Stevie Nicks will be performing a co-headlining show with Billy Joel at Ford Stadium in Detroit, Michigan on Saturday, March 29, 2025. Dubbed BILLY JOEL STEVIE NICKS ONE STAGE ONE NIGHT, the March 29 date is currently the lone performance pairing the two icons on the latest touring schedule. Tickets go on sale Friday, October 4 at 9:00 a.m. local time. (Note: Several presales will precede the general sale.)
On Friday, Stevie released the new song “The Lighthouse,” an anthem “for the women of the U.S. and their daughters and granddaughters ~ and the men that love them,” Stevie shared on her social media.
On Friday, Stevie Nicks and Billy Joel finished their Two Icons One Night Tour with one final performance at Soldier Field in Chicago. The tour started in Inglewood, California last March but immediately hit a road block when COVID-19 illnesses within Stevie’s band forced some postponed and a few canceled shows. After everyone in the band recovered, the two artists eventually completed 11 shows over a 16-month period.
Stevie kicks off the European leg of her tour on July 3 in Dublin, Ireland.
On Saturday, Stevie Nicks performed live in concert at AT&T Stadium in Arlington, Texas, the next stop on the Two Icons One Night tour with Billy Joel. The show had originally been scheduled for last April, but COVID illness in Stevie’s band caused the 11-month postponement.
Stevie performed a shorter and modified set list at Saturday night’s show.
Videos
Special thanks to Eddie C., jimmiehack and xkeahix for sharing your videos from the show!
Outside the Rain / Dreams
Stop Draggin’ My Heart Around (with Billy Joel) / Dreams / Gypsy / For What It’s Worth / Stand Back / Gold Dust Woman / Leather and Lace (with Steve Real) / Edge of Seventeen / Free Fallin’ / Rhiannon / Landslide
Gold Dust Woman
Edge of Seventeen
Landslide
Stevie Nicks Set List
Reviews
Billy Joel and Stevie Nicks Defy Time, Bring the Hits to AT&T Stadium
Fans turn out for an emotional recounting of hits from two pop icons.
REVIEW: Billy Joel and Stevie Nicks’ show in Arlington a ‘Rage against the Dying of the Light’ Mac Engel / Fort Worth Star-Telegram (TX) / March 10, 2024
(excerpt)
[Stevie Nicks] played 13 songs, and she still sounds like Stevie Nicks. For the most part. It helps her voice has always sounded like it’s crusted with cigarette smoke, so she was never apt to embarrass herself by going for a few high notes that were never her thing.
Part of Steve Nicks’ appeal is a voice that she doesn’t need to trademark. Even with autotone, no one else can sound like Stevie Nicks.
She ripped through her hits, and had no problem going to her Fleetwood Mac roots. She can still do “Gypsy,” “Stand Back,” “Seventeen,” “Gold Dust Woman” and the rest. Her cover of Buffalo Springfield’s “For What It’s Worth” was an unexpected twist, but she pulled it off.
There was an undeniable bittersweet undercurrent to her set. So many of the people she performed with are gone. People like Tom Petty and Christine McVie.
Nicks performed a cover of Petty’s “Free Fallin,” and Joel joined her on stage for “Stop Dragging My Heart.” That song became a hit with Petty and Nicks.
After performing her final song, “Landslide,” she spoke lovingly of McVie.
Billy Joel and Stevie Nicks will be performing a co-headlining show at Solider Field in Chicago on June 21. The latest show is part of their popular Two Icons One Night Tour.
Tickets are set to go on sale to the general public Friday, January 12 at 10 a.m.
Presales for CitiCard members will be available on Monday, January 8 and for Verizon customers on Tuesday, January 9.
On Friday, Stevie Nicks performed with Billy Joel at Chase Field in Phoenix, AZ. Billy made an early appearance in Stevie’s list, performing Tom Petty’s part in “Stop Draggin’ My Heart Around.”
Special thanks to AZ Dad2day, Jeff, and kuiperobject for sharing your clips from the show!
Set List
1. Outside the Rain
2. Dreams
3. If Anyone Falls
4. Stop Draggin’ My Heart Around (with Billy Joel)
5. Fall from Grace
6. Gypsy
7. For What It’s Worth (Buffalo Springfield cover)
8. Stand Back
9. Wild Heart
10. Bella Donna
11. Gold Dust Woman
12. Free Fallin’
13. Edge of Seventeen
ENCORE
14. Rhiannon
15. Landslide
Reviews
Billy Joel setlist 2023: Every song he sang in Phoenix on his tour with Stevie Nicks
From “My Life” to ’Piano Man,” “You May Be Right” and “It’s Still Rock and Roll To Me,” here’s every song Billy Joel sang at Chase Field in Phoenix.
