Tag: 2014-2015 On With the Show Tour

  • REVIEW: Illness cuts Fleetwood Mac concert short

    REVIEW: Illness cuts Fleetwood Mac concert short

    Midway through Fleetwood Mac’s Pinnacle Bank Arena concert Saturday night, drummer Mick Fleetwood suddenly became ill.

    (Photo: Francis Gardler)
    (Photo: Francis Gardler)

    “Mick is really sick,” Stevie Nicks told the crowd, adding that Fleetwood was backstage throwing up. “We feel terrible, but we can’t really make him play. Give us a minute, and we’ll figure out what to do.”

    That turned out to be playing two more songs.

    (Photo: Francis Gardler)
    (Photo: Francis Gardler)

    A drum tech named Steve took over Fleetwood’s kit for “Go Your Own Way,” which is usually the song the band plays before two encores.

    Then, after a short break, Christine McVie returned to the stage at a grand piano, playing and singing “Songbird” accompanied by guitarist Lindsey Buckingham.

    (Photo: Francis Gardler)
    (Photo: Francis Gardler)

    “Poor old Mick is really sick,” McVie said. “I sing this for him and for all of you.”

    “Songbird” has been the final song on the band’s “On With the Show” tour, usually capping a 2½ hour show. Saturday’s truncated set ran just over 90 minutes.

    (Photo: Francis Gardler)
    (Photo: Francis Gardler)

    “In all of our 40 years, this has never happened,” Nicks said.

    Prior to the abrupt ending, Fleetwood Mac had pumped out 14 songs, all familiar to the 14,000-plus that packed the arena Saturday — and sounded and looked good doing it.

    (Photo: Francis Gardler)
    (Photo: Francis Gardler)

    Saturday’s show was the second of 2015 for Fleetwood Mac and the 41st of 80 total dates on the “On With the Show” tour. That meant a fresh Mac, but one already tightened by 41 previous shows. And it is a complete band, thanks to the return of McVie, who came back to the group last year after a 16-year absence.

    Her songs, “You Make Loving Fun,” “Everywhere” and “Say You Love Me” were highlights simply because they hadn’t been heard live for years.

    54bb41a49d1bd.image
    (Photo: Francis Gardler)

    And she can still sing — as can Nicks and Buckingham. Some of the songs have been dropped in key. But that didn’t change the fact that the Mac — now in their mid-60s to early 70s — remains a fine band.

    Perhaps evidence of how quickly Fleetwood’s illness hit him, I twice noted his solid drumming in my notes and the tightness of his work with bassist John McVie.

    54bb41a35c0c2.image
    (Photo: Francis Gardler)

    The show began with “The Chain,” “You Make Loving Fun” and “Dreams,” the song of the night that features Nicks, the biggest star in the Mac constellation. She, of course, connected with “Rhiannon,” doing one of her shawl dances while effectively delivering the witchy lyrics with her rough, seductive vocals.

    The University of Nebraska marching band didn’t turn up for “Tusk.” But Fleetwood Mac still rumbled and roared with Christine McVie strapping on an accordion to add to the crowd-pleasing stomp.

    54bb419eb881e.image
    (Photo: Francis Gardler)

    “Tusk” and its follow-up, “Sisters of the Moon,” were among the loudest songs of a show that, while far from ear-splitting, was louder than I anticipated — a good thing.

    A good percentage of Saturday’s crowd would have been little kids or, in Buckingham’s words “not even born yet” during Fleetwood Mac’s mid-’70s heyday.

    “We’re pulling in all ages. I love it. We must have done something right,” Buckingham said before doing “Big Love” solo, demonstrating he’s a wicked guitarist on a hollow-body electric.

    54bb419d8e928.image
    (Photo: Francis Gardler)

    He then switched to acoustic and was joined by Nicks for a touching version of “Landslide” that she dedicated to one of her best friends, Lisa, who she said is from “this amazing city” and must be hurting. “Lisa, all the people in this room are sending you love, every one of them,” she said at the song”s end.

    Buckingham then did a solo version of “Never Going Back Again” using the acoustic. Then came Nicks’ announcement of Fleetwood’s illness.

    (Photo: Francis Gardler)
    (Photo: Francis Gardler)

    During her announcement, she said that Fleetwood Mac would return and do a show and a half, but that is unlikely, as are refunds for the shortened concert.

    Reach the writer at 402-473-7244 or kw********@*********ar.com. On Twitter @LJSWolgamott.

