Category: Concert Reviews

  • REVIEW: Fleetwood Mac fans flames of past

    REVIEW: Fleetwood Mac fans flames of past

    Sunday night proved better late than never for Fleetwood Mac fans, who had been waiting since March 11 to see the legendary band of men and women who have somehow managed to keep their long-running band afloat, despite what the group’s guitarist, Lindsey Buckingham, described as their “well-documented ups and downs.”

    Before the 12,844 fans who came close to packing Verizon Arena in North Little Rock, Fleetwood Mac showed over the course of a 2 1/2-hour show that its members can still rock with the best of anyone, past or present. Postponed on March 11, due to an undisclosed illness of an unidentified member, the “On With the Show Tour” — arrived in Little Rock, finally, for the 81st and final show in the United States before a break followed by the European leg of the tour.

    Though the band had played at Verizon in June 2013 and 15 of the 22 songs they performed Sunday night were also performed at that 2013 show, there was one major difference between the two shows: singer/keyboardist Christine McVie ended her 18 years of retirement and rejoined the band, giving them the lineup that had been responsible for hit after hit.

    The Cake Cupery
    The Cake Cupery

    McVie soared on “You Make Loving Fun,” “Say You Love Me,” “Little Lies” and especially, “Over My Head” and even played accordion on “Tusk.” Stevie Nicks, seeming to be in better condition or spirits than two years ago, served up fine versions of “Rhiannon,” “Sisters of the Moon,” “Landslide,” “Gold Dust Woman,” “Gypsy,” “Go Your Own Way” and “Never Going Back Again.”

    McVie, Buckingham and Nicks, who were all wearing black outfits, provided vocals, and drummer Mick Fleetwood and bassist John McVie, though more colorfully attired, provided a firm foundation for the singers.

    Buckingham’s guitar skills were again on display as he prowled the stage like a feral cat. Indeed, Buckingham, who has a fine voice, could have almost been the show all by himself. Whether he was playing acoustic or electric guitar, Buckingham delivered perhaps the finest display of guitar prowess ever on display in Verizon Arena, and threw in some body language that could have originated in the worlds of athletics or dance.

    The Cake Cupery
    The Cake Cupery

    Fleetwood showed off his drumming skills throughout the show, especially on “World Turning,” the first of three encore songs that also included “Don’t Stop” and “Silver Springs.” The concert was further enhanced by some of the best light show and camera work ever seen in a rock concert this side of Pink Floyd.

    Savoring the moment, after the last note, Fleetwood promised that “The Mac is back,” perhaps hinting that more new music would someday emerge from the talented songwriting triumvirate of Buckingham, Nicks and Christine McVie.

    Jack W. Hill / Democrat-Gazette / Tuesday, April 21, 2015

  • REVIEW: Fleetwood Mac @ The Forum

    REVIEW: Fleetwood Mac @ The Forum

    Fleetwood Mac is back

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    Several of the members who contributed to Fleetwood Mac’s classic albums, including the legendary Rumours, and subsequent commercial success had gone their own way over the years, but after years of separation (and a little animosity), these hit-makers got over their differences and now Fleetwood Mac is back and gigging extensively. If their performance at The Forum Tuesday night is any indication, they may now be even better than ever.

    Initially, I was a bit skeptical of Fleetwood Mac’s touring and the reasons why they decided to put aside their differences and reunite as the musical family they once were. I mean, c’mon — this band went through A LOT of turmoil over publishing, collaborations, personal affairs, etc. After hearing and reading about this for years, it was hard to see the integrity behind their reformation. Some people (myself included) might have wondered, “Are they doing this JUST for money?” The answer is simply “No.” My assumption was wrong. The entire band had the venue jazzed from beginning to end, and that energy can’t be motivated by money alone.

    Lead singer Lindsey Buckingham danced through his guitar solos and really felt the music he was playing. Stevie Nicks looked and acted like the beautiful witch she always wanted to look and act like. There was no shortage of twirling and dancing, and the crowd loved it. I, for one, was under her spell. Thank God the spell was one of love, my favorite kind of hippie-witch spell.

