Tag: Christine McVie

  • Christine McVie releases Songbird: A Solo Collection

    Christine McVie releases Songbird: A Solo Collection

    Christine McVie has released Songbird: A Solo Collection (Rhino/Warner).

    The 10-track compilation focuses on Christine’s second and third solo albums Christine McVie (1984) and In the Meantime (2004), with the majority of tracks coming from the latter; there are also two previously unreleased tracks from both recording sessions. A reimagined, orchestral version of Fleetwood Mac Rumours classic “Songbird” closes out the collection.

    Producer Glyn Johns re-produced and remixed most of the tracks on Songbird, some of which feature new musicians and instrumentation. “He did a fantastic job; the quality of the sound is much better,” Christine told Johnnie Walker in the accompanying liner notes. “I’m actually really, really delighted with it.”

    Curiously, Christine’s U.S. Top 40 hits and MTV playlist staples “Got a Hold on Me” (#10) and “Love Will Show Us How” (#30) are excluded from the compilation. But Songbird still soars with other bright love songs, while it explores reinterpretations of deeper cuts in Christine’s solo catalog. 

    Songbird: A Solo Collection is available now in digital, CD, and vinyl formats.

    Track List

    1. Friend
      from In the Meantime
    2. Sweet Revenge
      from In the Meantime
    3. The Challenge
      from Christine McVie
    4. Northern Star
      from In the Meantime
    5. Ask Anybody
      from Christine McVie
    6. Slow Down
      Previously Unreleased
    7. Easy Come, Easy Go
      from In the Meantime
    8. Givin’ It Back
      from In the Meantime
    9. All You Gotta Do
      Previously Unreleased
    10. Songbird
      from Rumours, Fleetwood Mac
  • Neil Finn releases new song with Stevie Nicks, Christine McVie

    Neil Finn releases new song with Stevie Nicks, Christine McVie

    Crowded House lead singer Neil Finn has released a new song “Find Your Way Back Home” featuring his Fleetwood Mac bandmates Stevie Nicks, Christine McVie, and Michael Campbell. The song benefits Auckland City Mission: Homeground and Auckland’s homeless community.

    Listen here: https://neilfinn.lnk.to/FindYourWay.

    Neil’s Message

    I was honoured to be asked to write a song – Find Your Way Back Home – to support the fundraising for an amazing new building in New Zealand. It’s called HomeGround and is being developed by the Auckland City Mission to create a path for many of our people to find their way back home.  

    I was so grateful to have the talent and support of my Fleetwood Mac bandmates Stevie, Christine and Mike, along with my son Elroy and fellow Kiwi singer Georgia Nott, to help me make this recording. 

    Stream the song here with all royalties going to the Mission.

    I have always been aware of how important the City Mission is in our community, representing and supporting every day the homeless people of Auckland. Now more than ever, as we shelter in place I am reminded that everyone deserves to have a home where they can feel safe and be well.

    I hope you enjoy this recording of Find Your Way Back Home. To find out more about the incredible building or make a donation, go to Auckland City Mission: Homeground. 

    Neil

    ‘Find Your Way Back Home’ Lyrics

    The memory is easy
    Somehow I never got to say farewell to you
    It’s been a long, lonely path for you
    I was keeping all my thoughts inside
    When I saw you on the street tonight
    (Ooh ooh…)
    Oh my, it’s like staring at an empty page
    When the story’s gonna have to be laid

    Hoping that you find your way
    I’m hoping that you find your way back
    Hoping that you find your way back home in time
    In your own time

    We are related
    I could be the one that could clear a path for you
    (I could clear a path)
    Instead of the one that would look away from you
    Have a mind if you care
    Love will always find you there
    (Ooh ooh…)
    Coming in on a wing and a prayer

    Hoping that you find your way
    I’m hoping that you find your way back
    Hoping that you find your way back home in time
    (In time…)
    I’m helping you to find your way
    Knowing that you’ll get there one day
    Helping you to find your way back home in your own time
    In your own time

    Someone I knew
    I’m sending out a smile to you

    Helping you to find your way
    Helping you to find your way back home
    Helping you to find your way
    You’re gonna find your way back home
    Sooner or later

    (Find your way…)
    You are the one that could clear a path
    Come on home, baby
    (Find your way…)
    One of these days it’ll come to pass
    Sooner or later
    (Find your way…)
    No, you’re gonna find your way back home
    Knowing that you’re gonna way your way
    Sooner or later

  • Christine McVie inside the world of Fleetwood Mac, then and now

    Christine McVie inside the world of Fleetwood Mac, then and now

    As the band prepares for its UK return in June, Christine McVie talks Glastonbury, rock ‘n’ roll and retirement

    June 2019 will be a big month for music fans for two reasons – an under-the-radar, little-known festival called Glastonbury and the return of Fleetwood Mac, the band’s first UK dates in six years. Sadly, this year at least, the two aren’t linked, but lead vocalist and songwriter Christine McVie says any decision to perform at Glastonbury isn’t down to the band itself.