    L. Kent Wolgamott / Lincoln Journal Star / Saturday, 17th January 2015

  • VIDEOS 1/16: Xcel Energy Center, St. Paul MN

    VIDEOS 1/16: Xcel Energy Center, St. Paul MN

    Fleetwood Mac began the second leg of their “On With The Show” tour on Friday night, performing at the Xcel Energy Center in St. Paul, Minnesota. The band will play another thirty-nine shows in the United States, before heading across the pond to the United Kingdom in late May.

    Stevie gave a “crazy” Landslide dedication to an absent friend: “I know this is the city of Prince. And I’m friends with him, even though I never see him because he is the shadow figure. But I am friends with him, so I’m going to dedicate this to Prince, even though we all know he’s not here. We can have a moment of silence for Prince. So this is for you, Prince, wherever you are.”

    Videos

    Thanks to Rayne Olsen, Wallystrom, Jack Flash, Tom Sommers, Sarah Sanchez, Nancy Mc, TheFreyFamily, Bluejay MusicChannel, John Page

    The Chain (courtesy of BlueJay MusicChannel)

    https://www.youtube.com/watch?v=4Qrc18w-0bg

    You Make Loving Fun (courtesy of BlueJay MusicChannel)

    https://www.youtube.com/watch?v=dNpYwTYsRN8

    Dreams (courtesy of Rayne Olson)

    Second Hand News (courtesy of BlueJay MusicChannel)

    https://www.youtube.com/watch?v=KceozxU2ZVc

    Rhiannon (courtesy of Wallystrom)

    Everywhere (courtesy of BlueJay MusicChannel)

    https://www.youtube.com/watch?v=_tRSziPyRVU

    I Know I’m Not Wrong (courtesy of Jack Flash)

    I Know I’m Not Wrong (courtesy of Tom Sommers)

    I Know I’m Not Wrong (courtesy of Sarah Sanchez)

    http://www.youtube.com/watch?v=RkMb53SNwfU

    Tusk (courtesy of Nancy Mc)

    Tusk (courtesy of TheFreyFamily)

    Tusk (courtesy of Sarah Sanchez)

    http://www.youtube.com/watch?v=qahRGbRbiJI

    Say You Love Me (courtesy of Sarah Sanchez)

    http://www.youtube.com/watch?v=Y-8m9jNnAr0

    Big Love (courtesy of Wallystrom)

    Landslide (courtesy of Wallystrom)

    Landslide (courtesy of Sarah Sanchez)

    http://www.youtube.com/watch?v=NIS9avr4Xtk

    Landslide (courtesy of Rayne Olson)

    Never Going Back Again (courtesy of Sarah Sanchez)

    http://www.youtube.com/watch?v=51CwVPh_cR8

    Never Going Back Again (courtesy of Jack Flash)

    Gypsy (courtesy of Sarah Sanchez)

    http://www.youtube.com/watch?v=ZiCu0bIL5Lw

    Gold Dust Woman (courtesy of Rayne Olson)

    Gold Dust Woman (courtesy of Wallystrom)

    Gold Dust Woman (courtesy of Sarah Sanchez)

    http://www.youtube.com/watch?v=8NTV8T9FaTA

    I’m So Afraid, partial (courtesy of Bluejay MusicChannel)

    http://www.youtube.com/watch?v=hy00ZQ_6qBY

    Go Your Own Way (courtesy of Sarah Sanchez)

    http://www.youtube.com/watch?v=JKl-_YPByXQ

    Go Your Own Way (courtesy of Bluejay MusicChannel)

    http://www.youtube.com/watch?v=WBGDHnHQ9LE

    World Turning (courtesy of Bluejay MusicChannel)

    http://www.youtube.com/watch?v=4BHSV3BVM9s

    Band Intros + Don’t Stop (courtesy of Bluejay MusicChannel)

    http://www.youtube.com/watch?v=d4KJaJvxzeo

    Don’t Stop (courtesy of Sarah Sanchez)

    http://www.youtube.com/watch?v=wVwOYJ8pzhk

    Don’t Stop (courtesy of John Page)

    Songbird (courtesy of Bluejay MusicChannel)

    http://www.youtube.com/watch?v=G7q9_uOcMMw

    Songbird (courtesy of Cassafrassism)

    Songbird + Final Bows (courtesy of Jack Flash)

    Reviews

    Setlist

    1. The Chain 13. Landslide
    2. You Make Lovin’ Fun 14. Never Going Back Again
    3. Dreams 15. Over My Head
    4. Second Hand News 16. Gypsy
    5. Rhiannon 17. Little Lies
    6. Everywhere 18. Gold Dust Woman
    7. I Know I’m Not Wrong 19. I’m So Afraid
    8. Tusk 20. Go Your Own Way
    9. Sisters of the Moon 21. World Turning
    10. Say You Love Me 22. Don’t Stop
    11. Seven Wonders 23. Silver Springs
    12. Big Love 24. Songbird
  • REVIEW: Fleetwood Mac forced to end Lincoln show early

    REVIEW: Fleetwood Mac forced to end Lincoln show early

    Fleetwood Mac had to call its set early.