    Not only was everyone from the classic lineup on stage and rocking, they looked happy to be there. Even Christine McVie, who left in 1998 and didn’t return until last year, was enjoying every second. McVie is the voice you hear on songs like “Don’t Stop,” “Little Lies,” and “You Make Loving Fun” — a vital part of the band, indeed. For the first time in almost 20 years, the members seem to feel camaraderie in their dysfunctional musical family.

    The group consistently talked of Los Angeles being their home and reason for success. We all loved hearing that. It’s almost as if the crowd felt the need to celebrate. There was a hint of LA pride in the air, which is rare, but refreshing, and the audience was interacting from the first note. Many in the crowd even looked like they should’ve been in the band, which shows Fleetwood Mac’s influence both musically and stylistically. Stevie Nicks wannabes were everywhere, but it was kinda cute.

    Fleetwood Mac plowed through the hits and played them well. Many of the pop songs we grew up loving were extended into Phish-style jams, which was a welcomed and appreciated surprise to many, especially considering the group’s (generally) poppy approach to music. Personally, I loved it. Always a good time watching fellow musicians improvising and enjoying their set.

    At times Buckingham would harmonize with the female vocalists behind him and at other times we were treated to just his guitar and Stevie Nicks. When they played “Landslide,” you could hear a pin drop. Bassist John McVie (yes, he was married to Christine McVie) was solid and kept the backbone of the band strong. The most interesting part of the show, though, and something I thought to be quite special was Mick Fleetwood’s drum solo. It was long and climbed with intensity to a point where he started chanting, yielding an uproarious response from all of us in the audience.

    Between certain songs, Buckingham and Nicks would tell stories of how they met, how a song was written, and even their extensive drug use. It was a perfect passage to the next tune, and the show’s momentum never wavered. Buckingham’s vocals attacked the microphone like his fingers did the guitar. The guy is impressive, but like everyone else in Fleetwood Mac, he needs the others to bring out the best in any song.

    Despite the band members’ median age being 70, they played like it was their first (or last) show. Not only was it better than I thought it’d be, it was one of the best live shows I’ve ever seen. After reforming and sounding so damn good, how can you stop? They can’t stop. They won’t stop (thinking about tomorrow). Get it? I thought it was clever.
    I hope the politics within Fleetwood Mac no longer interfere with their progression because a show like the one they delivered at The Forum Tuesday night is good for everyone, including them!

    Anthony Marks / LA Music Blog / Thursday, April 16, 2015

  • REVIEW: Fleetwood Mac deliver ‘Second Hand News’ in Vancouver

    REVIEW: Fleetwood Mac deliver ‘Second Hand News’ in Vancouver

    Attending fans’ opinion of last night’s Fleetwood Mac concert at Vancouver’s Rogers Arena depended entirely on whether or not they were present at the same venue four and a half months ago, the last time the band graced the city.

    For those for who last night was their first taste of Fleetwood Mac’s “On With The Show” tour, their senses are still tingling from the experience today. The Kings and Queens of Soft Rock still reigned, cranking out two and a quarter hours of gems with energy and style.

    The long absent Christine McVie, now firmly re-entrenched in the line up, gave the band the vocal ammunition to roll out classics like “You Make Loving Fun,” “Little Lies” and “Say You Love Me.” After a touch of trouble on certain high notes early on, she soon slotted into her musical groove, finishing the night strong with a honky tonk piano solo adding an extra sheen of fun to “Don’t Stop.”

    In terms of vocals, Stevie Nicks was in richer form than on her previous visit to Vancouver, wisely navigating her way around the high notes during “Rhiannon,” “Landslide” and her opus, the lyrically merciless “Gold Dust Woman.”

    Stealing the show throughout, Lindsey Buckingham was the undisputed star of the evening, his guitars taking centre stage through opener “The Chain,” the perfect power pop of “Second Hand News” and “I Know I’m Not Wrong,” and hosting finger picking acoustic wizardry on “Big Love” and “Never Going Back.”

    Those who were lucky enough to be at Rogers Arena back in November probably have a different view of last night.

    Because Fleetwood Mac, for all their song writing and technical excellence, delivered the exact same concert that they brought with them four-and-a-half short months ago. Same set list. Same pre-song stories. They were even wearing the same clothes.