    “It isn’t up to me, it’s up to the management,” said McVie. “It’s their decision and down to logistics. I can’t say yes or no to Glastonbury, but I’d like to – so long as I don’t have to wear wellington boots on stage. Or maybe I’d just have to roll with it – wellie boots with mud.”

    I’d like to do Glastonbury, so long as I don’t have to wear wellington boots

    For now, fans will have to make do with two UK gigs at Wembley (the first time that McVie has performed in the UK with the group since officially rejoining), one of which sold out so fast that the band added a further date. Over 50 years after the band were first formed, appetite for Fleetwood Mac shows no signs of waning.

    “Maybe people are just wondering when the first one of us is going to pop off because we’re not youngsters anymore,” laughs McVie. “Maybe people want to see us because they think it’s the last chance. We’re a young band at heart; you’d never think we are the age we are. We’re never static. It’s going to be fantastic.”

    Any self-respecting rock ‘n’ roll band has encountered its fair share of drama, and Fleetwood Mac is no anomaly. There have been marriage, divorces and fall-outs, most recently the replacement of guitarist and vocalist Lindsey Buckingham after he was unceremoniously fired – a situation McVie described as “untenable”. The new line-up comprises Mick Fleetwood, John McVie, Stevie Nicks, and McVie along with newcomers Mike Campbell and Neil Finn.

    “In the 70s, we were gods and goddesses,” says McVie. “Rumours was huge. We were a lot of younger and for a time it was brilliant. It’s definitely more sober now. I think we’ve got better as I’ve grown older. We’re the best band we’ve ever been.”

    I don’t think I did anything terribly outrageous, except I once threw a cake out the window

    For McVie, music was always her one true love. She dabbled with the idea of becoming an art teacher, but let that fall by the wayside (“I obviously didn’t fancy doing my last year of teacher training”) and started working as a window dresser in a department store. In 1967, she joined Chicken Shack where she first came across Fleetwood Mac on tour.

    “I’ve never wanted to do anything else,” she says. “The band are like my family. I started writing songs when I was very young, but I wasn’t very good. In fact, I was quite paranoid about it. Then I joined Fleetwood Mac and Mick encouraged me to keep trying. I wrote all the time during that time and my pop developed into more of a blues style. It was Mick who told me to persevere and eventually I wrote a few good songs.”

    A few good songs such as “Don’t Stop,” which chronicled how she felt after her separation from John McVie after eight years of marriage; “You Make Lovin’ Fun,” about an affair she had with the band’s lighting director while she was still married to McVie (she told her husband that it was about her dog); and, of course, the perennial “Songbird,” which she wrote in just 30 minutes.

    The more I see Stevie perform on stage the better I think she is

    Fleetwood had a sound that was pivotal not only to the generation they were first born into, but for generations to come. But it wasn’t and still isn’t just the music that fans gravitate towards; it’s also to do with the chemistry shared between band members. McVie and Stevie Nicks shared a particularly close bond – Nicks calls her a mentor, sister and best friend. They shared and experienced a lot together – bad break-ups and affairs that probably shouldn’t have happened but did – all on a diet of drugs, alcohol and zero sleep. McVie says it was and still is their differences that make them close.

    “Stevie is just unbelievable,” says McVie. “The more I see her perform on stage the better I think she is. She holds the fort. She’s a brand. We’re quite different in that way – I have an outside life. I live in London not the States. I like going shopping on my own. I have more of a normal life than her and that keeps me grounded. I have other friends and I do other things. I enjoy going sailing. Stevie is devoted to her career and boy, does she do it well.”

    McVie says that, although they were on the road for a lot of the time in a male-dominated industry, she never came across any sexism or misconduct. “But maybe that’s just because we were surrounded by terrific guys,” she muses. “The guys in the band were all gentleman, as were the crew.”

    It would be bitterly disappointing if such a legendary band hadn’t indulged in a rock ‘n’ roll lifestyle – and Fleetwood live up to expectations. McVie says her relationship with co-founder of The Beach Boys Dennis Wilson was her “craziest time”.

    “We all drank a lot and did a lot of cocaine, we partied a lot, I don’t think I did anything terribly outrageous,” she says. “Except I once threw a cake out the window which landed on top of taxi. I was kind of the good girl in the group. That’s who I was. Stevie used to call me Mother Earth because I was always pretty grounded.”