    Drummer and founding member Mick Fleetwood came down with an unexplained illness, and the band played as much as it could before members called it a night.

    Mark Davis
    Mark Davis

    “Mick is really sick. We don’t know exactly what to do,” Stevie Nicks said, adding that he suddenly became ill and was throwing up.

    The band, set to play more than two hours, called off eight of its songs and finished the show with “Go Your Own Way” and “Songbird” almost an hour early.

    “We will come back,” Nicks said. You’ll get one and a half full-on shows. We will come back. We’re so sorry.”

    “It’s really unfortunate,” added Lindsey Buckingham. “We’re really sorry, guys.”

    Mark Davis
    Mark Davis

    Kevin Coffey / Omaha World-Herald / Saturday, January 17, 2015

  • REVIEW: Fleetwood Mac more relaxed, in sync

    REVIEW: Fleetwood Mac more relaxed, in sync

    In Twin Cities encore, Fleetwood Mac is more relaxed, in sync

    The full “Rumours”-era lineup of Fleetwood Mac returned to the Twin Cities on Friday night for a triumphant, wildly entertaining performance at St. Paul’s Xcel Energy Center in front of a sold-out crowd of more than 15,000 grinning, cheering fans.

    Christine McVie, who retired in 1998 after the first “Rumours” reunion, rejoined the group last year. After spending time in the studio with Lindsey Buckingham for some songwriting and recording sessions (Stevie Nicks was busy promoting her solo album), the band hit the road for a tour that kicked off Sept. 30 at Minneapolis’ Target Center.

    How much has the show changed in 3 1/2 months? Not at all, judging by the set list. The group played the same two dozen songs and even indulged in some of the same stage banter.

    Beneath the surface, though, the evening radiated with a looser, more casual vibe. Back in September, the band played with nervous energy, flubbing some early numbers and echoing the same “I can’t believe I’m seeing this” vibe as the audience.

    But the 39 concerts that followed, and several weeks off for the holidays, left us with a more polished, in-sync version of the band.

    Pioneer Press: John Autey
    Pioneer Press: John Autey

    Now 71 and the oldest musician on stage, McVie impressed with her confident, strong vocals and the glow of a woman half her age. Her presence on stage has forced Nicks, 66, to step up her game in the vocals department. She’s chattier, too, and told Friday’s crowd “Landslide” was dedicated to her friend Prince.

    Buckingham, 65 and the baby of the group, spent his time shouting, scowling, gritting his teeth and ripping one fiery guitar solo after another.

    “Rumours” famously documents the destruction of three relationships: Buckingham and Nicks; Christine McVie and her bassist husband John; and drummer Mick Fleetwood and his wife Jenny Boyd. Why would, 38 years later, five of the six people involved share the stage and rehash decades-old issues. After all, they played nine of the 11 “Rumours” tracks Friday, along with “Silver Springs,” a b-side from the era.

    Well, money has something to do with it. The single Target Center show in September pulled in more than $1.8 million. Scalpers are getting rich, too, as Forbes reported the tour is the most expensive ticket on the secondary market right now, with an average price of $305, above Taylor Swift ($260) and U2 ($255).

    At the same time, artistry and mortality both figure in there as well. John McVie underwent cancer treatments in 2013. Buckingham and Nicks have both spent recent years focusing on well-received solo albums. And Buckingham’s grumpiness aside, there is a spark in the 2015 Fleetwood Mac that was missing during the ’00s tours.

    As fun as it’s been to see them back together, twice now, it’s exciting to see if they still have got any great new music left in them. They should never break the chain.

    Pioneer Press: John Autey
    Pioneer Press: John Autey

    Ross Raihala / TwinCities.com Pioneer Press / Friday, January 16, 2015

     

  • REVIEW: Familiar flair

    REVIEW: Familiar flair

    Review: Fleetwood Mac reprises familiar flair at Xcel Energy Center. Stevie Nicks and Lindsey Buckingham injected their usual emotional energy at Xcel Energy Center in opening the second leg of the band’s reunion tour.

    Stevie Nicks, left, and Lindsey Buckingham performed Friday night with Fleetwood Mac at Xcel Energy Center in St. Paul.
    Stevie Nicks, left, and Lindsey Buckingham performed Friday night with Fleetwood Mac at Xcel Energy Center in St. Paul. (Photo: Courtney Perry)

    Fleetwood Mac
    Xcel Energy Center
    Saint Paul, Minnesota
    Friday, January 16, 2015

    Pink did it. So did Bruno Mars.