    The band has their reasons. At an arena level, lighting and video cues are not immediately changeable through the tap of a laptop.

    And yet, with such a significant gap between Vancouver dates, musicians of their ability and back catalogue should be able to switch up their set list. It seems inconceivable that select changes couldn’t be made to prevent the same songs appearing in the same order, punctuated by the same scripted introductions and anecdotes the band have been relying on through the tour.

    Read the review in the link in the first paragraph. Apart from an absent “Songbird” last night, nothing had changed.

    This is no reflection on Fleetwood Mac’s unquestionably excellent music. But playing the same concert to (presumably) a significant percentage of repeat ticket buyers destroyed the illusion that band and audience was sharing a unique, never-to-be repeated moment. That’s what makes the rock concert such a special experience. Its magic is fleeting.

    Even if a tour remains constant day after day, that time it visited your city was unforgettable. You had to be there to feel it.

    By repeating themselves so thoroughly, what seemed like moments of in-the-moment passion were revealed to be merely an act. Like the magician explaining the slight of hand behind the tricks, you admire the skill, but the wonder is gone.

    Robert Collins / CTV News Vancouver / Sunday, April 5, 2015

  • REVIEW: Fleetwood Mac returns to Rogers Arena

    REVIEW: Fleetwood Mac returns to Rogers Arena

    Fleetwood Mac brings crazy-ass fingerpicking and monster drums to Vancouver.

    Steve Newton
    Steve Newton

    Fleetwood Mac must really love Vancouver. The Anglo-American pop greats played Rogers Arena less than five months ago, on November 18, before returning for last night’s gig at the same venue.

    Apparently the feeling is mutual, because hordes of Vancouverites were willing to drop $199 (plus service charges and fees) for the best seats at the quintet’s latest appearance. Who knew that Christine McVie had that much drawing power?

    Last year saw the return of keyboardist-vocalist McVie to the concert stage, reuniting her with singer Stevie Nicks, guitarist-vocalist Lindsey Buckingham, drummer Mick Fleetwood, and bassist/ex-hubby John McVie. That’s the same lineup that ruled the charts and airwaves in the seventies during its Rumours-era heyday.

    Getting McVie back in the group for its current On With the Show tour meant that it could perform more of the songs she wrote and sang, of course, and last night that resulted in tunes like “Over My Head” and “Say You Love Me” (from 1975’s Fleetwood Mac) and “Little Lies” and “Everywhere” (from 1987’s Tango in the Night) making the setlist.

    McVie–the oldest member of the band at 71–sounded fine on those numbers, but it didn’t hurt that she was supported by a trio of youthful backing vocalists. The group also benefited from an extra keyboardist and an extra guitarist. Hey, when you charge that much for tickets you can afford some hired hands.

    And you can also invest a few bucks into getting one helluva drum sound. I don’t think I’ve ever heard such a powerful bass-drum noise in a hockey rink as that booming out of Mick Fleetwood’s kit. From the opening track, “The Chain,” to the first encore, “World Turning,” Fleetwood was a monster on the skins. His extended solo on the latter track turned out to be far more entertaining than what you’d expect from an old guy hollering and hitting things.

    The show’s visuals were most impressive too. The massive video screen behind the 10 performers kept your attention, whether displaying footage of the USC Trojans’ marching band during “Tusk,” a huge moon changing colours on “Sisters of the Moon,” or a beautiful lady dancing underwater on “Gold Dust Woman.”

    The last time the band played Vancouver without Christine McVie, in May of 2013, the setlist included the Stevie Nicks solo hit “Stand Back,” but this time around there were no selections from outside the Fleetwood Mac catalogue. And 14 of the 22 songs played were taken from the multiplatinum Fleetwood Mac and Rumours discs. There was none of that, “And here’s a track from our latest album!” nonsense. Mac’s latest album came out twelve years ago, anyway.

    The biggest highlight of the night may have been Buckingham’s solo performance of “Big Love,” which showcased his crazy-ass fingerpicking style and ultra-expressive vocals. Mind you, he did reach similarly dramatic heights seven songs later on the heavy (by Mac standards) “I’m So Afraid,” which saw him prowling the stage like a man possessed before unleashing a gonzo solo right out of the Ultimate Guitar Hero Playbook.