Stevie Nicks has added new solo dates to fill the gap leading up to her coheadlining stadium show with Billy Joel on March 9, 2024. Tickets go on sale this Friday, September 29 at 10 a.m. local time.
Sat Feb 10, 2024 – Atlantic City, NJ Mark G Etess Arena^+ – On Sale Friday, September 29. 2023
Wed Feb 14, 2024 – Belmont Park, NY UBS Arena+ – On Sale Friday, September 29. 2023
On Saturday, Stevie Nicks performed with Billy Joel at Gillette Stadium in Foxborough, Massachusetts during the 2023 Two Icons One Night tour. Despite rain in the weather forecast, the show went on as planned, but Stevie shortened her set list to accommodate the wet conditions.
The tour stays in the East Coast through mid-November before moving to the West Coast, where the 2023 portion of the tour will wind up in mid-December.
Special thanks to Concert Chris! and Randy Glover for sharing videos from the show.
Set List
1. Outside the Rain
2. Dreams
3. If Anyone Falls
4. Stop Draggin’ My Heart Around (with Billy Joel)
5. Fall from Grace
6. Gypsy
7. Stand Back
8. Wild Heart
9. Bella Donna
10. Gold Dust Woman
11. Free Fallin’ (Tom Petty cover)
12. Edge of Seventeen
ENCORE
13. Rhiannon
14. Landslide
Reviews
Stevie Nicks and Billy Joel a powerhouse pop tandem at rainy Gillette – The Boston Globe
The two singers share a theatricality — not to mention packed back catalogs — that made their show Saturday night at Gillette Stadium a top-to-bottom joyride.
Double play at Gillette: Joel and Nicks offer a classic show
Joel, 74, who played roughly two hours, while Nicks, 75, who opened with an abbreviated hour-and-20-minute set, delivered two distinctly different and totally satisfying sets.
FOXBOROUGH — When the pugilistic pop composer Billy Joel and the bewitching singer-songwriter Stevie Nicks announced their joint tour earlier this year, it took a second for the pairing to click. Joel’s blend of classical training and punky New York attitude seem at odds with Nicks’s West Coast mystic visions, but the two share a theatricality — not to mention packed back catalogs — that made their show Saturday night at Gillette Stadium a top-to-bottom joyride.
Stevie Nicks played songs from her solo and Fleetwood Mac catalogs. (Ben Stas / Boston Globe)
The hit parade was a bit waterlogged, with rain falling steadily throughout the show. But the weather — which was also marked by decidedly autumnal temperatures — added a sense of drama to the proceedings while also proving that those filling the stadium were committed to seeing the whole night through. Nicks’s set spotlighted both her work with the tumultuous hitmakers Fleetwood Mac and her solo material, with a stunning extended run-through of the world-weary Mac track “Gold Dust Woman” and a fiery take on her grief-stricken solo hit “Edge of Seventeen.”
Mourning ran through the set, with Nicks’s former duet partner Tom Petty being paid tribute through versions of the tug-of-war duet “Stop Draggin’ My Heart Around” (with Joel more than ably handling what Nicks called “the argument part” of Petty’s vocal) and the modern American standard “Free Fallin’.” Her former bandmate Christine McVie, who passed away last November, was given the spotlight during Nicks’s set-closing version of the yearning Fleetwood Mac smash “Landslide.” That song and “Free Fallin’” have both become modern touchstones of American pop, and Nicks’s presentation of both showed how crucial she and her collaborators have been to the modern pop firmament.
Billy Joel at Gillette Stadium. (Ben Stas / Boston Globe.
Joel opened his set with a take on his 1978 outta-my-face anthem “My Life” that he blended into Ludwig van Beethoven’s “Ode to Joy,” which succinctly summed up at least one facet of his appeal. His musical chops straddle the old and new worlds; his piano playing, as evidenced by the frequent close-ups on his keyboard that blazed across the video screens, hasn’t missed a beat, and he can still hit the high note that marks the yearning title track from 1983′s street-corner-music homage “An Innocent Man.” He’s able to channel that talent and knowledge of pop into songs that speak from a perspective marked by hunger, whether it’s for basic respect from the system (the chugging “Allentown”), bridge-and-tunnel transcendence (the strivers’ anthem “Movin’ Out [Anthony’s Song]”), or something more carnal (the New Wave-y chronicle of frustration “Sometimes a Fantasy”). Joel’s been in music’s upper echelons for four-plus decades, but his wisecracking, fighting spirit still shines through — and his pop craftsmanship makes joining in via singing along even easier.
Maura Johnston can be reached at ma***@***ra.com.
Maura Johnston / Boston Globe / September 24, 2023
