeared on The Late Late Show with James Corden. She performed her Top 5 hit “Leather and Lace” (from Bella Donna), which was originally a duet with Eagles’ Don Henley. For this performance, Stevie sang the entire song with harmony help from her backup singers (Sharon Celani and Marilyn Martin) for the second half of the song, similar to the way it had been done for The White Winged Dove Tour in 1981. Afterwards, host James Corden showered Stevie with praise in his trademark tongue-and-cheek way, dropping to his knees to kiss the Queen of Rock and Roll’s boots!

    After the performance, Stevie sat with fellow guests actors Taylor Lautner and Zach Galifianakis for a short interview. Stevie shared the story of when she and Taylor first met at a major Twilight: New Moon (2009) film-premiere after-party and explained how the second Twilight film inspired the recording of the song “Moonlight (A Vampire’s Dream)” and the 2011 album In Your Dreams. Taylor recalled meeting Stevie at the party, but admitted he didn’t remember hearing the actual story due to being starstruck from meeting her in person — telling her, “I’m a huge fan.”

    Stevie Nicks Taylor Lautner
    Stevie Nicks explains her “Moonlight” (A Vampire’s Dream) story to Taylor Lautner. (CBS)

    Stevie enjoyed being on the show, sharing a photo on her Facebook page with the caption, “Love James Corden. So much fun!” She also took a selfie with James Corden, Taylor Lautner, and Zach Galifianakis, which James posted to The Late Late Show’s Facebook page.

    The Late Late Show with James Corden airs on CBS weeknights at 12:37am.

    On ‘Moonlight’ (A Vampire’s Dream)

    ‘Down with That Clown’

    Introducing Lily

    Stevie Nicks James Corden
    “Love James Corden. So much fun!”
    James Corden Stevie Nicks
    Super selfie!
  • VIDEO: Stevie performs ‘Edge of Seventeen’ on Ellen

    VIDEO: Stevie performs ‘Edge of Seventeen’ on Ellen

    In promotion of her upcoming 24 Karat Gold Tour, Stevie Nicks performed her classic 1981 rock anthem “Edge of Seventeen” on The Ellen DeGeneres Show, which aired on Monday. Ellen shared the performance on her official website. The clip is embedded below.

    The performance featured the return of singer Marilyn Martin (“Separate Ways,” “Night Moves”), who last performed with Stevie on The Wild Heart Tour in 1983. Joining fellow backup vocalist Sharon Celani, Marilyn will be filling in for Lori Nicks, who decided to sit out for the 24 Karat Gold Tour.

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    After the performance, Ellen embraced Stevie and let the audience know about the upcoming 24 Karat Gold Tour. To celebrate the tour, Ellen will be giving away tickets to every show on the tour. Click here to enter for a chance to win tickets to a show near you!

  • Legend, icon, storyteller

    Legend, icon, storyteller

    Stevie Nicks Talks About Empowering Women, Fleetwood Mac and her Next Tour

    Legend. Icon. Storyteller.

    “I have a super loud voice,” Stevie Nicks said with a laugh. The world is thankful for it. Her voice is necessary in times like these. The future is up in the air and Stevie Nicks has stepped up to the plate to be the heroine we all need. She is taking the show on the road and it will be unlike anything anyone has ever seen before. The 27-city tour starts on October 25th in Phoenix and will travel to places like Atlanta, Toronto, Chicago, Philadelphia, New York City and more. “The 24 Karat Gold Tour” is the next chapter in the mythical career of Stevie Nicks.

    In an exclusive interview with The Huffington Post, Nicks went into detail about what fans should look forward to when “The 24 Karat Gold Tour” comes to town. “I made a list. I went all the way back into my full catalog because the 24 Karat Gold record has a lot of songs. It also does encompass in many ways all the songs from all my solo records. So I’m having to pick. My list ended up to be 31 songs, it’s really ridiculous. I have an amazing opening act in The Pretenders. It cannot be a three hour set like I just finished doing with Fleetwood Mac and I asked, ‘But why?’ My musical director and lead guitarist asked if I cut down the set at all yet and I went, ‘Nope.’ So I said, ‘Just hand out the 31 songs to the band and tell them they don’t have to learn them all perfectly. They just have to be aware that we need to play these songs because sometimes the songs that you think are going to be the best aren’t and sometimes the songs that you think will never work end up being some of your favorite things,’” she told me. It was quite clear that Stevie Nicks created an adventurous and exciting air around her latest undertaking.

