On Sunday night, Maddie Poppe sang “Landslide” for the American Idol 2018 finale. Maddie is one of three contestants vying for this year’s covted AI crown.
https://www.youtube.com/watch?v=gVutHEKBzHs

On Sunday night, Maddie Poppe sang “Landslide” for the American Idol 2018 finale. Maddie is one of three contestants vying for this year’s covted AI crown.
https://www.youtube.com/watch?v=gVutHEKBzHs

Chloe Kohanski performs Stevie Nicks’ classic ballad ‘Landslide’ on NBC’s The Voice Knockouts round in October 2017.

Stevie made a surprise appearance at The Troubadour in Los Angeles on Friday night, performing onstage with One Direction star Harry Styles. Harry was promoting his eponymous debut solo album, which was released on May 12.
Stevie came onstage toward the end of the show. Harry affirmed to the crowd that he was in the presence of greatness.
“I’m pretty sure that this was going to be up there with one of the best nights of my life. If there was any doubt, I’m pretty sure I’d like to confirm, in my entire life, I never thought I’d be able to say this: Please welcome to the stage, Stevie Nicks.”
Stevie first accompanied Harry on his song “Two Ghosts,” and then the two performed “Landslide” and “Leather and Lace,” serenading each other to thunderous audience appreciation.
A big fan of Stevie’s, Harry was instantly brought to tears when the legendary Miss Nicks came out onstage.
Two Ghosts (One Direction Fan)
Landslide (annelise mendez)
Landslide (One Direction Fan)
Landslide story (One Direction Fan)
Leather and Lace (One Direction Fan)

Stevie Nicks performed the Fleetwood Mac classic “Landslide” on Wednesday night’s America’s Got Talent finale. After the performance, AGT host Nick Cannon asked what kind of advice Stevie had for finalist Grace Vanderwaal, to which she replied, “She reminds me a lot of me [because] in a lot ways we sing very similar. And we like to be quirky and we like to be a little weird and different and not exactly like everybody else. But we like that, and she’s got it. Whatever happens, Grace is going to the top!”
Nick wrapped up Stevie’s segment by promoting her upcoming 24 Karat Gold Tour (which begins in Phoenix on October 25) and, most importantly, declaring her “The Queen of Rock and Roll” to the 13+ million viewers who watched the finale.
https://www.youtube.com/watch?v=SqvD3pz3pCE
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Lady Antebellum have been closing their summer shows with Fleetwood Mac’s classic “Landslide.” The band, which is currently in the middle of the Wheels Up Tour with special guest Hunter Hayes, added the perennial favorite as an encore to their set in June. From the videos below, it’s clear that their rendition has been a good-old-fashioned-sing-along session with audiences.
Stevie Nicks has shared a special bond with the country trio ever since they collaborated on CMT Crossroads in 2013. In 2014, the two powerhouse acts found themselves together once again, first with Stevie adding her vocals to a special rerecorded version of the band’s 2013 song “Golden” and then Lady Antebellum turning up on Stevie’s “Blue Water” from 24 Karat Gold: Songs from the Vault.
Here are two recent performances of “Landslide” from the band’s June 2 concert in Irvine, California and July 29 pre-show acoustic performance in West Valley City, near Salt Lake City. (Get ready to bust out the tissues!)