    Last year, they both came back to the Twin Cities for the second time on the same tour and they were noticeably better the second time around.

    Fleetwood Mac returned to the Twin Cities on Friday for a second time in four months and they didn’t do it. They weren’t better. But they were noticeably different even though they played the exact same set list at the Xcel Energy Center as they had at Target Center in September.

    (Photo: Courtney Perry)
    (Photo: Courtney Perry)

    The Minneapolis show was all about the return of singer/keyboardist Christine McVie after a 16-year retirement. That concert, the first on the On with the Show Tour, was about giddy excitement, a rush of adrenaline and a warm, fuzzy feeling that this fractured family was somehow whole again. It was an evening of the democratic, polite, respectful Fleetwood Mac.

    Since then, the Rock Hall of Fame fivesome played 39 more concerts, took a four-week break for the holidays and chose St. Paul as the kick-off for the second leg of the tour. But Friday’s performance had a changed vibe. This wasn’t about the joy of having McVie back on board. Or as Stevie Nicks put it early in the evening: on the last leg, she would say that Fleetwood Mac welcomed McVie back and now it’s simply “she’s back.”

    (Photo: Courtney Perry)
    (Photo: Courtney Perry)

    This gig felt like “we’re getting back to work.” Sure, McVie’s contributions were significant, apparent from the opening notes of the first song, “The Chain,” with her high vocal harmonies ringing through clearly. There were several songs, including “You Make Lovin’ Fun” and the closing “Songbird,” that have returned to the repertoire after a long absence to the delight of fans. But McVie wasn’t the spark plug on Friday.

    No, that duty fell once again to singer/guitarist Lindsey Buckingham, who frankly has carried this band by force of personality (and will) and an obsessive attention to detail, pretty much ever since he and Nicks joined in 1975.

    (Photo: Courtney Perry)
    (Photo: Courtney Perry)

    With the sell-out crowd of nearly 16,000 not acting as amped as the Target Center crowd, the band kind of cruised along Friday, sounding good but never great. A good hour into the 2½-hour set, Buckingham took over for a solo version of “Big Love” and the intensity and momentum began building.

    Next Nicks joined him for “Landslide,” which she dedicated to her old pal Prince even though he wasn’t in attendance, and the couple who’d turned around Fleetwood Mac in the mid-’70s turned around this show midway. Their romantic tension that has fueled the band propelled the song, which ended with her hitting a high note, then glancing at him for approval, him rolling his eyes playfully and them grasping hands as the lights faded.

    (Photo: Courtney Perry)
    (Photo: Courtney Perry)

    Then came arguably the night’s highlight, “Never Going Back Again,” with Buckingham on lead vocals, Nicks on harmonies and their blend sounding like a male-female Everly Brothers. Buckingham was so overjoyed with their performance that he walked over to Nicks afterward in the darkness and gave her a hug that screamed “hot damn.”

    (Photo: Courtney Perry)
    (Photo: Courtney Perry)

    For the rest of the night, this band of geezers, ages 65 to 71, was as good as they’re likely to get at this stage of their lives and career (drummer Mick Fleetwood started this band in 1967 in England). “Over My Head” was appealingly countrified. “Gypsy” found Nicks in all her Stevie Nicksness, with a mystical story to introduce it and trippy dancing to elevate it. Buckingham, an underrated guitarist who seizes solo opportunities aggressively, went insane on “So Afraid.” “Go Your Own Way” was the perfect combination of emotion and release.

    (Photo: Courtney Perry)
    (Photo: Courtney Perry)

    If Frank Sinatra sings that love is lovelier the second time around, then someone could conclude that Fleetwood Mac made loving more fun the second half of the second time around.

    Twitter: @JonBream • 612-673-1719

    Jon Bream / Star Tribune / Saturday, January 17, 2015

  • The Mac is back!

    The Mac is back!

    Fleetwood Mac kicked off Leg 2 of the ON WITH THE SHOW TOUR on Friday night, performing at the Xcel Energy Center in Saint Paul, Minnesota.

    Stevie dedicated “Landslide” to Prince, who grew up in the “Twin Cities” of Minneapolis and Saint Paul. Friends for many years, Stevie and Prince collaborated on her 1983 hit “Stand Back.”

