Tag: Rhiannon

  • The Last Word: Stevie Nicks

    Stevie Nicks, Rolling Stone, The Last Word, March 23 2017, klonopin, Buckingham McVie, Fleetwood Mac album
    (Rolling Stone, RS1283)
    Stevie Nicks, Rolling Stone, The Last Word, March 23 2017, klonopin, Buckingham McVie, Fleetwood Mac album
    (Rolling Stone, RS1283)

    Stevie Nicks appears in the March 23, 2017 issue of Rolling Stone (RS1283). She is featured in “The Last Word,” a Q&A column on page 58 of the magazine. Here is an exclusive transcript of the feature.

    The Last Word: Stevie Nicks

    The singer on approaching 70, what she learned battling Klonopin, and when she’ll be back with Fleetwood Mac

    What’s the hardest part of success?

    I work very, very hard. I have a piece of typewritten paper here that says, “You keep going and you don’t stop.” You do your vocal lesson. I have a lot of friends from high school and college who want to hang out when I play in their city. I have to rest for my show. It breaks my heart, but what comes first? Don’t endanger my show. That’s been my mantra my whole life: Don’t endanger my show.

    Who is your hero?

    Michelle Obama, because she has such an optimistic outlook and she was able to move into the White House with kids and do such a beautiful, graceful job. That had to be really hard. After spending two weeks with my family for the holidays, which was long and emotionally difficult, I know that’s superhard. I think she’s wisdom personified.

    What advice would you give to your younger self?

    How about my early-forties self? That’s when I walked out of Betty Ford after beating coke. I spent two months doing so well. But all my business managers and everyone were urging me to go to this guy who was supposedly the darling of the psychiatrists. That was the guy who put me on Klonopin. This is the man who made me go from 123 pounds to almost 170 pounds at five feet two. He stole eight years of my life.

    Maybe I would have gotten married, maybe I would have had a baby, maybe I would have made three or four more great albums with Fleetwood Mac. That was the prime of my life, and he stole it. And you know why? Because I went along with what everybody else thought. So what I would tell my 40-year-old self: “Don’t listen to other people. In your heart of hearts, you know what’s best for you.”

    What do you understand about men that you didn’t understand in your twenties?

    I understood men pretty well in my twenties. Lindsey [Buckingham] and I lived together like married people. I had one girlfriend in Los Angeles in those years, so I really had a lot of different types of men in my life that I really got to know and respect.

    I made a choice to not get married. After eight years of Klonopin, I was just gonna follow my muse, and if somebody came into my life, they would always end up being second. I wanted so badly to do what I’m doing right now.

    What have 42 years as a member of Fleetwood Mac taught you about compromise?

    A lot, because when you’re in a band you have to be part of the team. There’s something comforting about that. But in my solo career, I get to be the boss. Having both, for a Gemini like myself, is perfect. And I knew that in 1981: that me having a solo career would only make Fleetwood Mac better.

    Lindsey Buckingham and Christine McVie are about to release an album as a duo. It seems like it started as a Fleetwood Mac album, but you chose not to participate.

    I’ve been on the road [solo] since last September, so I don’t understand their premise. Christine was gone [from Fleetwood Mac] for 16 years and came back, did a massive tour, and then it’s like, “Now I’m just gonna go back to London and sit in my castle for two years”? She wanted to keep working. I will be back with them at the end of the year for, I think, another tour. I just needed my two years off. Until then, I wish them the best in whatever they do.

    Do you want to make a new record with them?

    I don’t think we’ll do another record. If the music business were different, I might feel different. I don’t think there’s any reason to spend a year and an amazing amount of money on a record that, even if it has great things, isn’t going to sell. What we do is go on the road, do a ton of shows and make lots of money. We have a lot of fun. Making a record isn’t all that much fun.

    How do you feel about turning 70 in two years?

    I don’t like that number. I see lots of people my age, and lots of people who are younger than me, and I think, “Wow, those people look really old.” I think it’s because they didn’t try. If you want to stay young, you have to make an effort. If I wanna walk onstage in a short chiffon skirt and not look completely age-inappropriate, I have to make that happen. Or you just throw in the towel and let your hair turn white and look like a frumpy old woman. I’m never gonna go there.

    Do you ever see yourself retiring?

    I’ll never retire. My friend Doug Morris, who’s been president of, like, every record company, said to me once, “When you retire, you just get small.” Stand up straight, put on your heels, and get out there and do stuff. I want to do a miniseries for the stories of Rhiannon and the gods of Wales, which I think would be this fantastic thing, but I don’t have to retire from being a rock star to go and do that. I can fit it all in.

    Andy Greene / Rolling Stone (RS1283) / March 23, 2017

  • Katherine Winston covers ‘Rhiannon’ on American Idol

    Katherine Winston covers ‘Rhiannon’ on American Idol

    Katherine Winston infused Fleetwood Mac’s classic “Rhiannon” with her own bohemian sensibilities, which earned her a spot in the American Idol Top 24.