    Nicks acknowledged that she will have to revisit her classic hits before touching the new material. “Of course there are the songs that you have to do which are ‘Landslide’ and ‘Edge Of Seventeen.’ That’s fine. I love all those songs so I don’t care. I wish I could do all new songs but you can’t,” she chuckled. She continued, “I’m going to try to do some title songs. I’m going to make an effort to do an extremely difficult complex song called ‘Wild Heart’ which may totally go down in flames. The fact is I’m going to try because I always wanted to do it on stage. It’s a very complex and complicated song but I’m hoping it’s going to work. I’m going to do the songs ‘Bella Donna’, and ‘Rooms On Fire.’ I’m trying to represent every record. There’s a bunch of songs on 24 Karat Gold that haven’t been played by my band. We have to work through all the songs on 24 Karat Gold to see if they will work. If you miss one syllable you can be lost in the dark. There’s not even time to breathe. My musical director said ‘Oh my God. Call me when it’s over.’ I said, ‘Don’t worry it’s going to be okay. It’s all going to work out.’ He’s a nervous wreck. It’s going to be great because we are actually going to ‘represent’. That’s what people say today, right? This tour is a little bit about the glorious past up until now. These songs are not songs that were ever kicked off records,” Nicks told me. She then explained why the songs were never released. She said, “These are songs that were pulled off records by me because I didn’t like how they were recorded. Which means I didn’t like the production, I didn’t like the singing, I didn’t like the fact that it was made too much into a rock n roll song or not. These weren’t songs that I didn’t want to go out, these were just songs that weren’t right. I said ‘No, I’m not going to have a bad experience with this song’ so I pulled them. That’s where 24 Karat Gold came from.” What is old is new again. Fans have been salivating to see these buried treasures played live by the icon.

    You can never, ever get out of the line. You have to stay in the line because somebody will jump in there and take your place.

    When explaining the process of recording 24 Karat Gold, Nicks told me, “We started with sixteen songs when we went to Nashville. And it came down to fourteen or fifteen, maybe. I said to Dave Stewart who has all my demos, ‘How can we make a record of these songs and do it while I’m off from Fleetwood Mac, while Christine is moving back to LA, while we are getting her straightened out? How long would that take?’ Dave said, ‘2-5 and 6-10 and then you go home.’ He followed up by saying, ‘You need to be on time and everything will be charted. And you want these songs charted exactly the way they were on your demos. They will be exact. They won’t be arguing with you. These are the best of the best studio musicians and they play on all different kinds of records every single day.’ We had to be organized and we were. It was so great because I didn’t have to learn to sing any of these songs differently because they were exactly as I wrote them. And they loved them. We recorded live. I was in a booth looking at all of them. The drummer, another guitar player, we had three guitar players and it was all there and I could see everybody. It was like playing in a club. When we were done, we jumped on a plane and flew back to my house. It was really fun. We had another three weeks at my house and then it was done. And it was amazing because the only records made in that kind of time were Fleetwood Mac because we really didn’t have that much money. We had a record deal. It was well known but it wasn’t the time to be self-indulgent. And Bella Donna took three months with a month of rehearsal and a month before that of picking out the songs. Every other record we’ve ever done has taken at least a year. Rumors, all of the records. We have enough money where everyone goes ‘We can do whatever we want.’ And I think sometimes that really doesn’t work that well for you because you really don’t need to book every studio in the city to put five thousand overdubs on music that is already really good. You are trying really hard to use your time wisely. You get better stuff and it is a lot more fun getting the stuff that you do get.” Nicks has had a lot of fun throughout her career and doesn’t plan on stopping anytime soon. Just when you think you have seen it all, Nicks makes sure that you haven’t seen anything yet.