    Not many bands have had the same longevity; there is life in the old girl yet

    However, being on the road took its toll on McVie and in 1998 – the same years she was inducted into Rock and Roll Hall of Fame – she quit the band and went into retirement for 15 years. She moved to Kent where she restored a Tudor house and kept a low profile. A fear of flying stopped her from going too far. But Mick Fleetwood has a knack of bringing people together, and he reached out to McVie at the right time.

    She had started seeing a therapist to deal with her flying phobia, who – after a few sessions – asked her where in the world she’d most to be if she could fly anywhere.

    “I said Maui because that’s where Mick was living at the time,” she said. “So, the therapist said, ‘why don’t you just a buy a ticket. You don’t have to get on the plane, just buy the ticket.’ Then as irony would have it, Mick called me just after and said ‘Look, I’m coming to London, are you around?’ I told him that I’d just bought a ticket to see him and he said, ‘well I’ll meet you in London then and we’ll fly back together.’ So that’s what I did.”

    McVie rejoined the band not long after, and, as she says herself, the band has never sounded better – and, thankfully, retirement couldn’t be further away. “Mick Fleetwood is the granddaddy of the band and he will do anything to keep it together.

    “Not many bands have had the same longevity; there is life in the old girl yet. It’s about finding new inspiration and enjoyment for each other. As long as we have that we’ll keep going.”

    Books tickets for Fleetwood Mac’s UK show dates on 16 and 18 June at Livenation.co.uk

    Ella Alexander / Harper’s Bazaar UK / Thursday, March 21, 2019

  • Bright and breezy

    Bright and breezy

    ALBUM REVIEW: Lindsey Buckingham and Christine McVie – Buckingham/McVie

    ***1/2 (3 and a half stars out of 5)

    If you’ve ever wondered what a golden era Fleetwood Mac album might sound like without Stevie Nicks, here’s your answer. From 1975’s self-titled effort to ‘87s Tango in the Night, the Mac’s transatlantic reinvention and huge global success was built on the potent creative relationship between the British trio of Mick Fleetwood, John and Christine McVie and American pair Nicks and Lindsey Buckingham. Boasting a unique combination of interpersonal friction and natural musical understanding, the quintet crafted some of the finest, most emotionally raw pop-rock songs ever made.

    In particular, Buckingham and McVie struck up an immediate rapport, elevating each other’s songwriting as his idiosyncratic musicianship melded perfectly with her penchant for penning melodic, romantic gems. That was most apparent on Tango in the Night, a record that, with Nicks largely absent, was largely shaped by the duo and went on to shift 15 million copies.

    Fast forward three decades and the circumstances surrounding the genesis of this release are somewhat reminiscent of that period. After McVie re-joined the band in 2014, she and Buckingham swiftly realised their collaborative spark still burned bright.

    A new Fleetwood Mac album might have been in the works, but Nicks was again on solo duty. So, instead we have Buckingham/McVie.

    Stylistically speaking, this is a simple sounding record full of immaculately produced, easy listening vignettes that are incredibly bright and breezy. McVie’s musical aesthetic forms the blueprint, with her gifted co-creator reining in his experimental tendencies to complement her easy going pop sensibilities.

    “Feel About You” is a bubbly ‘60s bijou with instrumental nods to “Everywhere” and the exquisitely tuneful “Red Sun” offers a relaxed gospel-style chorus that has the air of a soothing nursery rhyme. “Lay Down For Free” finds the pair’s vocal interplay as enchantingly timeless as ever, while “Too Far Gone” echoes “You Make Loving Fun.” Its electronically swaggering groove, brilliantly clipped chorus and tribal drum bursts are an absolute blast.

    With Mick Fleetwood and John McVie also playing on the LP, strands of Fleetwood Mac’s DNA are, understandably, woven into the fabric of these songs. “Love Is Here To Stay” recalls a slower, more optimistic “Never Going Back Again” and the sparse piano and guitar strains on “Game of Pretend” immediately bring to mind “Songbird.” “Carnival Begin” is a hazy dream-like number that could have featured on Tusk, with Buckingham’s closing solo his most intense contribution.

    Where the simmering undercurrent of love and hate betwixt Buckingham and Nicks always gave their music a certain spikiness, the collaborative vibe here is noticeably more relaxed, enjoyable and carefree. The only downside to such harmony is that these songs are very middle of the road and some will find them far too bland and beige. If you’re looking for a little edginess in your life, feeding ducks at the local park or eating a non-organic apple with the skin on will offer more than this record.