    Watch her perform a funked-up rendition of “Rhiannon” below.

    https://www.youtube.com/watch?v=XXGTOqDE-v8

  • Stevie Nicks delivers solid gold performance on Fallon

    Stevie Nicks delivers solid gold performance on Fallon

    When last Stevie Nicks met Jimmy Fallon, the latter was wearing a blonde wig and playing the part of Tom Petty for a performance of “Stop Draggin’ My Heart Around.” Last night, Nicks returned to The Tonight Show, this time in support of recent archival release 24 Karat Gold: Songs From The Vault. She delivered a sterling rendition of “Lady” along with a piano ballad version of Fleetwood Mac’s classic “Rhiannon”. Watch both performances below.

    Despite the new solo release, Nicks is still out on the road with the Christine McVie-featuring Fleetwood Mac. Their next string of dates picks up in Canada (Winnipeg, to be exact) on November 10th, and they have stops scheduled all over North America through March 31st, 2015. See their full itinerary here.

    Ben Kayeon / Consequence of Sound / Tuesday, November 4, 2014

    THE TONIGHT SHOW STARRING JIMMY FALLON -- Episode 0154 -- Pictured: Musical guest Stevie Nicks performs on November 3, 2014 -- (Photo by: Douglas Gorenstein/NBC/NBCU Photo Bank via Getty Images)
    (Douglas Gorenstein / NBC)

    Rhiannon

    https://www.youtube.com/watch?v=Xn4ozPvSkhw

  • VIDEOS: Stevie performs ‘Lady,’ ‘Rhiannon’ on Tonight Show

    VIDEOS: Stevie performs ‘Lady,’ ‘Rhiannon’ on Tonight Show

    Stevie Nicks performed “Lady” (accompanied by pianist Ricky Peterson), a single from her latest solo album 24 Karat Gold on Monday’s edition of The Tonight Show Starring Jimmy Fallon. Stevie also played the grand piano herself to perform a bonus acoustic version of “Rhiannon” (shared below and available exclusively online on The Tonight Show website).

    Lady

    Special thanks to Skip for capturing and sharing this video.

    (video removed)

    Rhiannon (Web Exclusive)

    (video removed)

    Tales from Tour (Web Exclusive)

    (video removed)

  • Watch Stevie act, sing, and twirl on American Horror story: Coven

    Watch Stevie act, sing, and twirl on American Horror story: Coven

    [jwplayer mediaid=”13397″]

    Stevie kicked off the winter return of American Horror Story: Coven, appearing as herself in Episode 10, aptly titled “The Magical Delights of Stevie Nicks.” In the episode, Stevie sang “Rhiannon” (from the 1975 album Fleetwood Mac) and “Has Anyone Ever Written Anything for You” (from the 1985 album Rock a Little) while playing the piano and acted briefly in the scene, in which she presents Misty Day with a special shawl that had “danced across the stages of the world.”

    The video includes all the important and relevant scenes that deal with Stevie!

  • Stevie Nicks visits the American Horror Story Coven

    Stevie Nicks visits the American Horror Story Coven

    Something wickedly amazing this way comes!

    Stevie Nicks makes her American Horror Story: Coven debut in the appropriately titled “The Magical Delights of Stevie Nicks,” airing tomorrow night, and we’ve got your exclusive first look at the singer-songwriter in action.

    So what brings the Fleetwood Mac singer to New Orleans? She’s there to sing (!) with her No. 1 fan Misty Day (Lily Rabe) and to wish her luck with the Seven Wonders, a test which will prove the hippie swamp witch is the coven’s next Supreme. In our exclusive sneak peek, Nicks makes Misty’s dreams come true when she teaches her how to shawl-twirl. Oh, and she gifts Misty with one of her legendary shawls as well. Who needs the Seven Wonders when you have One Stevie Nicks Shawl?!

    And as if an exclusive sneak peek wasn’t enough, we also chatted with Nicks (Yes, our hearts are still shawl-twirling over this fact) about her highly anticipated guest appearance, and we just had to know if the shawl she gifted Rabe with in that scene was actually one from her own collection. It was…but the one Misty ends up wearing in the episode isn’t. We’ll let Nicks explain.

    “That was my shawl that I was wearing, but that shawl Lily was wearing was not [mine] because that shawl is in another scene that I haven’t seen, but that I read in the script,” she tells us. “I wasn’t there, so she used a shawl that they had and it got dragged through the mud or something. They couldn’t just switch shawls. They’re all about continuity; they’re photographing your earrings and every single thing you wear. I would have loved for her to wear one of my shawls, but I did give her my shawl at the end of the twirl. She got the Stevie shawl, but it wasn’t to have a starring role.”

    We’re happy to report no real Stevie Nicks shawls were harmed in the making of this episode.