    Stevie Nicks - 24 Karat Gold Songs from the Vault“I’m not going out to promote this record to sell records because I know people don’t buy that many records now. I have a really good record, and I can go up on stage and do as many of the songs that I can get away with doing,” Nicks told me. She continued, “This will be a very theatrical show. We have a lot of great pictures. This is something I have not mentioned to anybody else. The guy who took the cover of Rumours, Fleetwood Mac and all of my covers, Herbert W. Worthington III, died last year and he left me everything. He left me every picture he ever took, all the way back to Jimi Hendrix, Buddy Guy and all the Fleetwood Mac stuff. All of the press photo sessions. I have an immense amount of amazing photographs taken by this great photographer who was a dear friend of mine that I can now use. When he was alive, he was like ‘You can have that one picture but it’s going to cost you $5,000.’ I would go ‘Herbie come on! Nobody is going to pay that much money! Are you crazy?’ It’s never been seen. So we have these photographs to use and to put up behind me. There’s a picture for every song. A picture tells a thousand stories so that’s really exciting too. I’m going to try to make the beautiful art book that he always wanted to make but never got the opportunity to do.” Stevie Nicks is all about making opportunities that were once not possible—including another Fleetwood Mac tour.

    “We will go out again. We will probably go out in another year and a half,” Nicks said while shaking her head. She followed up by saying, “We have to for Christine. Because she’s like ‘Oh my God. I just came back to the band after sixteen years and you are going to break up now?’ We can’t break up now. We gave Christine her 120 shows and she flew through them. She’s five years older than me and you would just never know it. She looks great. You’ll get to see that show. She will never let us off the hook for that.” Stevie Nicks made sure to not let the next generation off the hook when she spoke about what it takes to succeed in the world today.

    Stevie Nicks and Adele
    Backstage with Stevie Nicks and Adele

    “I think it’s very hard now. That does not mean that it can’t happen,” Nicks said endearingly. She continued, “Look, it happened for Adele. Adele is certainly someone who writes great songs and has an amazing voice. Why did it happen for Adele? It’s because the stars crossed exactly at the right time, who knows. Whatever it was she worked very hard at it. I think that’s the thing. You have to figure out a way, if you’re eighteen or moving out of your parents house because you have to figure out a way to play and also support yourself. If everybody is like how my parents were, oh boy, I went to college for five years. I stopped after five years and had three months left to graduate. I called my parents and I said ‘My boyfriend Lindsey and I are going to LA.’ They said ‘Well, that’s fine we totally believe in you and support your theory in what you’re doing.’ I said, ‘Mom, we have to go now. It’s now or never.’ She said, ‘Cool, however, we will be withdrawing all financial support.’ And I said ‘I know that and it’s okay. We are going and I will be okay.’ And it was okay. Lindsey and I went to LA in 1971 and we worked out butts off. I had lots and lots of jobs. We didn’t really play shows because Lindsey didn’t want to play covers. We could have made a thousand dollars a week if we did three days a week. I wouldn’t have had to be a cleaning lady, a maid, a waitress or any of that. But the fact is, is that it made me a well-rounded person to be able to do that. We never gave up. You just have to keep working. I watch all those shows like The Voice, the end of American Idol, America’s Got Talent. I watch them all because I think they are all really fun. I’m a musical person and I love to watch people sing. If that’s what Lindsey and I had to do, if it was now, I would be dragging him tooth and nail to do those shows. Because if that’s the only way you can get people to see you now, then go on those damn shows. If you don’t get on them this year, go home and get better and practice and go back and do it again next year. If this is what you want to do, you have to be absolutely organized. And devoted and determined and you can’t listen to anybody tell you what you can and cannot do. Nobody knows what you can do except you. You have to prove the world wrong, period. If you’re really good…And I think most people could actually say they are really good at something. I did. I would look in the mirror and would go ‘Lindsey and I are excellent singers and we don’t sound like anybody else. We can captivate an audience and we can write great songs. So I don’t care if I’m a waitress right now because I’m not going to be a waitress for very long.’ That’s the attitude you have to take.”

    Independence…I think that’s important when talking to kids, especially women. Assert your independence.