    Dude earned his MVP Award right then, I reckon.

    You can follow Steve Newton at twitter.com/earofnewt and check out his website about rock ‘n’ roll and horror here.

    Steve Newton / Straight / Sunday, April 5, 2015

  • REVIEW: Fleetwood Mac at the Pepsi Center in Denver

    REVIEW: Fleetwood Mac at the Pepsi Center in Denver

    Fleetwood Mac plows through a 22-song set like gleaming pros.

    Photos by Daniel Petty

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    If you’re like me, and it’s not impossible that you are, you grew up vaguely aware of Fleetwood Mac. You thought of the band’s music as something primarily designed for parents, like chardonnay or station wagons. It wasn’t until you listened to it at a party in college, surrounded by people who were a bit older and cooler than you, that you realized it was also something for you. Something that deserved the critical praise and karaoke treatment it always got. Something really good.

    Those thoughts wouldn’t leave me last night as I watched the band play its second, capacity Pepsi Center show in the span of four months. The Rumours-era lineup, which includes recent and utterly indispensable returning member Christine McVie, plowed through a 22-song set like gleaming pros. Most of the audience was middle-aged and seated, and happily so. But despite the frequent, between-song nostalgia from Stevie Nicks (resplendent and witchy), Lindsey Buckingham and a circumspect McVie, the band proved its music doesn’t belong to one generation. We all own “Rhiannon,” is what I’m saying. And it owns us.

    The band’s got its moves down, but it wasn’t just going through the motions. How many times has Stevie Nicks twirled in circles to “Gypsy,” her frilly black cuffs brushing the beaded necklaces on her mic stand? This is show business, not a feel-good creative lark, but it’s clear these things occasionally overlap. Scrutinizing the band members’ faces as they talked about the drama, breakups, rehab stints, etc. only reinforced how mysterious they remain. This was show No. 73 of their current tour, an improbably energized Buckingham told the audience near the beginning. But the 10-piece band (which included some truly great backup singers) belted out every golden, honeyed melody, aurally iconic riff and tumbling percussive passage like it was their first in years.

    “Let’s get the party started!” Nicks encouraged us, adorably, after “Dreams.” The tie-dyed dads and toe-tapping moms obliged, mouthing every word to “Second Hand News” and “Big Love.” Mick Fleetwood’s subtly insistent drumming was the heartbeat. Buckingham’s leads were the neural electricity. Hearing these classic songs rendered so impeccably was like watching Salvador Dali re-paint one of his masterpieces from memory, on demand. The band found an expert balance between slavish imitation of its 39-year-old recordings and melodic variations of well-worn choruses — even if Stevie took the vocal low road on a few songs.

    How does a band successfully revive something so embalmed in our memories? Fleetwood Mac is entirely conscious of its legacy, which it gently attempted to revise with each practiced, between-song speech. Buckingham never actually said, “We were all sexually cannibalistic cokeheads while we were making this music four decades ago.” But he talked around it in his socially-conscious, post-hippie SoCal spiritual way. As his frenzied solos unfurled, it was hard to not wanna hug the skinny little proto-emo freak. Nicks smiled wisely during the “Landslide” line “I’m getting older, too,” which was dedicated to a family member in the audience going through some drama. Her theatrical rendering of that song and Buckingham’s “Never Going Back Again,” which he slowed down and teased the audience with, gave me chills. I saw tears on the faces of more than one person. We all had chills.

    Set list:
    The Chain
    You Make Lovin’ Fun
    Dreams
    Second Hand News
    Rhiannon
    Everywhere
    I Know I’m Not Wrong
    Tusk
    Sisters of the Moon
    Say You Love Me
    Big Love
    Landslide
    Never Going Back
    Over My Head
    Gypsy
    Little Lies
    Gold Dust
    So Afraid
    Go Your Own Way

    Encore:
    World Turning
    Don’t Stop
    Silver Springs

    Follow our news and updates on Twitter, our relationship status on Facebook and our search history on Google +. Or send us a telegram.

    John Wenzel is an A&E reporter and critic for The Denver Post. Follow him @johnwenzel.

