Tag: Dreams

  • Haim covers ‘Dreams’ at women in music benefit

    Haim covers ‘Dreams’ at women in music benefit

    A few months back, it was announced that a new benefit would be held to honour and encourage women in music. Put on by the Girls Rock Camp Foundation, the foundation set out to put on a gala called Girls To The Front.

    Choosing to cover Fleetwood Mac‘s Dreams, Haim wowed the audience (who were squeezed into a packed room) with their own rendition of the song, plus a few originals. It’s yet to be revealed what GRCF’s next move will be, but judging from the attention this performance as well as the benefit itself received, it will be interesting to see what they do next!

    Read the full article at Howl & Echos

    Check out some fan footage of the cover below:

    #haim covering #fleetwoodmac in a suite

    A video posted by Steve Baltin (@sbaltin1) on

    Haim covering Fleetwood Mac ??????❤️❤️#girlstothefront

    A video posted by Ny Lee (@hellodolly322) on

    Emma Jones / Howl & Echos / May 2, 2016

  • Ryan Beatty covers ‘Dreams’

    Ryan Beatty covers ‘Dreams’

    Up-and-coming recording artist Ryan Beatty has covered Fleetwood Mac’s 1977 #1 single “Dreams.” Beatty’s offers a stripped down, soulful rendition of the Stevie Nicks-penned classic. Have a listen below:

    https://www.youtube.com/watch?v=Zu6FhMHRqFU

  • REWIND: In 1977, Fleetwood Mac hit #1 with ‘Dreams’

    REWIND: In 1977, Fleetwood Mac hit #1 with ‘Dreams’

     “It really was the beginning of the dream…” says the band’s Stevie Nicks.

    The arrival of Lindsey Buckingham and his then-girlfriend Stevie Nicks to Fleetwood Mac in 1974 kicked the band’s commercial fortunes into serious high gear. Although the group was founded in 1967 and had already released nine studio albums, they had never visited the top 20 of the Billboard 200 chart. In contrast, the Mac’s first album with Buckingham and Nicks, the 1975 self-titled set, shot to No. 1 and sold five million in the U.S., according to the Recording Industry Association of America (RIAA).

    But even bigger success was on the horizon with 1977’s blockbuster Rumours, which spent 31 weeks atop the list and has shifted 20 million.

    Its second single, the Nicks-penned “Dreams,” became the band’s first (and so far only) No. 1 on the Billboard Hot 100 (on the list dated June 18, 1977) and was their first gold-certified single by the RIAA.

    “My small pink 45 gold record of ‘Dreams’ hangs in my ocean apartment [in Santa Monica, Calif.] as we speak,” Nicks recalls to Billboard. “It has hung in every house I have lived in since the day I first received it. When I pass by it, I reach out and touch it. It really was the beginning of the dream …”

    “Dreams” is one of 25 entries on the Hot 100 for the band, who also visited the top 10 eight other times with such hits as “Little Lies” and “Don’t Stop.”

    The dreamy Rumours-era lineup of the band (Buckingham, Nicks, Mick Fleetwood, Christine McVie and John McVie) released three more top 10 studio albums before fracturing in 1987 after the departure of Buckingham. The quintet reconvened in 1997 for that year’s No. 1 live album The Dance and once more in 2014 for the On With the Show world tour. That trek continues through Europe, Australia and New Zealand this year. A new studio album is also in the works – and would be the first from the Mac’s fab five since 1987’s Tango in the Night.

    Keith Caulfield / Billboard / Thursday, June 18, 2015

  • Dreams on new mix CDs

    Dreams on new mix CDs

    Renaissance Presents 3D, Dreams, Deep Dish, AxwellDeep Dish’s cover of “Dreams” featuring Stevie Nicks (released July 2005) has made its way to various mix compilations.

    The Axwell remix of the song appears on the mix CD Renaissance Presents 3D, a three-disc set released in Europe on August 8.

    Stevie Nicks, Dreams, Deep Dish, Club Generation Summer 2006The “Dreams’ cover can also be found on Club Generation: Summer 2006, which was released earlier this year on June 20.

  • I dream of Stevie

    I dream of Stevie

    DJ duo Deep Dish’s Fleetwood Mac attack

    Deep Dish, a knob-twiddling Iranian-American duo from D.C., has carved a career out of fusing past and present in dance remixes of pop songs by Janet Jackson and Depeche Mode.

    Now the DJ team of Ali Shirazinia and Sharam Tayebi has unleashed a classic rock surprise on its new CD, George Is On, in stores today.It boasts a guest vocal from Stevie Nicks on what was originally intended to be an instrumental reworking of the Fleetwood Mac classic “Dreams.”

    How did the Dishes persuade rock goddess Nicks to belt out a new vocal take for their album? “Actually, she required no persuading at all,” said Tayebi. “We sent her a demo of our instrumental for approval and she apparently found it inspiring.”

    Soon after, Tayebi and Shirazeni were at the Village Studios in Los Angeles with Nicks in the vocal booth.

    “She felt it was more appropriate to put down a new vocal,” Tayebi said, “so as to make it a true reinterpretation. Fooling around with the original would be like messing with the Holy Grail. With (our version), she’s hoping to introduce the song to a whole new generation.”

    That’s why club goers may now find themselves dancing to a Fleetwood Mac song, of all things, in places such as Axis, where Deep Dish spins tonight.

    Today, it’s no longer considered enough for career DJs to subsist on remixing the work of others. The expectation is that they’ll supplement their manipulations with original music.

    In this way George Is On — aviator’s lingo for being on autopilot — is a follow-up to Deep Dish’s first disc of original music, 1998’s Junk Science.

    “It’s really a continuation,” Tayebi said. “The basic concept is to incorporate our influences into new productions. Stylistically speaking, it’s not rooted in any one place. There are elements of straight house, garage house, techno, ambient. It’s all in there.”

    George Is On is refreshingly diverse, and the garage element Tayebi refers to adds a welcome edge absent from much mainstream dance music. It’s particularly pronounced in the gritty guitar riffs of the Euro-hit “Flashdance” (not the song from the movie), which features a sexy vocal from up-and-coming dance diva Anousheh.

    “Some records just end up with a coarse texture like that. We try not to fiddle with the natural order of things, so if that’s how it sounds, we’re apt to leave it that way.”

    But for this pair of DJs the temptation to bring past and present together usually outweighs any inclination to leave things alone. George Is On ends with “Flashing for Money,” a “mash-up” mix in which two songs are juxtaposed over one another. When Deep Dish seamlessly insinuate its own “Flashdance” into a classic rock chestnut by Dire Straits, you get a version of “Money For Nothing” you’ve never heard — or danced to — before.

    Christopher John Treacy  / The Boston Herald / Tuesday, July 12, 2005

  • Deep Dish’s ‘Dreams’ on new CD

    Deep Dish’s ‘Dreams’ on new CD

    Stevie Nicks, Dreams, Deep Dish, George Is OnA reconstructed version of “Dreams,” which debuted at Stevie Nicks’ recent Las Vegas concerts, is expected to appear on George Is On, the forthcoming CD by Deep Dish. The CD is due in stores on July 12, according to Amazon.com. Stevie contributed to the project by recording new vocals, after being impressed with the initial demo.