    Nicks continued to share words of wisdom for aspiring entertainers. “If you can’t have that work ethic about what you do, you might as well just try to go to school and learn to do something where you can get a job that you can get paid for. Rock and roll, music, acting, being a dancer. It’s all fleeting unless you never look away. You can never, ever get out of the line. You have to stay in the line because somebody will jump in there and take your place,” she said in all seriousness. Passionately, she exclaimed, “One thing I remembered when we first moved to LA—we played for people. A lot of people were like, ‘Yeah you guys are really good…But who are you? What are you? Are you rockabilly? Are you folk singers? Are you going to add members and become a rock n roll band? A country rock n roll band? Are one of you going to become a preacher? Are you going to be with the Everly Brothers?’ We would be like, ‘We don’t know. We just know that we are going to be really famous. And we are really good at what we do. We don’t put ourselves in any specific box. You can put us in a box and tell us what we are if you want and maybe we will believe you. But the fact is—what we know is—that we are really good.’”

    Nicks then proceeded to give career advice for young women in this day and age. “If this didn’t work out for me I would have probably been a disc jockey or maybe an editor. I would have done something that was really, really fun. If this didn’t pan out for me and I finally started thinking 10 years down the line ‘Well maybe this isn’t going to work,’ I would have done something else and continued to do music in my leisure time. There is something also to be said about that. I think I could have been a great disc jockey because I love music and I love talking and I love telling stories. I think I could have been great at doing something like that. I always had something like that in the back of my mind even when I was sixteen when I told my parents that I was going to be a singer-songwriter and that’s that. And my mom’s like ‘Well you are going to take short-handed typing. Because you are going to be able to be an independent woman. You are going to be able to stand in a room with really smart men and hold your own. You are never going to feel like you are behind while the whole room of men are going to look at you like some stupid girl.’ My mom was seriously independent and she always had a job. She wanted that for me from the very beginning. To have my independence. I think that’s important when talking to kids, especially women. Assert your independence. Christine and I knew that we would never be treated like second class citizens when standing in a room with Eric Clapton, Jimmy Page and Robert Plant. All of the famous men. If anybody ever treats us with anything but total respect we will just walk out and it is their loss. And that was implanted in my head by my mom long before I graduated from high school.” Mom always knows best. So does Stevie Nicks.

    Nicks hammered the point home by telling people to always put in their best effort and to never be afraid of being different. She said, “You could be a really good photographer but guess what? Your 5-year-old is a really good photographer. The bar has been set so high now with everything. I think I’m a good photographer. But then I see these little kids taking these pictures and they are phenomenal. So you have to go back and say ‘Well I’m going to be better than that. The bar is raised and I’m going to jump over that bar. I’m going to be a better photographer than all the 5-year-olds and all the 25-year-olds.’ The bar has been raised in everything because of this tech world we live in. I don’t have a computer. I don’t have an iPhone. I have a camera that takes really good pictures and I have a flip phone in case of a fire. That’s it. I don’t live in that world but I see everybody around me that lives in that world. Sometimes I feel like I am an alien. Everybody is sitting with a silver computer on their laps and crying because the Internet went down. That’s really how people are and I don’t live in that world. Maybe we should talk about kids being truly creative, who want to be a performer or a writer. They can’t live in that world. Get out of that world. Start writing by hand. Life is beautiful. Buy a notebook, take out a pen and write it out instead.” In true Stevie Nicks style, she had one last thing to say to everybody.

    “Whatever you do just don’t be sitting next to somebody and talk to them on your phone.”

    You can purchase tickets to “The 24 Karat Gold Tour” by clicking here.

    Kyle Stevens / Huffington Post / Monday, September 19, 2016

    Follow Kyle Stevens on Twitter: www.twitter.com/thekylestevens

  • Stevie Nicks on secret to Fleetwood Mac’s longevity

    Stevie Nicks on secret to Fleetwood Mac’s longevity

    Ahead of 24 Karat Gold solo tour, singer-songwriter talks set lists, “sex, rock & roll and drugs” songs, and more

    Stevie Nicks has been having trouble sleeping. The Fleetwood Mac vocalist wrapped up a year-and-a-half long tour with her band last November, but even as she’s begun rehearsing for a solo tour in support of 2014’s 24 Karat Gold that will launch in October, Nicks has yet to find herself on a better schedule.

    “I’ve gotten into the habit of not going to sleep until somewhere between five and seven, and when I’m not working I can sleep until four [in the afternoon],” she reveals, blaming the tour routing schedule that had the band jumping between cities and time zones every other day. “I wish I had worked harder on it because now it’s gonna be harder for me to, but I’ll figure it out because I always do.”

