Inside the Sleeve: Fleetwood Mac – Mirage

Fleetwood Mac Mirage cover 1982This long-awaited studio follow-up to Tusk doesn’t harken back to that somewhat disappointing 1979 album, nor does it bear much semblance to the band’s earlier, more successful releases, such as Fleetwood Mac and Rumours. It is unique — pleasant enough — but hardly destined for the multi-platinum status of its predecessors.

The over-all feel is one of understatement. Nothing stands out in particular, and the group seems more interested in creating a pleasant little summertime groove than in grabbing listeners by the shoulders and shaking them up. It is an album of fair-to-mediocre songs that somehow add up to more than the sum of their parts.

The writing credits are divided fairly equally among Christine McVie, Stevie Nicks and Lindsey Buckingham, whose five numbers are all fairly banal. He writes silly, lightweight pop songs in the Paul McCartney vein, and none of the band’s remaining four members seem very interested in adding anything inspiring. As a result, “Empire State” and “Book of Love” have that same thin, unexciting feel as the numbers on Buckingham’s recent solo release, Law and Order.

However, the material by McVie and Nicks is strong enough to save the album. McVie’s songs are unassuming, but pleasant. “Only Over You” is dedicated to Beach Boy Dennis Wilson, and utilizes some nice little Beach Boys harmonies. As for Nicks, although her “Gypsy” is a song in search of a melody, “Straight Back” is the best thing on the album. Nicks’ vocals soar over a simple and pervasive backbeat, raising the song almost to the status enjoyed by such Fleetwood classics as “Rhiannon.”

Over all, though, Mirage seems a touch uninspired. In the rhythm section, drummer Mick Fleetwood and bassist John McVie appear to be going through the motions, straining themselves as little as possible. In fact, there’s more meat to one side of Nicks’ recent solo effort, “Dreams,” than Mirage can boast in total.

  • Pop
  • Mirage Fleetwood Mac
  • Saturday, July 17, 1982
  • Warner Brothers 92 36071

Alan Niester / Globe and Mail (Canada) / July 17, 1982

2022 Tour

Stevie Nicks

Jazz Aspen Snowmass
Snowmass, CO
Labor Day 2022

Ravinia Festival
Highland Park, IL
September 8, 2022
September 10, 2022

Pine Knob Music Theatre
Clarkston, MI
September 13, 2022
w/ Vanessa Carlton

Sea Hear Now Festival
Asbury, NJ
September 17, 2022

Xfinity Center
Mansfield, MA
September 19, 2022
w/ Vanessa Carlton

Maine Savings Amphitheatre
Bangor, ME
September 22, 2022
w/ Vanessa Carlton

Sound on Sound Festival
Bridgeport, CT
September 24-25, 2022

Ohana Festival
Dana Point, CA
September 30, 2022

Hollywood Bowl
Los Angeles, CA
October 3, 2022
w/ Vanessa Carlton

Ak-Chin Pavilion
Phoenix, AZ
October 6, 2022
w/ Vanessa Carlton

Cynthia Woods Mitchell Pavilion
The Woodlands, TX
October 9, 2022
w/ Vanessa Carlton

Ameris Bank Amphitheatre
Alpharetta, GA
October 12, 2022
w/ Vanessa Carlton

Ascend Amphitheater
Nashville, TN
October 16, 2022
w/ Vanessa Carlton

Credit One Stadium
Charleston, SC
October 19, 2022
w/ Vanessa Carlton

PNC Music Pavilion
Charlotte, NC
October 22, 2022
w/ Vanessa Carlton

MIDFLORIDA Credit Union Amphitheatre
Tampa, FL
October 25, 2022
w/ Vanessa Carlton

iTHINK Financial Amphitheatre
West Palm Beach, FL
October 28, 2022
w/ Vanessa Carlton

Edge of Midnight (2020)

Beautiful People Beautiful Problems (2017)

New Release

Stevie Nicks, Stand Back 1981-2017, compilation

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