    It won’t wipe away the frustration with Nicks for potentially depriving us of a final album from Fleetwood Mac’s classic line-up, but without her presence the dynamics at play on this classy, mature and well sculpted offering do present another fascinating portal into the inner workings of music’s longest running soap opera.

    Simon Ramsay / Stereoboard (UK) / Monday, June 26, 2017

  • Christine, Lindsey sing ‘Don’t Stop’ with Jimmy & The Kids

    Christine, Lindsey sing ‘Don’t Stop’ with Jimmy & The Kids

    Lindsey Buckingham and Christine McVie joined Jimmy Fallon, The Roots, and a room full of school kids for a fun, stripped-down rendition of the Fleetwood Mac classic “Don’t Stop.”

    https://www.youtube.com/watch?v=7rqLQ05AVNo

  • REVIEW: Lindsey Buckingham / Christine McVie

    REVIEW: Lindsey Buckingham / Christine McVie

    Lindsey Buckingham, Christine McVieAlbum review: Lindsey Buckingham/Christine McVie is an engaging side project for Fleetwood Mac members.

    Lindsey Buckingham / Christine McVie
    Lindsey Buckingham and Christine McVie
    Atlantic
    ***1/2 (Three and a half stars)

    The sessions that eventually spawned this album might well have heralded the return of Fleetwood Mac – indeed, Mick Fleetwood and John McVie contribute throughout here – but when Stevie Nicks stalled on her involvement, the songs instead became an engaging side project for Lindsey Buckingham and Christine McVie.

    The mood throughout is part sun-dappled Californian sunshine and part crisp English winter, and McVie – who by her own admission turned her back on music for much of her 16-year break from touring and recording – is the undoubted star.

    “Carnival Begin,” which closes the album, finds McVie brooding over a “new merry-go-round”, a transparent reference to returning to the recording fold.

    “Game of Pretend,” another McVie composition, considers the complex world of relationships, a key Fleetwood Mac battleground over the decades. Buckingham shines, too, particularly on the radio-friendly “In My World,” “Sleeping Around the Corner,” and “On With the Show.” Throughout, there is a clarity of thought and sound that rolls back the years.

    Nick March / The National (Middle East) / Monday, June 12, 2017

  • REVIEW: Lindsey Buckingham/Christine McVie – strange and beautiful

    REVIEW: Lindsey Buckingham/Christine McVie – strange and beautiful

    Fleetwood Mac’s last masterpiece, Tango in the Night, relied heavily on Buckingham/McVie compositions, with the group’s third great songwriter, Stevie Nicks, generally absent. Now that McVie and Buckingham are back together in the touring Mac band for the first time since 1997, they’ve reunited in the studio for this succinct collection of gentle pop-rockers, familiar yet far more strange and beautiful than 2013’s brittle Fleetwood Mac EP.

    Buckingham’s spidery guitar shivers through “Love Is Here to Stay” and slays the solo on “Carnival Begin,” while McVie’s undimmed gift for melody illuminates every song.

    https://www.youtube.com/watch?v=2CCTkkaPnlg

    Lindsey Buckingham and Christine McVie
    (East West)

    **** (4 / 5 stars)

    Damien Morris / The Guardian (UK) / Sunday, 11 June 2017

  • Listen to Buckingham/McVie

    Listen to Buckingham/McVie

    Listen to Lindsey Buckingham and Christine McVie’s self-titled new album below and pre-order it now!

    First Listen: Lindsey Buckingham & Christine McVie

    Fleetwood Mac’s guitarist and keyboardist team up for a new album

    People often think of Fleetwood Mac as a band propelled to artistic eminence by interpersonal turmoil. Who could forget that Rumours, the band’s defining album, was the product of a period of libertine excess and relational meltdowns? Lindsey Buckingham and Stevie Nicks were on the rocks, Christine McVie and John McVie were divorcing and Mick Fleetwood’s civilian marriage was disintegrating, too. Long before bloggers began parsing insinuating lyrics from Taylor Swift and others who’ve passed through her orbit, there was perverse sport in scrutinizing the wistful, wounded or prickly lines in Fleetwood Mac songs, not to mention group members’ on-the-record comments and on-stage interactions, for evidence of unresolved conflict.

    No such history hangs over the pairing of Buckingham and Christine McVie, he a famously exacting guitarist and producer, she a blues-schooled keyboardist, and each of them singers and songwriters responsible for significant chunks of their band’s discography. Over the decades they’ve ventured into a handful of direct collaborations, but they haven’t truly explored the potential of their partnership until now. Their album features most of the band’s classic lineup (notably, minus Nicks), but gets its identity from ideas generated within the closed circuit of the duo; all of the songs are credited to Buckingham, McVie or both.