    John Wenzel / Denver Post / Thursday, April 2, 2015

  • REVIEW: Fleetwood Mac remains strange, potent musical family

    REVIEW: Fleetwood Mac remains strange, potent musical family

    Powerhouse band returns to Denver’s Pepsi Center, where Lindsey Buckingham steals the show.

    Photos by Brandon Marshall
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    The Pepsi Center was moving and shaking on Wednesday evening to the smoky sounds of the infamous Fleetwood Mac. The night was filled with velvet-draped microphone stands, beards, vests and the crackle of big personalities.

    Although the group seemed to be in high spirits, there was a suggestive tinge of emotion drifting between the bandmates throughout the show. Christine McVie, once married to bassist John McVie, has not been a part of the band for over sixteen years, but she began touring with it again in September. The event mainly focused on Christine McVie and her return — something Stevie Nicks seems to have had enough of.

    Nicks began by saying that McVie had been gone for a decent amount of time, but now Denver was their 73rd show together. “I can safely say she’s back.”

    The rockers’ dynamic was a little off-putting throughout the evening. But the group began their set with “The Chain,” and continued to give the audience what it was looking for. It is absolutely astonishing how many hits Fleetwood Mac has made over the years. This band is a powerhouse. The band, whose members range in age from the late sixties to early seventies, played for over two and a half hours, fully engaged in the crowd and musicianship.

    The first half of their set was more rock-oriented. By the middle of the set, the band exited the stage — eveyone except Lindsey Buckingham, who stood front and center with an acoustic guitar.

    Beforehand, Buckingham had given a little history behind the song “Big Love” — the first single off of Fleetwood Mac’s Tango in the Night. He explained the history of the time when he wrote it and what it has meant to him over the years. “To me, it is a mantra; it’s the power and importance of change,” explained Buckingham. He then played a solo version of “Big Love,” giving the song a more backwoods, folky feel, compared to the 1980s hard-grooving rock tune that was recorded on the album.

    Thereafter, Nicks joined Buckingham on stage, and they performed “Landslide.” This was a very powerful moment. “Landslide” has so much emotion and ghosts permeating it, and it let off energy blasts between Nicks and Buckingham. By the end, the two were holding hands.

    The rest of the bandmembers resurfaced, and Mick Fleetwood was positioned center stage with a smaller drum kit than his extensive main one to perform “Gypsy,” which led into “Little Lies.”

    As I said, every one of these musicians are at the top of their game. Fleetwood Mac 2015 sounded as good as Fleetwood Mac 1968, but Lindsey Buckingham stole a good majority of the show with his incredible guitar playing, accompanied by some signature moves as well as some borrowed over the years, such as the classic Chuck Berry duck walk.

    The band closed the evening with some encores, among them “World Turning.”

    The members gave this time to the youthful Mick Fleetwood, once again all of them leaving the stage, diffusing the electric chemistry that encases them when all founding members are together. Mick Fleetwood led the crowd through a tribal call-and-response drum solo, keeping perfect time and shouting out emotional cries for the crowd to repeat.

    Fleetwood Mac is not just a band that has created multiple hits throughout its career. When you experience its live act, you find a feeling of family and relationship. You experience the love and heartache between five individuals who have shared their lives with each other for nearly fifty years.

    Alex Warzel / Westword / Thursday, April 2, 2015

  • REVIEW: Fleetwood Mac gives potent dose of nostalgia

    REVIEW: Fleetwood Mac gives potent dose of nostalgia

    A reunited Fleetwood Mac gives a big Sprint Center crowd a potent dose of nostalgia

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    This show ended not with a song but with two speeches. One was a short valediction from drummer Mick Fleetwood, a founder of the band, who thanked the huge crowd for its patronage, and the other from Stevie Nicks, one of its three songwriters and lead singers. She recounted the events that led to this reunion tour, which is what this show was: a reunion of this band’s most popular lineup.

    Fleetwood Mac never broke up, but in 1998 Christine McVie retired, and for nearly 16 years, the band forged on. But it wasn’t the same without her. Saturday night, for the first time since 1987, the band performed in Kansas City with McVie, nearly filling the Sprint Center and delivering a show that was as rousing and satisfying as it was nostalgic and memorable.