    (Photo: em)
    (Photo: em)
    (Photo: Jonathan Bing)
    (Photo: Jonathan Bing)
    (Photo: Caleb B)
    (Photo: Caleb B)
    (Photo: crawlykins)
    (Photo: crawlykins)
    (Photo: Jeff Kays)
    (Photo: Jeff Kays)
    (Photo: Jonathan Bing)
    (Photo: Jonathan Bing)
    (Photo: Kirk Marty)
    (Photo: Kirk Marty)
    (Photo: Lori & Julia)
    (Photo: Lori & Julia)
    (Photo: Malia Rowell)
    (Photo: Malia Rowell)
    (Photo: RFH)
    (Photo: RFH)

    Set List

    1. The Chain 13. Landslide
    2. You Make Loving Fun 14. Never Going Back Again
    3. Dreams 15. Over My Head
    4. Second Hand News 16. Gypsy
    5. Rhiannon 17. Little Lies
    6. Everywhere 18. Gold Dust Woman
    7. I Know I’m Not Wrong 19. I’m So Afraid
    8. Tusk 20. Go Your Own Way
    9. Sisters of the Moon 21. World Turning (encore 1)
    10. Say You Love Me 22. Don’t Stop
    11. Seven Wonders 23. Silver Springs
    12. Big Love 24. Songbird (encore 2)
  • ON WITH THE SHOW TOUR resumes tonight!

    ON WITH THE SHOW TOUR resumes tonight!

    Fleetwood Mac kicks off Leg 2 of the ON WITH THE SHOW TOUR tonight in Saint Paul, Minnesota, performing a show at the Xcel Energy Center. Check back later tonight for the concert recap.

    Get tickets for other shows on the tour!

    [slideshow_deploy id=’34787′]
  • New Year, New Tour!

    Fleetwood Mac resumes ON WITH THE SHOW Tour Jan 16. In the meantime, have a look back on 2014 and New Year’s Eve past!

    Fleetwood Mac kicks off the second leg of the ON WITH THE SHOW Tour at the Xcel Energy Center in Saint Paul, Minnesota on Friday, January 16. Tickets to this show and many others are still available!

    Top 10 Fleetwood Mac moments of 2014

    Watch Stevie and Mick on out NBC’s A Toast to 2014.


    REWIND: Stevie rocks the House of Blues on New Year’s Eve 1999

    Enjoy these rare clips of Stevie performing “Outside the Rain” and “Dreams” at the House of Blues at the Mandalay Bay Resort and Casino in Las Vegas on New Year’s Eve 1999. Stevie performed a series of sold-out, intimate concerts at the end of December 1999 and the beginning of January 2000, dubbed the “Pondering the Millennium” shows.

    Outside the Rain (courtesy of desrtangl)

    Dreams – partial clip (courtesy of desrtangl)

    REWIND: Fleetwood Mac sing Auld Lang Syne in Las Vegas, New Year’s Eve 2013

    Fleetwood Mac performed a private New Year’s Eve show at the MGM Grand Garden Arena exactly one year ago today. Watch a clip of the band performing the seasonal classic “Auld Lang Syne” at the strike of midnight!

    Leg 2 Tour Dates: US & Canada continued

    DATE

    LOCATION

    VENUE

    1/16 Saint Paul, MN Xcel Energy Center
    1/17 Lincoln, NE Pinnacle Bank Arena
    1/20 Grand Rapids, MI Van Andel Arena
    1/22 New York Madison Square Garden
    1/24 Atlantic City, NJ Boardwalk Hall
    1/25 Uniondale, NY Nassau Coliseum
    1/28 Providence, RI Dunkin Donuts Center
    1/30 Washington, DC Verizon Center
    1/31 Buffalo, NY First Niagara Center
    2/3 Toronto, ON Air Canada Centre
    2/5 Montreal, QC Bell Centre
    2/7 Uncasville, CT Mohegan Sun
    2/8 Newark, NJ Prudential Center
    2/11 Des Moines, IA Wells Fargo Arena
    2/12 Milwaukee, WI BMO Harris Bradley Center
    2/14 Rosemont, IL Allstate Arena
    2/17 Louisville, KY KFC YUM! Center
    2/18 Cleveland, OH Quicken Loans Arena
    3/1 Austin, TX Frank Erwin Center
    3/3 Houston, TX Toyota Center
    3/4 Dallas, TX American Airlines Center
    3/7 Charlotte, NC Time Warner Cable Arena
    3/8 Knoxville, TN Thompson-Boling Arena
    3/11 North Little Rock, AR Verizon Arena
    3/12 Oklahoma City, OK Chesapeake Energy Arena
    3/15 Charlottesville, VA John Paul Jones Arena
    3/17 Greensboro, NC Greensboro Coliseum
    3/18 Nashville, TN Bridgestone Arena
    3/21 Miami, FL American Airlines Arena
    3/23 Orlando, FL Amway Center
    3/25 Atlanta, GA Philips Arena
    3/27 St. Louis, MO Scottrade Center
    3/28 Kansas City, MO Sprint Center
    3/31 Wichita, KS INTRUST Bank Arena
    4/1 Denver, CO Pepsi Center
    4/4 Vancouver, BC Pepsi Live at Rogers Arena
    4/6 Bakersfield, CA Rabobank Arena
    4/7 Oakland, CA Oracle Arena
    4/10 Inglewood, CA The Forum
    4/11 Las Vegas, NV MGM Grand Garden Arena
  • REVIEW: Fleetwood Mac lands at Amalie Arena in Tampa