Stevie Nicks took the stage of the Good Morning America ready to entertain. The legend was on the Friday morning show for the Good Morning America Summer Concert Series in front of hundreds who gathered early. Held in New York City, at Central Park the crowd got a mini-concert of magnitude proportions.
Giving the fans exactly what they wanted Stevie Nicks performed two of her best known classics, Rhiannon and Landslide. Dressed in her tradition black costume seen on stay throughout her concert tour, the entertainer looked delighted to be part of the morning show. After her performance, the live crowd shared exactly how they felt about the show. Screaming and clapping, it made their morning for the perfect performance.
Over the summer the Good Morning America show has brought in entertainers to share with the crowd. From Lady Gaga to Miranda Lambert, the celebrities who have offered up free concerts in the park have brought America a taste of what they do at their concerts and how they are heard on the latest albums. Stevie Nicks is a special treat as she is not only promoting new music, but is familiar with millions.
Take a look at the video clips of Stevie Nicks performing on Good Morning America.
For What It’s Worth (feat. Michael Campbell) (courtesy: Lady from the Mountain)
https://www.youtube.com/watch?v=X2cxEY–i7Q
Landslide (courtesy: WPPCProductions)
https://www.youtube.com/watch?v=_QqTUhDqAKw
Rhiannon (courtesy: Lady from the Mountain)
https://www.youtube.com/watch?v=gZ0Sdp18uS4
Backstage (courtesy: WPPCProductions)
https://www.youtube.com/watch?v=8Wl9Ju2-284
Landslide / For What It’s Worth – Rehearsal (courtesy: hejiranyc)
Rhiannon (courtesy: hejiranyc)
Rhiannon / Stand Back / Ghosts Are Gone (courtesy: Aiy_M)
Stand Back / Ghosts Are Gone (courtesy: hejiranyc)
Good Morning America / August 26, 2011
Stevie appeared on Oprah Winfrey’s “Rock Goddesses” episode (101). Stevie and her band performed “Secret Love” and “Landslide”.
Stevie told the audience, “I’ve been waiting my whole life to sing this to you, Oprah. This is ‘Landslide’.” Sheryl Crow joined Stevie during the song, providing harmony vocals.
Episode: 101
Description: It’s an “Oprah-palooza!” Rock goddesses Stevie Nicks, Joan Jett, Pat Benatar, hip-hop legends Salt-N-Pepa and more are here to rock your world with their biggest hits.
Aired: April 13, 2011
(video courtesy of Lady from the Mountain)
https://www.youtube.com/watch?v=DrFXAhLvvE8
(video courtesy of StevieNicksHD)
https://www.youtube.com/watch?v=J6qIbVj7YxU
Lead Vocals: Stevie Nicks
Lead Guitar: Waddy Wachtel
Bass: Al Ortiz
Drums: Jimmy Paxson
Guitar: Carlos Rios
Keyboards: Ricky Peterson
Percussion: Lenny Castro
Background Vocals (“Landslide”): Sheryl Crow
Background Vocals: Sharon Celani
Background Vocals: Lori Nicks
Section: Songwriters & Publishers
“LANDSLIDE”
Written by Stevie Nicks
Published by Welsh Witch
Music: Sony/ATV Music (BMI)
Among the many treasures in Fleetwood Mac’s repertoire, the beautiful ballad “Landslide” is one of the most memorable. Penned by Stevie Nicks, the tune was first recorded on the band’s self-titled 1975 album and was released in 1980. However, the song didn’t chart as a single until it was culled from the Mac’s most recent album, “The Dance.” It climbed to No. 10 on Billboard’s Adult Contemporary chart in April 1998 and peaked at No. 51 on The Billboard Hot 100 in August last year:
Most recently the song received a gorgeous, harmony-laden treatment from California-based folk/pop foursome Venice on its new albums, “Spin Art.” The Vanguard Records act consists of brothers Mark and Michael Lennon and their cousins Pat and Kipp Lennon (brother of “The Lawrence Welk Show’s” singing Lennon Sisters). “Landslide” is the only cover tune on the 13-track album.
“Growing up as a family, we always listened to the Beatles, Crosby, Stills & Nash, and the Eagles. Then Fleetwood Mac came along the blew us away,” says Mark Lennon. “When we formed a band 20 years ago, we started doing cover tunes, playing all the clubs in Hollywood. They’d tell me, ‘You’re 14. You come out to sing’ … Then we started writing our own original stuff and doing acoustic shows in 1988 or ’89.
“We started doing a few covers in our acoustic shows and decided to do ‘Landslide.’ We did it in the same key as Stevie Nicks. We just added our own harmonies on the chorus, and people were going crazy.
“We did it for so many years that everybody started saying, ‘You guys should record that. Finally, on this album we were talking about doing a cover time tune. We do the Jackson 5’s ‘I Want You Back’ in our live show for our blended together; but everyone kept saying, ‘You need to do “Landslide.”‘ So finally after all these years, we said, ‘Let’s record it, and if it makes the 12 or 13 of the final cut, it’s there.’
So that’s what we did. It made the cut on the album, and now we’re getting this great feedback from it.”
Lennon says Nicks’ gift as a lyricist makes the song an enduring classic. “Stevie Nicks writes in such an incredible way. Her lyrics are so different. Ten different people could tell you what that song means, and it would all be different meanings … The Lyrics mean something else to everybody. That’s how mystical she is. She can really pull you in. You can make her songs what you want them to be about. Overall, that song is undeniably a beautiful hit.”
Deborah Evans Price / Billboard / September 18, 1999

NOT ONLY IS Fleetwood Mac no longer blues oriented, it isn’t even really British: The two newest members, Lindsey Buckingham (guitar and vocals) and Stevie Nicks (vocals, acoustic guitar) are American, and all five members are now based in Los Angeles.
The band began its spiritual journey to L.A. a half-dozen albums ago on Future Games when it was led by the often dazzling guitarist/singer Danny Kirwan. Kirwan is long gone but his inspiration lingers in the songs and singing of Christine McVie (who’s also developed into an effective keyboard player) and in the electric guitar playing of Buckingham, who likes to interpose aching, Kirwanesque leads and textured, Byrds-like rhythm lines. Thanks to their efforts, Fleetwood Mac is easily the group’s best and most consistent album since Bare Trees, the last to feature Kirwan.
The four songs written and sung by Christine McVie make it clearer than ever that she’s one of the best female vocalists in pop, and a deft song craftswoman as well. “Say You Love Me,” “Over My Head,” “Sugar Daddy” and “Warm Ways” transform conventional pop-song structures into durably attractive and believably genuine pieces – each sounds like an ideal radio song. McVie’s singing — slightly husky, not beautiful but unaffected — is simply captivating; she does everything right.
But her contributions have been a strong point since she first appeared with the group on Kiln House; what makes this album a marked improvement over the last several are the efforts of Buckingham, who gives Fleetwood Mac a distinguished and fitting guitar and vocal presence, something the band has lacked since Kirwan’s departure. Of the four tracks he dominates, “Monday Morning” has the most initial appeal, but the hard-edged guitar song, “World Turning” (a McVie/Buckingham collaboration) and the gorgeously somber “I’m So Afraid” stand out more and more as the album grows more familiar.
Nicks, on the other hand, has yet to integrate herself into the group style. Compared to McVie’s, her singing seems callow and mannered, especially on “Landslide,” where she sounds lost and out of place — although to be fair, this is more a problem of context than of absolute quality. Her “Rhiannon,” colored by Buckingham’s Kirwan-style guitar, works a little better and “Crystal,” on which Buckingham joins her on lead vocal, suggests that she may yet find a comfortable slot in this band.
Thanks to the rapport that is evident between McVie and Buckingham, Fleetwood Mac adds up to an impressively smooth transitional album.
© Bud Scoppa / Rolling Stone / September 25, 1975