    Even though she doesn’t necessarily need to, the legendary vocalist and songwriter felt determined to get back on the road even after touring for so long with the Mac, who reunited with Christine McVie after a 16-year break. Just before McVie’s return, Nicks had finished recording 24 Karat Gold, based on a collection of demos from throughout her career that she had personally cut from the various Fleetwood Mac and solo albums they were originally intended to be on. She spent two and half months in Nashville with friend and producer Dave Stewart recording the songs, and the same day she turned the album into Warner Bros., she entered a rehearsal room with one of rock’s most iconic, formerly tempestuous line-ups.

    “I didn’t walk through the doors at the Fleetwood Mac rehearsal with Christine McVie sitting there after not having her in the band for 16 years and say, ‘Oh, would everybody like to stay up and listen to my new record?’” she recalls with a laugh. “So never a word was ever spoken about it for the entire year and a half that we were on the road, so I never even got to listen to this record until we got back.”

    In the past few weeks, following a well-deserved break after Fleetwood Mac’s trek around the world, Nicks realized that the window was closing for the appropriate time to promote the album. “These are the glory songs,” she asserts. “These are the sex, rock & roll and drugs songs that I’m actually not really writing right now, and these are the songs I could never write again.”

    As Nicks explains it, her solo career acts as a crucial counterweight to her band activities. “I feel really blessed to be able to be the Gemini that I am and be able to hop back and forth between my solo career and Fleetwood Mac. My solo career is truly the reason why Fleetwood Mac is still together because I get bored easily,” she says. “That’s why every time I go to work on my solo career, I try to make it as different from Fleetwood Mac as I possibly can so that it really is two worlds. When I feel ready to go back to Fleetwood Mac when we do our next tour in a year and half, I’ll be ready to go back to Fleetwood Mac, and it’ll be good.”

    The “Wild Heart” singer’s love of contrast is something she embraces in her daily life, too. “I always think an environment change will fix anything, so if I get depressed, I’m gonna leave my apartment and go to my house for a couple of days,” she explains. Sometimes she’ll do the same in hotels, too, needing to leave a beautiful suite for a room just down the hall. “All it takes is a new living room and bedroom for Stevie and she’s a new person.”

    As she excitedly runs through plans for her upcoming tour, Nicks speaks with the infectious energy of a teenager preparing for their first gig. She first mocked up a list of 31 songs for the show, and when she presented it to musical director and guitarist Waddy Wachtel, he asked for her to cut it down. She’s now at 30. “I’m like, ‘OK, that’s it. I’m not cutting these songs out,’” she says, noting that everyone will learn all 30 for rehearsals. “You never know which songs are gonna really work, so I can’t make that decision, and I’m standing by my statement that I cannot choose the songs until we go into rehearsal.”

    Alongside 24 Karat Gold tracks, many of which she’s debuting, she’s thrilled to try “Wild Heart” live for the first time, as well as the title tracks off Bella Donna and Trouble in Shangri-La. “Gold Dust Woman,” “Edge of Seventeen,” “Dreams” and “Stand Back” are secured on the list, as well. She even has plans to connect 2001’s “Sorcerer” to the newer “Belle Fleur,” two songs that come from the same poem. “I don’t really get tired of my songs,” she says. “I’m lucky.”

    Even as she works on getting herself in bed by 10 p.m. – “which is totally ridiculous for me,” she scoffs at her own suggestion – Nicks is looking forward to taking on another schedule that will keep her up late at night. “We’re gonna go on for like two hours then we’re gonna go and do what Prince would, which is then go find a club and play the other 14 songs,” she says with a laugh, alluding to the inevitable cuts she’s making to her set list. “It’s all a lot of fun.”

    Bringing up Prince, who played on the original recording of Nicks’ 1983 solo hit “Stand Back,” puts the singer in a reflective mood. “I feel really sad that Prince’s journey didn’t continue until he was 95,” she says. “Just so devastated, but I think that for most of us, we’re all gonna live to be in our nineties. So a lot of this creativity and all the things I want to do when this part of my life starts to go away a little bit, then I’ll be sitting down at an old typewriter that I’ll dig out of my storage unit in Phoenix and I’ll start writing stories. I’ll start working on movies. There’s so many things I want to do that this is just a part of it all. That’s all I can tell you.”