    REVIEW: Fleetwood Mac lands at Amalie Arena in Tampa

    The rumors are indeed true: with Christine McVie’s return, the Mac is back and better than ever.

    It’s often said that the whole is greater than the sum of its parts. That age-old adage is particularly relevant in reference to rock bands that attempt to forge ahead and record or tour without a key member in tow; the results can be uneven or sub-standard at best. While Fleetwood Mac already had a lengthy catalog to their credit by the time they revamped their lineup and adopted more of a pop sound in the mid-1970’s, the UK-spawned blues/rock group’s greatest success came when the dynamics of all its different personalities meshed and translated into hit singles and million-selling albums. [Text by Gabe, photos by Tracy.]

    (Photo: Tracy May)
    (Photo: Tracy May)

    Fleetwood Mac reached unimaginable heights when breezy, laid-back Californians Stevie Nicks and Lindsay Buckingham were welcomed to the fold and the band debuted their new look, sound and feel to the world with a magnificent 1975 self-titled album. A major factor in the band’s newly attained success was the emergence of veteran songwriter and vocalist Christine McVie. With her cool vocal delivery and impressive keyboard work, McVie’s presence was as much a factor in the band’s dominance of sales charts as Buckingham and Nicks.

    (Photo: Tracy May)
    (Photo: Tracy May)

    Christine dropped out of Fleetwood Mac in the late 1990s to enjoy a quiet, reserved retirement in her rural English estate, but on this latest tour (following a highly successful jaunt around the globe in 2013), she returned to the lineup after 17 years away, apparently having missed the rush of onstage performance and the camaraderie of touring with her bandmates. The constant ovations she received all night long at this past Saturday night’s sold-out concert at Tampa’s Amalie Arena proved the fans are more than a little pleased she’s back.

    Opening the final night of the tour’s first leg (the band resumes their North American trek in mid-January), the familiar quintet (with some assistance from a trio of backup singers and some additional musicians) hit the stage just after 8 and without the aid of any warm-up act, got things off to a rollicking start with “The Chain,” a signature tune hat shows off the distinctive flavor each member brings to the table. Nicks’s all-too-familiar instantly recognizable vocal acrobatics, Buckingham’s exquisite guitar arrangements, John McVie’s booming bass lines, Mick Fleetwood’s solid drum work and Christine’s subtle keyboard fills and wonderfully deep, breathy, cooing voice.

    (Photo: Tracy May)
    (Photo: Tracy May)

    The massive stage was bathed in stark blue lights as Nicks, a dynamic performer as either a solo artist or lead muse of the group, rocked and swayed from side to side clad in one of her traditional black dresses replete with fringe and lace at her perch front and center. Her long blond locks flowing, Nicks looked and sounded better than she has in years. Her loyal legion of fans tend to dress in look-alike outfits when attending her shows and Saturday night was no exception; scores of blond ladies sporting top hats, black boots and flowing lacy garments were easy to spot in the packed crowd.

    If there was one low point about the band’s last visit to the area, it was the absence of all those great Christine McVie songs that were omitted from the set throughout their superb summer 2013 arena show. Welcome additions to Saturday’s setlist included “Dreams,” “Say You Love Me” and “Over My Head,” all integral to the Mac singles canon and all McVie-led numbers. Whether standing at her bank of keys stage left or shaking a pair of maracas center stage or sporting a mini accordion, McVie’s presence, comfort level and command of her gorgeous vocals seemed to come as naturally as ever. One would never know the striking 71-year old had been away from the stage for nearly two decades.

    (Photo: Tracy May)
    (Photo: Tracy May)

    Hits and lesser-known album cuts featured prominently throughout the lengthy 24-song setlist. Nicks had plenty of time to shine throughout her own fair share of mega-hits she’s contributed throughout the band’s tenure. There’s a lot more to Stevie Nicks than eccentric costumes, inimitable and instantly recognizable vocal style and whimsical poetic lyrics — Stevie is a storyteller and a purveyor of positivity. Almost as engaging as her heartfelt readings of “Rhiannon” and “Dreams” were her rich, descriptive between-song chit-chat and anecdotes. Whether describing how visiting a funky San Francisco clothing boutique in the 1960s served as the inspiration for her 1982 hit “Gypsy” or humbly asserting the belief that any single person in attendance is capable of making their dreams come true as long as they don’t let anyone stand in their way, it’s clear why Nicks draws such a rabid, dedicated legion of fans and has done so for the better part of 40 years.

