Tag: Paul Fishkin

  • Danny Goldberg describes key role in launching Bella Donna

    Danny Goldberg describes key role in launching Bella Donna

    On Saturday, Danny Goldberg was the latest guest on Stefan Adika’s Talking Wax in a new episode titled “Stevie Nicks: Breaking Away from Fleetwood Mac!”

    In the 20-minute segment, Danny talks about his pivotal role (along with Paul Fishkin) in building the vehicle for Stevie’s solo career with the release of Bella Donna (1981). He shared fond memories of working closely with Stevie and recalled how she “gives energy to other people,” making those around her feel important and involved in her creative process. 

    Listen to the full interview below. 

  • Paul Fishkin on Stevie Nicks’ creativity, confidence

    Paul Fishkin on Stevie Nicks’ creativity, confidence

    The talent and force of nature that is Stevie Nicks is undeniable. Her style and charisma riveted the world and her music defined a generation. But beyond that, she found her voice in a time and place where women struggled to be heard.

    As part of Fleetwood Mac, Stevie co-wrote and sang on Rumours, one of the most successful, best-selling albums of all time. It became their legacy and songs like “Go Your Own Way,” “Dreams,” and “The Chain,” would mark the cornerstone of their success for decades to come. Fleetwood Mac made history and would be acknowledged as one of the most influential rock bands to come out of that era. But there was much more music in Stevie to give. Paul Fishkin, who was President of Bearsville Records and dated Stevie Nicks at the time, played a pivotal role in Stevie’s decision to inevitably launch a solo career. “She loved being in the group, but she was overflowing with artistic ideas, and she needed more than that, to be constrained by three songs a record and constrained by the fact that she couldn’t do anything else.”

    The decision to start a solo career wasn’t an easy one and was met with both opposition and doubt. Even though her loyalty was still to Fleetwood Mac, starting projects outside of your group wasn’t something that was encouraged, especially in the ’70s. Going solo was considered the kiss of death by industry standards. But Stevie made the leap of faith and joined Modern Records, founded by Paul Fishkin and Danny Goldberg. She would go on to record her next five solo albums with the label, including quadruple-platinum Bella Donna. Not only was Stevie a massive success as part of Fleetwood Mac, but she gained the recognition she deserved as a solo artist, marking her place in history as a legend and an icon.

    Stevie Nicks is a powerful songwriter and songstress, but she is also a pioneer. She broke the status quo of what women in the industry were supposed to be and forged her own path. She wore what she wanted, sang what she wanted, and didn’t let anyone else define who she was. In a conversation I had with Paul, he so eloquently said:

    “If you have the strength to do what you want in the way you want to do it and not be a prisoner of what our society and culture demand of us, if you have the absolute faith in what you wanna do and have the balls to do it, that’s a heroic idea…to not be in fear of what the rules are telling you to do. Just do what you feel is the best for your creativity and not compromise it, and so Stevie had that belief in herself and that belief in the idea that her artistic view and creativity was important for her and that she would do it and not let anybody discourage her from doing that. She was in a man’s world, but she wasn’t going to let herself be talked out of what she was doing. And even though at times she got intimidated by male musicians, and they hurt her feelings, she stood up to that.”

    Stevie Nicks believed in her abilities, had faith in herself, and was fearless when it came to sharing her music with the world. There was strength in her vulnerability, and beauty in her fight. She went her own way and laid the blueprint for countless others to follow, even to this day.

    It takes nerves of steel to stand on your own as a female artist in the face of adversity and in the faces of those who doubt you. It takes courage to be willing to share your gift, at the risk of opening yourself up to criticism. And it takes a hero to do it all with grace.

    Stevie Nicks is and always will be a pioneer, an icon, and a hero.

    Keldine Hull / Inspirer / July 18, 2017

  • Happy 35th Anniversary, Bella Donna!

    Happy 35th Anniversary, Bella Donna!

    Bella Donna
    (Herbert W. Worthington III)

    Stevie Nicks‘ debut solo album and crowning commercial achievement Bella Donna turns 35 today.

    Packed with radio-friendly tracks, Bella Donna spawned four Top 40 singles: “Stop Draggin’ My Heart Around” (with Tom Petty & The Heartbreakers) (#3), “Leather and Lace” (with Don Henley) (#6), “Edge of Seventeen” (#11), and “After the Glitter Fades” (#32) To date, Bella Donna has sold than 5 million copies in the United States and Canada and 10 million copies worldwide. In 1982, Nicks earned two Grammy nominations for Best Rock Vocal Female for “Edge of Seventeen”; and Best Rock Vocal Group for “Stop Draggin’ My Heart Around.”

    Stevie Nicks
    (Photo: HBO)

    Nicks supported the release of Bella Donna with a short 10-date national tour, dubbed “The White Winged Dove Tour.” The tour culminated with a series of concerts at the iconic Wiltern Theatre in Los Angeles, parts of which were later broadcast on HBO and NBC Radio. Nicks created one of the strongest set lists of her touring career, performing an unprecedented 8 tracks from a single album (Bella Donna); Fleetwood Mac classics “Dreams,” “Sara,” “Rhiannon,” and “Gold Dust Woman”; high-level deep cuts “Blue Lamp” and “Gold and Braid”; and even a Tom Petty cover, “I Need to Know.”

    Jimmy Iovine Stevie Nicks
    Jimmy Iovine and Stevie Nicks, 1981 (Photo: Chris Walter)

    Nicks began her mission to launch a solo career in the late 1970s, planning the ambitious career move with record executives Paul Fishkin, Danny Goldberg, and Doug Morris. “I had all these tunes stored up,” Nicks explained. “I really needed to know that I could do something on my own” (People, 1982).

    (Photo: Herbert W. Worthington, III)
    (Photo: Herbert W. Worthington, III)

    Along the way, the Nicks A-team recruited Tom-Petty-producer Jimmy Iovine, who enlisted Petty and the rest of his band The Heartbreakers to play on Nicks’ record. Nicks rounded our her band with backup singers Sharon Celani and Lori Nicks, who remain dear friends and loyal bandmates to this day.

    Rolling Stone magazine
    In 1981, Rolling Stone crowned Stevie Nicks as “the reigning queen of rock and roll.”

    “I was particularly nervous about making this album,” Nicks revealed, “because I knew I wouldn’t have [the four other members of Fleetwood Mac] to blame if it didn’t do well. Fortunately, I had great people to work with who encouraged me constantly” (BAM, 1981).

    Thirty-five years later, Bella Donna stands as Stevie Nicks’ most important recording, with timeless songs that continue to inspire and move generations of listeners. Fans would heartily agree “the feeling remains even after the glitter fades.”

    https://stevienicks.info/2013/02/vintage-monday-gold-and-braid/

    https://stevienicks.info/2013/05/vintage-video-edge-of-seventeen/