    The two-and-a-half-hour show was one steady barrage of hits, and the set list was front-loaded with favorites. The opener was encore-worthy: “The Chain,” a statement about solidarity and a song the crowd recognized from the opening heartbeat thud of Mick Fleetwood’s kick drum. They followed that with one of McVie’s signature songs, “You Make Loving Fun.” Her voice isn’t as glossy or porcelain as it once was, but it handled her leads and harmonies adroitly. Next came “Dreams,” one of Nicks’ best-known songs, then “Second Hand News,” the fourth-straight song from the fabled “Rumours” album, now 38 years old.

    There were many highlights. “Rhiannon,” Nicks’ trademark ballad about a Welch goddess, was one. The title track to “Tusk,” which included a sinister intro and featured McVie on accordion, was another. They embellished that with vocal trimmings — some “da-da-das” that replaced the marching band’s horn section in the original. Lindsey Buckingham’s guitar wizardry was on full display during “Big Love,” which he performed solo. He and Nicks followed that with a lovely rendition of “Landslide.” By the end of that song, the two were holding hands. Then came “Never Going Back Again,” one of eight “Rumours” songs on the set list and yet another that showcased Buckingham’s considerable guitar prowess.

    As an intro to “Gypsy,” Nicks told a story. Back before she was famous and wealthy, she went into a store in San Francisco called the Velvet Underground, where the clothes were too expensive for her meager budget. But it inspired her, she said, to pursue her music dreams and to one day return and buy whatever she wanted. “Follow your passion,” was the moral. They played that and “Little Lies” slightly unplugged, with Fleetwood sitting at a “cocktail kit,” as McVie called it.

    Throughout the show they got support from three vocalists, a percussionist, a guitarist and keyboard player, all of whom operated in the shadows but added substantial heft to the arrangements.

    The only disappointment of the evening: McVie didn’t perform “Songbird,” which was removed from the set list several weeks ago.

    The first set closed with two of Buckingham’s best. First, “I’m So Afraid,” which ended in a furious guitar solo, then “Go Your Own Way,” one of the most ebullient break-up songs ever. On that one, Nicks danced around wearing a big, black top hat. They returned for a three-song encore: “World Turning,” which featured a drum solo by Fleetwood, the ever-inspirational “Don’t Stop,” then “Silver Springs,” the band’s best-known B-side (to “Go Your Own Way”).

    Then Nicks emerged and preached about McVie’s return — at the age of 70 — and re-dedication to a band that has persevered and sustained so much over more than 40 years: bitter romantic breakups, successful solo careers, McVie’s retirement, bassist John McVie’s battle with cancer. In 2015, Fleetwood Mac is proving no matter which way you go, sometimes you can go back again.

    To reach Timothy Finn, call 816-234-4781 or send email to tf***@****ar.com. Follow the Back to Rockville blog on Twitter @kcstarrockville.

    SET LIST
    The Chain; You Make Loving Fun; Dreams; Second Hand News; Rhiannon; Everywhere; I Know I’m Not Wrong; Tusk; Sisters of the Moon; Say You Love Me; Big Love; Landslide; Never Going Back Again; Gyspy; Little Lies; Gold Dust Woman; I’m So Afraid; Go Your Own Way. Encore: World Turning; Don’t Stop; Silver Springs.

    Timothy Finn / Kansas City Star / Sunday, March 29, 2015

  • REVIEW: Reunited Fleetwood Mac put on exquisite show

    REVIEW: Reunited Fleetwood Mac put on exquisite show

    Fleetwood Mac concert Friday night in Saint Louis

    While there have been many incarnations of Fleetwood Mac in their 47 year history their most popular and well-known has been with the lineup that was featured Friday night of McVie along with vocalist Stevie Nicks, vocalist/guitarist Lindsey Buckingham, bassist John McVie and Founding member Mick Fleetwood on drums.

    Each of the band members glowed about McVie’s return and noted that it was her 70th show back with them, bringing the band back to where they are their best.