    For all the depth and hit power that Nicks and McVie emanated from the stage, it is truly singer-songwriter-guitar wizard Lindsay Buckingham who draws the mightiest and most awe-inspiring responses when he takes command of the spotlight. Delivering razor-sharp takes on his compositions “Second Hand News” and “I Know I’m Not Wrong,” he sounded fantastic both vocally and through his incredibly unorthodox, unique guitar picking style. While he wowed the crowd plenty of times throughout the night, notably via his solo acoustic mind-melding and rather frantic take on “Big Love,” the raucous standing ovation he received after the jaw-dropping, extended guitar gymnastics he displayed as he stomped from side to side of the massive stage during “I’m Not Afraid” summed up the love and affection the mostly 50-plus-aged audience still hold in their hearts for Fleetwood Mac and its individual members.

    A massive screen at the rear of the stage sporting crystal-clear images was matched in clarity by the sweet, perfect, long-missed three-part harmonies Nicks, McVie and Buckingham shared all night. At no point were they more in sync, more beautifully layered or more impressive than in the band’s most recognizable hit, “Don’t Stop,” which featured prominently during one of the night’s encores. All three took turns alternating through their designated verses but the sound of them singing in unison on this joyous, inspiring tune really summed up the elation felt by their throng of long-time fans of having the most successful and treasured Mac lineup in history back together and on the road again.

    The nearly three-hour set (sans intermission) came to a poignant close with Christine McVie planted center stage, sitting behind a massive black grand piano and delicately delivering an absolutely gorgeous rendition of her tender ballad “Songbird,” originally from the band’s 1977 masterpiece Rumors, one of the best-selling albums of all time. How fitting that the woman whose return to the fold has been the main draw for this current tour closed the night and show off with the style and finesse that had long been missing.

    Wrapping up the night after the music had ended was Nicks and Mick Fleetwood each taking turns alone at the microphone conveying what it means to the band to have McVie back on board and delivering heartfelt words of thanks and appreciation to the fans who have attended the 40 shows leading up to this one, the final night of the current run.

    While it certainly would have been simple for a band as well-loved as Fleetwood Mac to deliver an abbreviated set of hits and not much else, they went out of their way to deliver a lengthy, exciting performance that seemed to please every single person who’d purchased a ticket. Casual fans and die-hards alike had to be pleased with the varied setlist and the individual contributions each and every band member brought to the nearly-three hour party.

    Set List:

    The Chain
    You Make Loving Fun
    Dreams
    Second Hand News
    Rhiannon
    Everywhere
    I Know I’m Not Wrong
    Tusk
    Sisters of the Moon
    Say You Love Me
    Seven Wonders
    Big Love
    Landslide
    Never Going Back Again
    Over My Head
    Gypsy
    Little Lies
    Gold Dust Woman
    I’m So Afraid
    Go Your Own Way

    Encore:

    World Turning
    Don’t Stop
    Silver Springs

    Second Encore:

    Songbird

    Gabe Echazabal and Tracy May / Creative Loafing Tampa Bay / Monday, December 22, 2014

  • REVIEW: Fleetwood Mac better than ever

    REVIEW: Fleetwood Mac better than ever

    Fleetwood Mac was better than ever at BB&T Center on December 19, 2014

    Fleetwood Mac
    BB&T Center, Sunrise
    Friday, December 19, 2014

    Better than: Anyone had the right to expect.

    (Photo: Sayre Berman)
    (Photo: Sayre Berman)

    All those who packed into the BB&T Center at the penultimate show of the much-heralded Fleetwood Mac reunion tour truly felt they were attending a landmark event.

    After some 48 years of slinging hugely successful albums and holding down a reputation as rock’s most notorious traveling soap opera, the sold out performance was testimony to Fleetwood’s longevity and durability. But the fact that the band still sounds remarkable — some might say better than ever — ensured its three hour, awe-inspiring show was one for the ages.

    And much was made of the fact that Christine McVie’s return to the fold after an absence of 15 years was a remarkable feat in itself.

    “She’s back!” Stevie Nicks noted at the outset. It was a feeling of euphoria that Lindsey Buckingham and Mick Fleetwood echoed at various points throughout the 24-song set, packed with hits, fan favorites, and even the occasional rarity. Indeed, it was well worth noting that at age 71, McVie looks at least twenty years younger, and her rich, riveting vocals showed no sign of diminishing whatsoever.