    Check back with us tomorrow for more shawl-related scoop from Stevie Nicks. And yes, we managed to ask her some other stuff about her guest appearance on

    American Horror Story: Coven airs Wednesdays at 10 p.m. on FX.


    Tierney Bricker / E! Online / Wednesday, January 8, 2014


    Stevie Nicks talks American Horror Story Coven appearance


    Keith Caulfield / Billboard / Wednesday, January 8, 2014

  • VIDEOS: Stevie Nicks performs Rhiannon, Landslide on GMA

    VIDEOS: Stevie Nicks performs Rhiannon, Landslide on GMA

    Stevie Nicks took the stage of the Good Morning America ready to entertain. The legend was on the Friday morning show for the Good Morning America Summer Concert Series in front of hundreds who gathered early. Held in New York City, at Central Park the crowd got a mini-concert of magnitude proportions.

    Giving the fans exactly what they wanted Stevie Nicks performed two of her best known classics, Rhiannon and Landslide. Dressed in her tradition black costume seen on stay throughout her concert tour, the entertainer looked delighted to be part of the morning show. After her performance, the live crowd shared exactly how they felt about the show. Screaming and clapping, it made their morning for the perfect performance.

    Over the summer the Good Morning America show has brought in entertainers to share with the crowd. From Lady Gaga to Miranda Lambert, the celebrities who have offered up free concerts in the park have brought America a taste of what they do at their concerts and how they are heard on the latest albums. Stevie Nicks is a special treat as she is not only promoting new music, but is familiar with millions.

    Take a look at the video clips of Stevie Nicks performing on Good Morning America.

    Broadcast

    For What It’s Worth (feat. Michael Campbell) (courtesy: Lady from the Mountain)

    https://www.youtube.com/watch?v=X2cxEY–i7Q

    Landslide (courtesy: WPPCProductions)

    https://www.youtube.com/watch?v=_QqTUhDqAKw

    Rhiannon (courtesy: Lady from the Mountain)

    https://www.youtube.com/watch?v=gZ0Sdp18uS4

    Backstage (courtesy: WPPCProductions)

    https://www.youtube.com/watch?v=8Wl9Ju2-284

    Rehearsals

    Landslide / For What It’s Worth – Rehearsal (courtesy: hejiranyc)

    Rhiannon (courtesy: hejiranyc)

    Rhiannon / Stand Back / Ghosts Are Gone (courtesy: Aiy_M)

    Stand Back / Ghosts Are Gone (courtesy: hejiranyc)

    Good Morning America / August 26, 2011

  • Fleetwood Mac

    Fleetwood Mac

    Fleetwood MacNOT ONLY IS Fleetwood Mac no longer blues oriented, it isn’t even really British: The two newest members, Lindsey Buckingham (guitar and vocals) and Stevie Nicks (vocals, acoustic guitar) are American, and all five members are now based in Los Angeles.

    The band began its spiritual journey to L.A. a half-dozen albums ago on Future Games when it was led by the often dazzling guitarist/singer Danny Kirwan. Kirwan is long gone but his inspiration lingers in the songs and singing of Christine McVie (who’s also developed into an effective keyboard player) and in the electric guitar playing of Buckingham, who likes to interpose aching, Kirwanesque leads and textured, Byrds-like rhythm lines. Thanks to their efforts, Fleetwood Mac is easily the group’s best and most consistent album since Bare Trees, the last to feature Kirwan.

    The four songs written and sung by Christine McVie make it clearer than ever that she’s one of the best female vocalists in pop, and a deft song craftswoman as well. “Say You Love Me,” “Over My Head,” “Sugar Daddy” and “Warm Ways” transform conventional pop-song structures into durably attractive and believably genuine pieces – each sounds like an ideal radio song. McVie’s singing — slightly husky, not beautiful but unaffected — is simply captivating; she does everything right.

    But her contributions have been a strong point since she first appeared with the group on Kiln House; what makes this album a marked improvement over the last several are the efforts of Buckingham, who gives Fleetwood Mac a distinguished and fitting guitar and vocal presence, something the band has lacked since Kirwan’s departure. Of the four tracks he dominates, “Monday Morning” has the most initial appeal, but the hard-edged guitar song, “World Turning” (a McVie/Buckingham collaboration) and the gorgeously somber “I’m So Afraid” stand out more and more as the album grows more familiar.

    Nicks, on the other hand, has yet to integrate herself into the group style. Compared to McVie’s, her singing seems callow and mannered, especially on “Landslide,” where she sounds lost and out of place — although to be fair, this is more a problem of context than of absolute quality. Her “Rhiannon,” colored by Buckingham’s Kirwan-style guitar, works a little better and “Crystal,” on which Buckingham joins her on lead vocal, suggests that she may yet find a comfortable slot in this band.

    Thanks to the rapport that is evident between McVie and Buckingham, Fleetwood Mac adds up to an impressively smooth transitional album.

    © Bud Scoppa / Rolling Stone / September 25, 1975