    Britanny Spanos / Rolling Stone / Wednesday, September 13, 2016

  • Stevie Nicks to perform ‘Landslide’ on AGT finale

    Stevie Nicks to perform ‘Landslide’ on AGT finale

    NBC’s hit talent show will feature performances by rock icon Stevie Nicks, The Jersey Boys, and Il Divo on Wednesday night’s finale

    Stevie Nicks is scheduled to perform “Landslide” during the America’s Got Talent finale on Wednesday. The performance comes on the heels of Nicks announcing her much-anticipated 24 Karat Gold North American Tour, with Chrissie Hynde’s Pretenders, which kicks off in Phoenix on October 25. America’s Got Talent airs at 8:00pm (ET/PT) on NBC.

    Related Article

    America’s Got Talent’ triumphs ahead of summer finale (USA Today)

  • Stevie Nicks to honor Prince on upcoming tour

    Stevie Nicks to honor Prince on upcoming tour

    NEW YORK (AP) — Stevie Nicks is trying to whittle down the set list for her upcoming solo tour, but one song that definitely made the cut is her 1983 hit “Stand Back” with Prince. Originally written as a compliment, now it will be a tribute.

    The Fleetwood Mac singer, who heard Prince’s “Little Red Corvette” on her car radio and loved it so much she decided to write an answer song, hasn’t played “Stand Back” since Prince died in April.

    “I will be singing it for the first time without Prince being on the planet,” she said. “That is going to be horrible, but it doesn’t mean that I don’t want to pay homage to my ‘Little Red Corvette’ friend. I’ll sing it forever for him now.”

    Nicks’ two-month tour with The Pretenders kicks off Oct. 25 in support of her 2014 album, “24 Karat Gold: Songs From the Vault.” She never got a chance to promote the CD since she spent most of the last three years on the road with Fleetwood Mac.

    Nicks promises songs from “24 Karat Gold” as well as old favorites like “Dreams,” ”If Anyone Falls,” ”New Orleans,” ”Bella Donna,” ”Rooms on Fire” and “Stop Draggin’ My Heart Around.”

    “Stand Back” will be there, fueled by the memory of her having lured Prince into the recording studio to play keyboards on the song he inspired. She said one of her deepest regrets is never getting him to join her onstage for a live version.

    Though Nicks and Prince were friends, the two didn’t hang out much. One thing they disagreed on was drug use. “He hated them. And he hated that I did drugs and that’s probably why we didn’t hang out more,” she said.

    “He was worried that I would die of an accidental drug overdose and my sadness is that he did die of an accidental drug overdose. He’s up there looking down, saying to me, ‘Sweetie, I can’t believe it happened either.’”

    Nicks has no current record deal — “I’m free to do whatever I want” — after delivering “24 Karat Gold” to Warner Bros. It’s an album of orphan songs, demos mostly written between 1969-1987.

    “These were written during the days when everybody was pretty high and crazy and there was a lot of love affairs going on and a lot of breakups going on and just a lot of emotion going on,” she said.

    The 68-year-old singer-songwriter said that there were many reasons why the songs never got on any of her albums or those by Fleetwood Mac. In some cases, she didn’t like the arrangements and pulled them. Or they came out soulless.

    So in 2014, she and producers Dave Stewart and Waddy Wachtel went to Nashville, Tennessee, and re-recorded the songs in a matter of weeks. When they were finished, she put one CD in a gold box, wrapped it in a red bow and delivered it to the front desk of Warner Bros. Then she rejoined the Fleetwood Mac reunion tour.

    Now she’s getting ready to hit the road again, one of the few legendary acts like the Rolling Stones or Bruce Springsteen to be able to deliver a three- or four-hour set because they never stopped making music.

    “I am very aware that artists over 50 don’t — and are never going to — sell a lot of albums any more. It took me years to accept that,” she said. “Now we can just pretend we’re like 15 and start over and make records just because we want to.”

    (© Copyright 2016 The Associated Press. All Rights Reserved. This material may not be published, broadcast, rewritten or redistributed.)