    The show opened with a simple stage setup with only a backlit screen behind them for the first several songs, starting with the unmistakable beat of “The Chain” and into “You Make Loving Fun” and “Dreams.” It wasn’t until 20 minutes into the show that they really started to use their multi-layered video screens to their capacity.

    The band used the screens efficiently, providing appropriate images for specific songs, including a trippy giant floating Lindsey Buckingham head during the fanciful “I Know I’m Not Wrong”, to moveable front screens which came down during certain songs to produce a nice multi-layered 3D effect.

    Stevie Nicks twirled in her familiar crowd-pleasing Gypsy style and performed tantric dances on some of the more psychedelic songs.

    The setlist proved strong with nary a single droop or filler needed in the non-stop two and a half hour show, showing the groups longevity and ability to produce hit after timeless hit.

    Nicks provided a background story into the origins of “Gypsy” and a store called the Velvet Underground which provided some of the incentive for her.

    The band has come to terms with their tumultuous past and Buckingham even made light about it, describing how they were foolish in trying to act like they thought a rock band should act in order to make good music, but looking back on it realizing now that it was all rubbish.

    With that grown up attitude and new found enthusiasm the band rocked their way through one of the more solid performances seen in a while, certainly setting the bar high for the year for acts following the way.

    With all the members at or beyond the normal retirement age for most Americans they certainly didn’t act or sound like it onstage. It seemed like they found the fountain of youth throughout much of the show. McVie’s vocals were strong and delightful, John McVie’s bass lines were heavy and spot on and Buckingham showed his incredibly impressive axe work on an “I’m So Afraid” solo which drew a standing ovation from the packed Scottrade Center.

    Nicks displayed her powerful chops throughout the night, especially on “Landslide” when it was just her and Buckingham in the spotlight.

    Mick Fleetwood’s drum solo in the middle of “World Turning” was a 7 minute extravaganza that featured a Marco Polo-ish routine with the crowd while he performed most of the solo with his eyes closed. It is always a treat to watch his solos.

    The key thing here is that every band member sincerely seemed to have fun and enjoy the stage with their fellow band members, something that hasn’t happened completely in a long time. Their enthusiasm showed and was shared with the crowd who was mesmerized with the performance.

    It’s amazing what chemistry can do and for Fleetwood Mac the right chemistry was onstage Friday night.

    Fleetwood Mac Setlist:
    The Chain
    You Make Loving Fun
    Dreams
    Second Hand News
    Rhiannon
    Everywhere
    I know I’m Not Wrong
    Tusk
    Sisters of the Moon
    Say You Love Me
    Big Love (Buckingham solo)
    Landslide (Nicks and Buckingham)
    Never Going Back Again (Nicks and Buckingham)
    Over My Head
    Gypsy
    Little Lies
    Gold Dust Woman
    I’m So Afraid
    Go Your Own Way
    Encore:
    World Turning (With Mick Fleetwood drum solo)
    Don’t Stop
    Silver Springs

    Sean Derrick / AXS Entertainment / March 29, 2015

  • REVIEW: Fleetwood Mac bewitches again in Atlanta

    REVIEW: Fleetwood Mac bewitches again in Atlanta

    Not many bands can sell out Philips Arena in December and return three months later to another rapturous response.

    Then again, not many bands can weather heartbreak, divorce, drug addiction, affairs and every other kind of kitchen sink upheaval and still stand in each other’s shadows – seemingly happily, too.

    But that’s the beauty of Fleetwood Mac. Their dysfunction is to our benefit.

    The original quintet – Mick Fleetwood, John McVie, Lindsey Buckingham, Stevie Nicks and the ageless Christine McVie – revisited Philips Wednesday night for an encore performance that didn’t quite match the magic of its late-2014 appearance (that show was my pick for the best of the year).

    But Fleetwood Mac bringing its B+ game is still better than most live acts in peak form – and on its 69th show of the tour, no less.

    Not much tinkering has been done with the set list other than nixing a couple of songs (personally, I’d take “Seven Wonders” over “Sisters of the Moon”). But those catching the “On with the Show” tour for the first time couldn’t have much to quibble about with the otherwise solid song selection.

    The 2-hour-plus event launched, as usual, with the bracing and winding “The Chain” before McVie, who rejoined the band last year after a 16-year absence, made her elegant presence known with “You Make Loving Fun.”

