Extending their tour into 2015 won’t deter Fleetwood Mac from recording what might become their first album in almost three decades of new songs composed by Lindsey Buckingham, Christine McVie and Stevie Nicks.
During a telephone conversation last week, Buckingham said McVie had presented him with demos of her new compositions. “Piano and voice,” he said. He brought them back to his studio in Los Angeles. With McVie’s approval, he added, “I took massive liberties with them.”
Nicks was “otherwise engaged. A running commentary these days,” he said, perhaps referring to preparations for her exhibition of her self-portrait photography now ongoing at the Morrison Hotel galleries in Los Angeles and New York as well as the release last week of 24 Karat Gold: Songs from the Vault, her album of new versions of old, mostly unfamiliar compositions. “Christine and I were able to concentrate on each other,” Buckingham said. “We were exploring some new turf. That became enlightening to me.”
With Christine McVie back in the band for the first time in 16 years, Fleetwood Mac will be on the road through next March. “We never envisioned finishing the album in the short term,” he said. “We set it aside. Stevie will come in and participate. I have material I had been working on. There’s no danger that it will slip between the tracks. It’s too profound to.”
Buckingham hinted the band might tour behind new material. The current “On With The Show” concert tour features only songs from Fleetwood Mac’s hit-making era from 1975 through 1987’s Tango in the Night, the last album to feature Buckingham, McVie and Nicks with drummer Mick Fleetwood and bassist John McVie.
“Once we finish it,” Buckingham said, “we can think about going out and trying something new.”
As for the vibe now among the quintet with Christine McVie back on board, he said, “It’s a very interesting thing when someone who helped to define the interaction leaves for that amount of time. You don’t know how it’s going to play out. But this something that feels really good. It feels really circular.”
Jim Fusilli is the Journal’s rock and pop music critic. Email him
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Jim Fusilli / Wall Street Journal / Wednesday, October 15, 2014