    When McVie rejoined Fleetwood Mac in 2014, no longer content with the tranquility of retirement in the English countryside she’d chosen a decade and a half earlier, she and Buckingham struck up a tentative creative conversation, she sending him snippets of lyric, melody and chord progression, he fleshing them out and passing along his own incomplete song ideas to her. “This was just for me to get familiarized with playing and performing again,” McVie told Stephen Deusner in a recent cover story for Uncut. “One thing led to another, and by the time we knew what was happening, we had six basic tracks in the bag….” Their casual exchange reactivated musical muscles she hadn’t used in a while and reaffirmed her faith in the relevance of her contributions.

    In the mythology built up around the music of Fleetwood Mac, McVie represents an irrepressibly sanguine voice and Buckingham a more barbed one, but to reduce them to polar opposites — the optimist vs. the pessimist — is to miss out on the nuanced outlooks that come into focus when they’re working side by side. He remains quite skilled at enhancing shifts in tone with his production. The pensive resolve of his “On With the Show” gives way to breezy resignation with the introduction of sun-kissed harmonies and a crystalline guitar figure. In the propulsive pop-rock number “Lay Down For Free,” he dwells on a lover’s elusiveness, then pivots to buoyant defiance, lifted by the entrance of shimmery vocals and guitar. During “Carnival Begin,” McVie broods in the shadows, until the warm haze of harmonies and Buckingham’s delicate, single-stringed counterpoint illuminate her expression of desire.

    McVie and Buckingham make room for unfurling multi-faceted emotions in their songcraft itself. In “Sleeping Around the Corner,” he offers reluctant reassurance, intoning, “If you want me to stay, you’ve got to let me go” over spasmodic digital beats. “In My World” is his melancholy expression of idealism. In “Love Is Here To Stay,” he savors the sweetness of romance in spite of his seasoned wariness. There’s a willfulness to her giddy affection in “How I Feel,” a self-conscious insistence that celebrating the pleasure she takes in another person is, in itself, a worthwhile gesture. In “Red Sun,” she tries to separate out the bitterness from the solace in a lover’s memory. “My mind is filled with journeys, echoed with your smile,” she sings. “No, you won’t take that away from me, even if you try.”

    The marvel is that these two longtime band mates can simultaneously stand on their own and exert a gentle pull on each other, expanding our appreciation of them as living, breathing artists, rather than subjects of tabloid-heightened legend.

    Jewly Hight / NPR Music / Thursday, June 1, 2017

  • UPDATE: Buckingham McVie out June 9

    UPDATE: Buckingham McVie out June 9

    According to the L.A. Times, Fleetwood Mac members Lindsey Buckingham and Christine McVie are planning to release their first…wait for it…duets album! There’s no doubt that Lindsey and Christine have long had musical chemistry. After all, some of their best songs — “Don’t Stop” and “Hold Me” — have been Buckingham/McVie collaborations, not to mention Billboard Top 5 singles and now SiriusXM classic rock radio staples.

    But are they serious? Maybe. Stevie has made it clear that she isn’t in a hurry to release another Fleetwood Mac album, arguably residual effects from the contentious 2003 Say You Will sessions, where Stevie and Lindsey bickered like bitter ex’s (cue: their screaming match in Destiny Rules documentary DVD). The rest of the band is clearly restless to get back on the road and probably hoping to support something besides Rumours for the gazillionth time. So now they’re tired of waiting.

    But the proposed name of the album, Buckingham McVie, sounds like a little…cheeky…and far too similar to the iconic Buckingham Nicks brand. And will they seriously go down the indie route again, like 2013’s Extended Play. (Warner Bros. Records is unlikely to back a Fleetwood Mac release without Stevie Nicks.) Sounds a little fishy.

    With Mick Fleetwood and John McVie still involved in the project, it seems more likely the latest media bombshell is intended to light a fire under Stevie to finally get on board with a legitimate Fleetwood Mac release. It’s a passive-aggressive approach, but it may ultimately get Stevie to declare, “Uh, not over my dead body! Still, with Stevie’s 24 Karat Gold Tour to pick up again this February in the States, with a possible leg in Australia and New Zealand to follow, the dream of another Fleetwood Mac album with the classic 1975 lineup seems to be fading.

    Whatever happens, the latest news adds yet another dimension to the crazy Fleetwood Mac story, whether it’s “the-drama-of-the-moment” posturing or going their own way, once again.

    Read more about the ambitious project herehere, and here.