    Both McVie and Nicks needed a full solo song to find their vocal groove (“Dreams” sufficed for Nicks, clad in her standard uniform of black layers and cool, fingerless gloves) before the band hit its harmonic stride on “Secondhand News.”

    So much of Fleetwood Mac’s catalog endures because of its originality.

    The murky chords that introduce “Rhiannon” never sound anything other than intoxicating, while the pure pop shimmer of “Everywhere” is refreshingly pleasant for a band that often shrouds its lyrical heart in darkness.

    And then there is “Tusk,” with its marching snare drum, jagged guitar chords and accordion. It’s certainly not Fleetwood Mac’s most accessible song, but its appeal lies in its quirkiness and in Buckingham’s bravado.

    The intensity that Buckingham brings to the stage is every bit as necessary as Fleetwood’s wild-eyed joviality or Nicks’ ethereal mystique, and his centerpiece moment on “Big Love” always results in a demonstration of astounding musicianship.

    One gets the feeling that whenever this current Fleetwood Mac ride ends, Buckingham will miss the stage the most. It appears to liberate him, whether during those nimble, hand-cramp-defying runs on “Big Love” and “I’m So Afraid” or when he’s quietly strumming alongside his forever soul mate during “Landslide.”

    While the combo of Buckingham and Nicks will always produce a heartfelt sound, the whole of Fleetwood Mac – augmented by a keyboardist, guitarist and trio of female backup singers – still melds beautifully.

    The haunting “Gold Dust Woman,” anchored by Fleetwood’s clicking cowbell and McVie’s sturdy bass lines; the high gloss prettiness of “Little Lies” hiding its story of bitterness; the anthemic bite of “Go Your Own Way” and cautious optimism of “Don’t Stop.”

    Through them all, harmonies soared and melodies resonated – Fleetwood Mac inextricably linked to a past that we never want them to surrender.

    Melissa Ruggieri / Atlanta-Journal Constitution / Thursday, March 26, 2015

  • REVIEW: Fleetwood Mac rocks Orlando

    REVIEW: Fleetwood Mac rocks Orlando

    It’s only been six years since Fleetwood Mac last paid a visit to Orlando, but they were missing something when they played the now demolished Amway Center in April of 2009. Original bandmate Christine McVie was absent, leaving the sole female presence for the show to fall on the capable shoulders of Stevie Nicks. And while that’s not a bad thing, particularly for the many fans of Nicks, it left a significant number of songs off the setlist.

    All that has been remedied with the current On With The Show tour, which played Orlando’s Amway Center last night. All of the hits were there, from Christine’s taking the lead on “You Make Loving Fun” to the witchy ways of Stevie on “Rhiannon” and “Gold Dust Woman.”

    While McVie’s voice seemed to have some difficulty, particularly in the upper registers, Nicks was in amazing voice, seemingly finally figuring out how to adeptly mask those upper notes which she may now be missing. But the real star of the show was guitarist, and former Nicks paramour Lindsey Buckingham. Buckingham is a true rock star, giving his all on every number where he took the lead. As drummer Mick Fleetwood noted at the end, Buckingham barely left the stage for the entire show which clocked in at just under three hours.

    An amazing thing about attending concerts in this day and age are the number of people who obviously fancy themselves amateur photographers and videographers. With so many of them out there, and the shareability of their results so simple, it makes it even more fulfilling to just sit back, live in the moment, and enjoy the show to its fullest extent. Sooooo…here are some of the show’s best Amway Center moments as captured by local YouTubers.

    The show opened with “The Chain,” one of the most iconic anthems from the Rumours album.

    McVie found the spotlight once again with “Little Lies” from Tango in the Night.

    It’s hard to beat one of the most iconic musical performances ever…Stevie Nicks and “Rhiannon.”

    What at the time of its release seemed like such an odd song, has come to be a true classic, as only Fleetwood Mac could have produced. And thanks to the magic of concert video, the USC Marching Band was there to accompany them on “Tusk.”

    And who could have known that the cell phone was set to replace the lighter as the ultimate pre-encore light show.

    105.9 Sunny FM  / Tuesday, March 24, 2015