    (Photo: Sayre Berman)
    (Photo: Sayre Berman)

    In truth, the same could be said of each member of this tireless ensemble. Nicks retained her trademark quiver, her top hat, granny dresses, and a mystic fairy queen sensibility — not to mention the ability to literally spin in circles whenever the occasion called.

    Buckingham, at age 65, showed the dexterity of someone half his age, whether he was goose-stepping across the stage, adopting a reliable rock star posture, or proving, yet again, that despite the competition from predecessors like Peter Green or Jeremy Spencer, he remains one of the most nimble guitarists Mac has ever fronted.

    Fleetwood himself is far from a figure head, a remarkable time keeper whose tasteful flourishes, commanding rhythms and role as the band’s eternal cheerleader often puts him center stage. He offered a semi-unplugged interlude, a breathless drum solo, and heartfelt and humbling remarks as the concert came to a close.

    As for that other individual name-checked in the band’s handle, suffice it to say he played the role of the stoic bass player to a tee, yet his apparent lack of an onstage persona and reticence to join the others in sharing the kudos and commentary offered the impression he was basically along for the ride.

    It’s a remarkable thing that even now, the group’s voices and harmonies are as vibrant as they were back in the beginning.

    (Photo: Sayre Berman)
    (Photo: Sayre Berman)

    While many veteran bands need an army of support players to effectively convey their classic melodies, the Mac brings along a relatively sparse support team consisting of two extra musicians on guitar, occasional keyboards, and three subtle backing singers to, at times, flesh out the vocals. That leaves the main players to do the heavy lifting, a task they accomplish exceedingly well.

    Buckingham’s fretwork, as previously mentioned, is nothing short of astonishing, and on songs such as “World Turning,” “Never Going Back,” and the lovely “Landslide” — one of the concert’s most fragile interludes and one of its best — he demonstrated a remarkable dexterity that deserves all the kudos the critics have given. As Fleetwood noted during the band introductions, Buckingham is the one member of the group who literally never leaves the stage.

    As for the songs themselves, it’s the big band numbers that elicit the most enthusiastic response, and rightfully so. Opening number “The Chain,” perhaps an unintended homage to the group’s continuing trajectory, was greeted with a rapturous response, as was the well-heeled, more familiar fare like “Second Hand News,” “Rhiannon,” “Say You Love Me,” and natch, the irrepressible “Go Your Own Way.”

    It’s obvious that those who refer to them as the quintessential soft rock band are way off the mark. This group rocks hard, with a drive and determination that rivals any of its venerable contemporaries.

    Add to that already impressive presentation an amazing array of back projected images — ranging from magnified views of the band to scenes that look as if they were lifted from The Hobbit, to spectacular hallucinatory light displays — and the show was a total sensory experience.

    Still, it was another element that made it so special. There was the fact that the individual members — bassist McVie excluded — took time to expound on the band’s contentious history and complicated interpersonal relationships. Likewise, the band’s affection for the audience was clear.

    Noting a sign that said its holder had just had a stroke and that being at the concert was on his bucket list, Nicks not only dedicated a song to him but repeatedly assured him that he would be just fine. It was a kind gesture indeed. So too, Nicks’ and Fleetwood’s concluding homage to the fans and expressions of appreciation for their devotion throughout the years made that final send-off especially touching. While the song “Don’t Stop” implores its listeners, “Don’t you look back,” it’s all but impossible not to feel the love that makes that exhortation all but impossible to abide by.

    Critic’s Notebook

    Personal Bias: It was the first time I’d ever seen the Mac, and it was as fulfilling as it might have been back in the day. One of the best concerts this critic has ever seen.
    The Crowd: Totally enthused, wholly adoring, frequently standing, and smitten entirely.
    By the Way: With a band now well into its 60s and in Christine McVie’s case her 70s, there is definitive proof that age is all but meaningless as far as making music is concerned.

    Set List

    The Chain
    You Make Loving Fun
    Dreams
    Second Hand News
    Rhiannon
    Everywhere
    I Know I’m Not Wrong
    Tusk
    Sisters of the Moon
    Say You Love Me
    Seven Wonders
    Big Love
    Landslide
    Never Going Back Again
    Over My Head
    Gypsy
    Little Lies
    Gold Dust Woman
    I’m So Afraid
    Go Your Own Way

    Encore:
    World Turning
    Don’t Stop
    Silver Springs

    Encore 2:
    Songbird

    Lee Zimmerman / Broward Palm Beach New Times / Monday, December 22, 2014